Zbigniew Preisner (born 20 May 1955 in Bielsko-Biała, Poland, birth name: Z… Read Full Bio ↴Zbigniew Preisner (born 20 May 1955 in Bielsko-Biała, Poland, birth name: Zbigniew Antoni Kowalski) is a Polish film score composer, best known for his work with film director Krzysztof Kieślowski.
Zbigniew Preisner studied history and philosophy in Kraków; never having received formal music lessons, he taught himself about music by listening and transcribing parts from records. His compositional style represents a distinctively spare form of tonal neo-romanticism.
Preisner is best known for the music composed for the films directed by fellow Pole Krzysztof Kieślowski. His "Song for the Unification of Europe", based on the Greek text of 1 Corinthians 13, is attributed to a character in Kieślowski's Three Colors: Blue and plays a dominant role in the story. His music for Three Colors: Red includes a setting of Polish and French versions of a poem by Wisława Szymborska, a Polish Nobel Prize-winning poet.
After working with Kieślowski on Three Colors: Blue, Preisner was hired by the producer Francis Ford Coppola to write the score for The Secret Garden, directed by Polish director Agnieszka Holland. Although Preisner is most closely associated with Kieślowski, he has collaborated with several other directors, winning a César in 1996 for his work on Jean Becker's Élisa. He has won a number of other awards, including another César in 1994 for Three Colors: Red and the Silver Bear at the 1997 Berlin Film Festival 1997 for The Island on Bird Street.
In 1998, Requiem for My Friend, Preisner's first large scale work not written for film, was premiered. It was originally intended as a narrative work to be written by Krzysztof Piesiewicz and directed by Kieślowski, but it became a memorial to Kieślowski after the director's death. He composed the theme music for The People's Century, a monumental twenty-six part documentary made jointly in 1994 by the BBC television network in the United Kingdom and the PBS television network in the United States. He has also worked with director Thomas Vinterberg on the 2003 film It's All about Love and provided orchestration for David Gilmour's 2006 album On an Island. Silence, Night, and Dreams is Zbigniew Preisner’s new recording project, a large-scale work for orchestra, choir, and soloists, based on texts from the Book of Job. The first recording was released in 2007 with the lead singer of Madredeus, Teresa Salgueiro, and boy soprano Thomas Cully from Libera.
Van den Budenmayer is a fictitious eighteenth-century Dutch composer created by Preisner and director Krzysztof Kieślowski for attributions in screenplays. Preisner said Van den Budenmayer is a pseudonym he and Kieślowski invented "because we both loved the Netherlands". Music by the Dutch composer plays a role in three Kieślowski films: The Decalogue, Three Colours: Blue, and Three Colours: Red . In the second of these, a theme from his musiques funèbres is quoted in "The Song for the Unification of Europe". Its E minor soprano solo is prefigured in the earlier film The Double Life of Veronique, where circumstances in the story prevent the solo from finishing.
Zbigniew Preisner studied history and philosophy in Kraków; never having received formal music lessons, he taught himself about music by listening and transcribing parts from records. His compositional style represents a distinctively spare form of tonal neo-romanticism.
Preisner is best known for the music composed for the films directed by fellow Pole Krzysztof Kieślowski. His "Song for the Unification of Europe", based on the Greek text of 1 Corinthians 13, is attributed to a character in Kieślowski's Three Colors: Blue and plays a dominant role in the story. His music for Three Colors: Red includes a setting of Polish and French versions of a poem by Wisława Szymborska, a Polish Nobel Prize-winning poet.
After working with Kieślowski on Three Colors: Blue, Preisner was hired by the producer Francis Ford Coppola to write the score for The Secret Garden, directed by Polish director Agnieszka Holland. Although Preisner is most closely associated with Kieślowski, he has collaborated with several other directors, winning a César in 1996 for his work on Jean Becker's Élisa. He has won a number of other awards, including another César in 1994 for Three Colors: Red and the Silver Bear at the 1997 Berlin Film Festival 1997 for The Island on Bird Street.
In 1998, Requiem for My Friend, Preisner's first large scale work not written for film, was premiered. It was originally intended as a narrative work to be written by Krzysztof Piesiewicz and directed by Kieślowski, but it became a memorial to Kieślowski after the director's death. He composed the theme music for The People's Century, a monumental twenty-six part documentary made jointly in 1994 by the BBC television network in the United Kingdom and the PBS television network in the United States. He has also worked with director Thomas Vinterberg on the 2003 film It's All about Love and provided orchestration for David Gilmour's 2006 album On an Island. Silence, Night, and Dreams is Zbigniew Preisner’s new recording project, a large-scale work for orchestra, choir, and soloists, based on texts from the Book of Job. The first recording was released in 2007 with the lead singer of Madredeus, Teresa Salgueiro, and boy soprano Thomas Cully from Libera.
Van den Budenmayer is a fictitious eighteenth-century Dutch composer created by Preisner and director Krzysztof Kieślowski for attributions in screenplays. Preisner said Van den Budenmayer is a pseudonym he and Kieślowski invented "because we both loved the Netherlands". Music by the Dutch composer plays a role in three Kieślowski films: The Decalogue, Three Colours: Blue, and Three Colours: Red . In the second of these, a theme from his musiques funèbres is quoted in "The Song for the Unification of Europe". Its E minor soprano solo is prefigured in the earlier film The Double Life of Veronique, where circumstances in the story prevent the solo from finishing.
Tu viendras
Zbigniew Preisner Lyrics
Instrumental
Writer(s): zbigniew preisner
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@dorianrawls1927
Hard not to have tears in my eyes when listening to this intro to the most beautifully emotional film I've ever watched...
There's a feeling of purity, the sheer innocence of childhood in this, of unparalleled joy yet with a slight dark foreboding feeling about Weronika's fate...
@ccavinod
simply beautiful!!!!
@Aliwins100
Sublime
@panagiotiszovas4246
i am looking desperately fot lyrics..
@moacirmarquesdossantos7780
Letra para Tu viendras (La Double Vie de Véronique) por Zbigniew Preisner
Przyjdziesz w upalny, skwarny dzień
Pod złoty żytni bróg
I legniesz jak liliowy cień
U moich nóg...
W stęsknioną pierś — tchniesz wonny dech,
Na skroń spaloną złożysz dłoń
Mym ustom podasz leśny mech
Rozzłocisz wzrokiem mroczną toń
Twój głos by srebrny sierp zadzwoni,
Gdy o dojrzały bije łan
Pochylisz ku mnie miodny dzban
Pić będę z twoich dłoni!
Przyjdziesz w upalny, skwarny dzień
W dolinę kwiatów, traw i słońca
Tam czekać będę z pieniem pień
Tam staniesz wszystka piękna... drżąca
@panagiotiszovas4246
thank you so much !!!
@moacirmarquesdossantos7780
@@vaibhav-23 the song is beautiful, but the language is very dificult for me, iam brazilian and speak portuguese
@MrSnuffer93
@@moacirmarquesdossantos7780 the lyrics are in Polish. Hope it helps!
@santiagosierra7394
love this!@@moacirmarquesdossantos7780