There are at least 8 artists called "X".
1: X (America)
X w… Read Full Bio ↴There are at least 8 artists called "X".
1: X (America)
X were far from the first punk rock band in Los Angeles, and they weren't the first to achieve some level of nationwide recognition, but in a very real way, they were the ones who put the L.A. punk scene on the map. X were the first L.A. punk band to be taken seriously by the rock press on both coasts, and at a time when many wondered how punk could thrive in the land of all that was mellow, X played music that was as raw, passionate, and powerful as anything coming out of New York, London, or any other major city. X's melding of punk's speed and ferocity with the sounds of rockabilly, blues, country, and other roots music styles would prove to be wildly influential in the years that followed, as were the off-kilter harmonies of John Doe and Exene Cervenka. And while they never enjoyed the commercial breakthrough that many believed was their due, X were massively popular in their home town and could successfully headline large outdoor venues like the Greek Theater, proving there was an audience for punk in the City of the Angels. Their first two independently released albums -- 1980's Los Angeles and 1981's Wild Gift -- were critical favorites and sold remarkably well by small-label standards, helping establish Slash Records as a major independent label as well as defining the group's unique approach. The band moved up to a major label, Elektra Records, with their unique sound and integrity intact on 1982's superb Under the Big Black Sun. After Zoom left the band, they soldiered on with new guitarist Tony Gilkyson on 1987's underrated See How We Are, but most of their fans remained loyal to the original lineup, and they remained a popular live attraction after reuniting with Zoom in 1998. Those fans would have to wait until 2020 for a new studio album from X, when Alphabetland was released to immediate and widespread acclaim.
X was formed by bassist, vocalist, and songwriter John Doe (born John Nommensen Duchac), who moved to Los Angeles in 1976. Born and raised in Baltimore, where he'd played in a number of forgotten bar bands, Doe had discovered punk rock after hearing Patti Smith's Horses and was eager to form a band in his new home town. Through a newspaper ad, Doe met Billy Zoom (born Ty Kindell), a gifted guitarist originally from Savannah, Illinois who had been playing rockabilly, blues, and R&B in L.A. for years, and had backed Gene Vincent during the rockabilly icon's last shows. Like Doe, Zoom had discovered the Ramones and wanted to play music that was fast, loud, and honest, and they began jamming together. Shortly before meeting Zoom, Doe had met Exene Cervenka (aka Christine Cervenkova) who, like Doe, had recently arrived in Los Angeles (in her case from Tampa, Florida) and was interested in poetry. Doe and Cervenka were attending the same poetry workshop, and bonded over their shared tastes in literature. Doe and Cervenka started dating, and when he read one of her pieces and thought it had the makings of a good song, he asked her permission to sing it in the band he was forming with Zoom. Cervenka said she'd prefer to sing it herself, and before long, she was rehearsing with Doe and Zoom, with her enthusiasm compensating for her lack of musical experience. Naming themselves X, the new band went through a handful of drummers after making their debut at a house party in 1977; their original drummer was a guy named Mick Basher, and reportedly, K.K. Barrett of the Screamers and Nicky Beat of the Weirdos sat in with them on occasion, but when Doe saw the Eyes performing at The Masque, L.A.'s first punk club, he saw their drummer was just what he and Zoom had been looking for: someone whose style was smart but simple, and who hit a big snare drum really hard. That drummer was D.J. Bonebrake, and he played his first gig with X in February 1978.
It didn't take long for X to make a name for themselves on the L.A. punk scene, and later the same year, the group recorded their first single, "Adult Books" b/w "We're Desperate," released by the seminal West Coast punk label Dangerhouse Records. The single sold well, and X's song "Los Angeles" appeared on the label's sampler LP Yes L.A., but the band was unhappy with Dangerhouse's business practices, and opted to record their first full-length album for Slash Records, an offshoot of the key L.A. punk 'zine. X had also won a valuable ally in Ray Manzarek, former keyboard player with the Doors; Manzarek was impressed with X's bold music and literate songs, as well as their open admiration of his former group (they had taken to covering "Soul Kitchen" on-stage). Manzarek played keys at a few X gigs and offered to produce their first album. Recorded on a slim budget of $10,000, Los Angeles was released in April 1980, and immediately received rave reviews from punk fanzines and the big-league music press; it was an immediate success in the band's home town, and as word spread nationwide, the album sold over 50,000 copies, an impressive sum for an independent punk album. Along with steady touring, fans outside of California were seeing X thanks to the documentary The Decline of Western Civilization, which focused on the L.A. punk community and gave the group a healthy amount of admiring screen time. 1980 also marked the year Doe and Cervenka became man and wife, with their relationship informing the lyrics to many of their songs.
X's second album, Wild Gift, appeared in May 1981, a few months after the release of their single "White Girl." Also produced by Ray Manzarek, the critical reception for Wild Gift was just as enthusiastic as it was for Los Angeles; sales also matched those of the debut, and before long, X were not just L.A.'s most popular punk band, but one of the town's biggest bands period, and became the first unsigned rock band to headline L.A.'s Greek Theater. Major labels finally came calling, and X signed a deal with Elektra Records, which released Under the Big Black Sun in July 1982. Manzarek once again produced, and while the bigger recording budget resulted in a fuller sound, the group's approach was essentially the same, and while critics and fans were once again impressed with X's passionate music and street-level lyrics, radio still wasn't ready for them, and the album failed to sell significantly better than Los Angeles or Wild Gift, despite plenty of touring and occasional television appearances. The same fate befell 1983's More Fun in the New World, as the band continued to sit at the top of the heap in L.A. without making significant headway elsewhere.
In 1984, Doe, Cervenka, and Bonebrake released an album by their acoustic side project the Knitters, while X recorded a bombastic cover of the Troggs' "Wild Thing" which appeared on the soundtrack of the film Major League. The "Wild Thing" single was produced by Michael Wagener, who had worked with heavy metal bands such as Mötley Crüe and Dokken; Wagener returned to produce X's next album, 1984's Ain't Love Grand, and while one tune from the album, "Burning House of Love," earned steady MTV airplay, the album's more polished sound didn't favor the band, and both critics and fans were disappointed while radio programmers and mainstream audiences paid little attention. Disappointed with the band's failure to break through to a mass audience, Billy Zoom left X in 1985, and the divorce of Doe and Cervenka, who had wed in 1980, didn't help relations in the group. Dave Alvin, guitarist with the Blasters and a collaborator in the Knitters, was recruited to join the band, and while he was an ideal fit for X, by the time they completed the recording of 1987's See How We Are, he was offered a record deal as a solo act and opted to leave. Tony Gilkyson, formerly with Lone Justice, took part in the recording of See How We Are and became X's lead guitarist after the album was released. While the album was a strong piece of work, sales were disappointing, and after releasing Live at the Whisky A Go-Go in 1988, X quietly broke up.
After the band's breakup, Doe launched a solo career with the album Meet John Doe in 1990, and also pursued a career as an actor, appearing in a number of notable film and television projects. Exene Cervenka released her first solo LP, Old Wives' Tales, in 1989, and recorded both acoustic and rock music as a solo artist and with the bands the Original Sinners and Auntie Christ; Cervenka also wrote and published poetry, created visual art, and acted in the film Salvation, where she met actor Viggo Mortensen, whom she married in 1987 and divorced in 1997. Billy Zoom stayed out of the public eye, primarily working in his own shop fixing and modifying guitar amplifiers, while D.J. Bonebrake stayed busy working with a wide variety of musicians and playing with a pair of jazz combos, the Bonebrake Syncopators and Orchestra Superstring. In 1993, after the success of Nirvana's Nevermind had opened up radio to more adventurous sounds, X reunited with Tony Gilkyson on guitar and recorded the album Hey Zeus! Reaction to the album was polite but not enthusiastic, and after the release of 1995's Unclogged, a live album drawn from a series of acoustic shows, the group once again retired.
In 1998, to the surprise of many, the classic X lineup of Doe, Cervenka, Zoom, and Bonebrake reunited for a handful of shows in Los Angeles. The reunion shows were rapturously received by both fans and critics, and the band has staged periodic reunion tours ever since. A late-2004 stand at the Los Angeles House of Blues resulted in the live CD and DVD Live in Los Angeles, and X continue to perform despite Cervenka's announcement in 2009 that she had been diagnosed with Multiple Sclerosis.
In January 2019, X announced that the original lineup had gone into the recording studio for the first time since they cut 1985's Ain't Love Grand. The band recorded five songs with producer Rob Schnapf, and the following October, the first track was released online. "Delta 88 Nightmare" was a new version of a song X had performed and demo'ed in the '80s but had never recorded in its final form. The song was also made available on a 7" vinyl single in November 2019, with "Cyrano de Berger’s Back," a tune Doe had written and recorded with the Flesh Eaters, appearing on the flipside. The group returned to the studio to cut more songs, including a handful of new compositions, and in April 2020, after X were forced to cancel touring plans due to the COVID-19 pandemic, they offered their fans a consolation prize in the form of Alphabetland, a ten-song album that recaptured the sound and spirit of their celebrated early recordings.
Biography by Mark Deming
There are other artists with the same name:
2: X (Australia)
The Australian band called X, formed in 1977 by Rose Tattoo bassist Ian Rilen and Steve Lucas. They initially called themselves Evil Rumours. Their debut LP Aspirations (recorded by the equally great Lobby Loyde) is a punk classic (and was later reissued in the US by the revered Amphetamine Reptile label). Search for it you will be glad you did. A couple of members passed away early in their career. Cathy Green became a permanent fixture on drums. They were being groomed for bigger things and their LP ...And More was to get a big push from the label (White) but there was "an incident" involving the label and although the album was released it was no longer a priority. Probably because of this the band has long periods of inactivity, but continue to play nearly 30 years later including May / June 2009 with legendary San Francisco punks Flipper. They have released many albums and have a great reputation for their live-shows! Sadly Ian Rilen passed away in late 2006 from cancer, but Kim Volkman has stepped up to the plate. Their 2nd LP At Home With You has been reissued on Aztec Music with a bonus live album. Their music has been covered by the New Bomb Turks and feedtime amongst others. The classic debut Aspirations has just been reissued by Aztec Music.
3: X (Japan)
Metal band from Japan, founded in 1982, X changed their name to X JAPAN in 1992-08, when HEATH joined the band. Releases until Jealousy / Say anything belong to X. Later releases belong to X JAPAN.
4. Czech punk band formed in 2003.
5. Bulgarian metal band
6. An alias of Australian DJ Deepforces
7. An alias of Terekke
8. X is Javon Johnson, an American hip-hop lyricist from Houston, TX.
1: X (America)
X w… Read Full Bio ↴There are at least 8 artists called "X".
1: X (America)
X were far from the first punk rock band in Los Angeles, and they weren't the first to achieve some level of nationwide recognition, but in a very real way, they were the ones who put the L.A. punk scene on the map. X were the first L.A. punk band to be taken seriously by the rock press on both coasts, and at a time when many wondered how punk could thrive in the land of all that was mellow, X played music that was as raw, passionate, and powerful as anything coming out of New York, London, or any other major city. X's melding of punk's speed and ferocity with the sounds of rockabilly, blues, country, and other roots music styles would prove to be wildly influential in the years that followed, as were the off-kilter harmonies of John Doe and Exene Cervenka. And while they never enjoyed the commercial breakthrough that many believed was their due, X were massively popular in their home town and could successfully headline large outdoor venues like the Greek Theater, proving there was an audience for punk in the City of the Angels. Their first two independently released albums -- 1980's Los Angeles and 1981's Wild Gift -- were critical favorites and sold remarkably well by small-label standards, helping establish Slash Records as a major independent label as well as defining the group's unique approach. The band moved up to a major label, Elektra Records, with their unique sound and integrity intact on 1982's superb Under the Big Black Sun. After Zoom left the band, they soldiered on with new guitarist Tony Gilkyson on 1987's underrated See How We Are, but most of their fans remained loyal to the original lineup, and they remained a popular live attraction after reuniting with Zoom in 1998. Those fans would have to wait until 2020 for a new studio album from X, when Alphabetland was released to immediate and widespread acclaim.
X was formed by bassist, vocalist, and songwriter John Doe (born John Nommensen Duchac), who moved to Los Angeles in 1976. Born and raised in Baltimore, where he'd played in a number of forgotten bar bands, Doe had discovered punk rock after hearing Patti Smith's Horses and was eager to form a band in his new home town. Through a newspaper ad, Doe met Billy Zoom (born Ty Kindell), a gifted guitarist originally from Savannah, Illinois who had been playing rockabilly, blues, and R&B in L.A. for years, and had backed Gene Vincent during the rockabilly icon's last shows. Like Doe, Zoom had discovered the Ramones and wanted to play music that was fast, loud, and honest, and they began jamming together. Shortly before meeting Zoom, Doe had met Exene Cervenka (aka Christine Cervenkova) who, like Doe, had recently arrived in Los Angeles (in her case from Tampa, Florida) and was interested in poetry. Doe and Cervenka were attending the same poetry workshop, and bonded over their shared tastes in literature. Doe and Cervenka started dating, and when he read one of her pieces and thought it had the makings of a good song, he asked her permission to sing it in the band he was forming with Zoom. Cervenka said she'd prefer to sing it herself, and before long, she was rehearsing with Doe and Zoom, with her enthusiasm compensating for her lack of musical experience. Naming themselves X, the new band went through a handful of drummers after making their debut at a house party in 1977; their original drummer was a guy named Mick Basher, and reportedly, K.K. Barrett of the Screamers and Nicky Beat of the Weirdos sat in with them on occasion, but when Doe saw the Eyes performing at The Masque, L.A.'s first punk club, he saw their drummer was just what he and Zoom had been looking for: someone whose style was smart but simple, and who hit a big snare drum really hard. That drummer was D.J. Bonebrake, and he played his first gig with X in February 1978.
It didn't take long for X to make a name for themselves on the L.A. punk scene, and later the same year, the group recorded their first single, "Adult Books" b/w "We're Desperate," released by the seminal West Coast punk label Dangerhouse Records. The single sold well, and X's song "Los Angeles" appeared on the label's sampler LP Yes L.A., but the band was unhappy with Dangerhouse's business practices, and opted to record their first full-length album for Slash Records, an offshoot of the key L.A. punk 'zine. X had also won a valuable ally in Ray Manzarek, former keyboard player with the Doors; Manzarek was impressed with X's bold music and literate songs, as well as their open admiration of his former group (they had taken to covering "Soul Kitchen" on-stage). Manzarek played keys at a few X gigs and offered to produce their first album. Recorded on a slim budget of $10,000, Los Angeles was released in April 1980, and immediately received rave reviews from punk fanzines and the big-league music press; it was an immediate success in the band's home town, and as word spread nationwide, the album sold over 50,000 copies, an impressive sum for an independent punk album. Along with steady touring, fans outside of California were seeing X thanks to the documentary The Decline of Western Civilization, which focused on the L.A. punk community and gave the group a healthy amount of admiring screen time. 1980 also marked the year Doe and Cervenka became man and wife, with their relationship informing the lyrics to many of their songs.
X's second album, Wild Gift, appeared in May 1981, a few months after the release of their single "White Girl." Also produced by Ray Manzarek, the critical reception for Wild Gift was just as enthusiastic as it was for Los Angeles; sales also matched those of the debut, and before long, X were not just L.A.'s most popular punk band, but one of the town's biggest bands period, and became the first unsigned rock band to headline L.A.'s Greek Theater. Major labels finally came calling, and X signed a deal with Elektra Records, which released Under the Big Black Sun in July 1982. Manzarek once again produced, and while the bigger recording budget resulted in a fuller sound, the group's approach was essentially the same, and while critics and fans were once again impressed with X's passionate music and street-level lyrics, radio still wasn't ready for them, and the album failed to sell significantly better than Los Angeles or Wild Gift, despite plenty of touring and occasional television appearances. The same fate befell 1983's More Fun in the New World, as the band continued to sit at the top of the heap in L.A. without making significant headway elsewhere.
In 1984, Doe, Cervenka, and Bonebrake released an album by their acoustic side project the Knitters, while X recorded a bombastic cover of the Troggs' "Wild Thing" which appeared on the soundtrack of the film Major League. The "Wild Thing" single was produced by Michael Wagener, who had worked with heavy metal bands such as Mötley Crüe and Dokken; Wagener returned to produce X's next album, 1984's Ain't Love Grand, and while one tune from the album, "Burning House of Love," earned steady MTV airplay, the album's more polished sound didn't favor the band, and both critics and fans were disappointed while radio programmers and mainstream audiences paid little attention. Disappointed with the band's failure to break through to a mass audience, Billy Zoom left X in 1985, and the divorce of Doe and Cervenka, who had wed in 1980, didn't help relations in the group. Dave Alvin, guitarist with the Blasters and a collaborator in the Knitters, was recruited to join the band, and while he was an ideal fit for X, by the time they completed the recording of 1987's See How We Are, he was offered a record deal as a solo act and opted to leave. Tony Gilkyson, formerly with Lone Justice, took part in the recording of See How We Are and became X's lead guitarist after the album was released. While the album was a strong piece of work, sales were disappointing, and after releasing Live at the Whisky A Go-Go in 1988, X quietly broke up.
After the band's breakup, Doe launched a solo career with the album Meet John Doe in 1990, and also pursued a career as an actor, appearing in a number of notable film and television projects. Exene Cervenka released her first solo LP, Old Wives' Tales, in 1989, and recorded both acoustic and rock music as a solo artist and with the bands the Original Sinners and Auntie Christ; Cervenka also wrote and published poetry, created visual art, and acted in the film Salvation, where she met actor Viggo Mortensen, whom she married in 1987 and divorced in 1997. Billy Zoom stayed out of the public eye, primarily working in his own shop fixing and modifying guitar amplifiers, while D.J. Bonebrake stayed busy working with a wide variety of musicians and playing with a pair of jazz combos, the Bonebrake Syncopators and Orchestra Superstring. In 1993, after the success of Nirvana's Nevermind had opened up radio to more adventurous sounds, X reunited with Tony Gilkyson on guitar and recorded the album Hey Zeus! Reaction to the album was polite but not enthusiastic, and after the release of 1995's Unclogged, a live album drawn from a series of acoustic shows, the group once again retired.
In 1998, to the surprise of many, the classic X lineup of Doe, Cervenka, Zoom, and Bonebrake reunited for a handful of shows in Los Angeles. The reunion shows were rapturously received by both fans and critics, and the band has staged periodic reunion tours ever since. A late-2004 stand at the Los Angeles House of Blues resulted in the live CD and DVD Live in Los Angeles, and X continue to perform despite Cervenka's announcement in 2009 that she had been diagnosed with Multiple Sclerosis.
In January 2019, X announced that the original lineup had gone into the recording studio for the first time since they cut 1985's Ain't Love Grand. The band recorded five songs with producer Rob Schnapf, and the following October, the first track was released online. "Delta 88 Nightmare" was a new version of a song X had performed and demo'ed in the '80s but had never recorded in its final form. The song was also made available on a 7" vinyl single in November 2019, with "Cyrano de Berger’s Back," a tune Doe had written and recorded with the Flesh Eaters, appearing on the flipside. The group returned to the studio to cut more songs, including a handful of new compositions, and in April 2020, after X were forced to cancel touring plans due to the COVID-19 pandemic, they offered their fans a consolation prize in the form of Alphabetland, a ten-song album that recaptured the sound and spirit of their celebrated early recordings.
Biography by Mark Deming
There are other artists with the same name:
2: X (Australia)
The Australian band called X, formed in 1977 by Rose Tattoo bassist Ian Rilen and Steve Lucas. They initially called themselves Evil Rumours. Their debut LP Aspirations (recorded by the equally great Lobby Loyde) is a punk classic (and was later reissued in the US by the revered Amphetamine Reptile label). Search for it you will be glad you did. A couple of members passed away early in their career. Cathy Green became a permanent fixture on drums. They were being groomed for bigger things and their LP ...And More was to get a big push from the label (White) but there was "an incident" involving the label and although the album was released it was no longer a priority. Probably because of this the band has long periods of inactivity, but continue to play nearly 30 years later including May / June 2009 with legendary San Francisco punks Flipper. They have released many albums and have a great reputation for their live-shows! Sadly Ian Rilen passed away in late 2006 from cancer, but Kim Volkman has stepped up to the plate. Their 2nd LP At Home With You has been reissued on Aztec Music with a bonus live album. Their music has been covered by the New Bomb Turks and feedtime amongst others. The classic debut Aspirations has just been reissued by Aztec Music.
3: X (Japan)
Metal band from Japan, founded in 1982, X changed their name to X JAPAN in 1992-08, when HEATH joined the band. Releases until Jealousy / Say anything belong to X. Later releases belong to X JAPAN.
4. Czech punk band formed in 2003.
5. Bulgarian metal band
6. An alias of Australian DJ Deepforces
7. An alias of Terekke
8. X is Javon Johnson, an American hip-hop lyricist from Houston, TX.
紅
X Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I could not look back
You'd gone away from me
I felt my heart ache
I was afraid of following you
When I had looked at
The shadows on the wall
I started running into the
Night to find the
Truth in me
嵐吹くこの街がお前を抱く
吹き抜ける風にさえ目を閉じる
お前は走りだす 何かに追われるよう
俺が見えないのか
すぐそばにいるのに
人波に消えて行く記憶の吐息
愛のない一人舞台もう耐えきれない
All of you in my memory
Is still shining in my heart
すれ違う心は溢れる涙に濡れ
紅に染まった
この俺を 慰める奴はもういない
もう二度と届かないこの思い
閉ざされた愛に向かい
叫びつづける
お前は走りだす 何かに追われるよう
俺が見えないのか
すぐそばにいるのに
紅に染まった
この俺を 慰める奴はもういない
もう二度と届かないこの思い
閉ざされた愛に向かい
叫びつづける
紅に染まった
この俺を慰める奴はもういない
Oh, crying in deep red
You'd gone away from me
I felt my heart ache
I was afraid of following you
When I had looked at
The shadows on the wall
I started running into the
Night to find the
嵐吹くこの街がお前を抱く
吹き抜ける風にさえ目を閉じる
お前は走りだす 何かに追われるよう
俺が見えないのか
すぐそばにいるのに
人波に消えて行く記憶の吐息
愛のない一人舞台もう耐えきれない
All of you in my memory
Is still shining in my heart
すれ違う心は溢れる涙に濡れ
紅に染まった
この俺を 慰める奴はもういない
もう二度と届かないこの思い
閉ざされた愛に向かい
叫びつづける
お前は走りだす 何かに追われるよう
俺が見えないのか
すぐそばにいるのに
紅に染まった
この俺を 慰める奴はもういない
もう二度と届かないこの思い
閉ざされた愛に向かい
叫びつづける
紅に染まった
この俺を慰める奴はもういない
Oh, crying in deep red
The lyrics of X JAPAN's song Kurenai are full of pain, longing, and despair. The singer is lamenting the loss of someone close to him, and he is torn by his own emotions. He couldn't bear to look back, afraid to see that the person he loves has gone away. He feels a deep sense of heartache and fear that he might never be able to be with them again. The shadows on the wall serve as a metaphor for the singer's inner demons that he needs to confront. He runs into the night to find the truth in him, but he is unsure of what that truth might be.
The song speaks of longing and memories, and how painful it can be when someone we love is no longer with us. The singer realizes that he is completely alone, and no one can offer him any solace or consolation. His love and emotions are all-encompassing, and he cannot contain his tears. The song conveys a sense of hopelessness, as the singer's love is forever sealed away.
The powerful emotion is reflected in the heavy-metal instrumentals of the song, which blend perfectly with the lyrics. It is a song of sorrow and loss, and it resonates deeply within the hearts of the listeners. The song is an embodiment of pain and a testament to the enduring power of love.
Line by Line Meaning
I could not look back
I was unable to turn around
You'd gone away from me
You had left me
I felt my heart ache
My heart was in pain
I was afraid of following you
I was scared to pursue you
When I had looked at
As I gazed upon
The shadows on the wall
The figures cast by the light on the wall
I started running into the
I began to dash into
Night to find the
The darkness in search of
Truth in me
The truth within myself
The stormy city embraces you
The tempestuous town envelops you
Even closing my eyes to the passing wind
Even shutting my eyes to the gusting breeze
You start running as if being chased
You begin to run as if being pursued
Am I invisible to you?
Can you not see me?
Although you are right beside me
Even though you are right next to me
The sigh of memories fading with the crowd
The breath of recollections vanishing in the throng
I can no longer stand the solo of lovelessness
I can no longer endure the performance of lovelessness
All of you in my memory,
Is still shining in my heart
You are still shining in my heart through all of my memories
Our passing hearts are dampened by tears
Our fleeting emotions are soaked by tears
Nobody is there to comfort me, dyed in scarlet
There is no one to console me, drenched in red
These thoughts will never reach you again
These feelings will never reach you again
Shouting towards the love that was closed off
Screaming towards the love that was barred
You start running as if being chased
You begin to run as if being pursued
Am I invisible to you?
Can you not see me?
Although you are right beside me
Even though you are right next to me
Nobody is there to comfort me, dyed in scarlet
There is no one to console me, drenched in red
Lyrics © Sony/ATV Music Publishing LLC
Written by: Yoshiki
Lyrics Licensed & Provided by LyricFind
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@5000mrunify
すごい熱量だし忘れられない。41歳だけどたまに聞きたくなるんだ。
@user-bn2ix8gh5m
禿同
@user-ds4ro4pm4p
HEATHかっこよかったぞ！
どうか安らかに…
@user-pt2hr5nd7r
ヒースも天国い行きました。ヒデとヒースの再会を願ってます。2人とも最高だぜ！
@user-ku5gn5lj7x
ひでの代わりに私がなりました
@hidehide4663
この時のこの会場の何処かの客席に俺がいる。
このライブを生で観て聞けた事の感動に感謝したい。
@hiro0426able
一生の誇りに違いありません！☺️
@user-oo1ze9mq3y
羨ましすぎます…！！
わたしが生まれた時にはもうすでにhideは亡くなってましたからこの時のXに会うことはできません…😢
@user-kt6em9id5m
부럽다
@user-qs5ou7uh7r
まじ最高No.1