Track 11
p.o.s.t Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

C'mon, c'mon, yeah, c'mon, yeah

Uh ooooooooooooh
(uh oh oh oh)
Uh ooooooooooooh
(uh oh oh oh)
Uh ooooooooooooh
(uh oh oh oh)
Uh ooooooooooooh

If the partys where your at just let me know
Don't be trippin when you see us in the club
Just show a little love, represent your side like me
'Cause 'round here if you slick you pick a hot one
Ride shotgun, couple of 'em got one
Belvedere in the rear of the club
Pulled up on dubs and we 'bout to go and buy the bar up
So So, for sure we ain't playin
Hang with no lames, hit the park and sayin...
[Hook - Jagged Edge]
Ay, where the party at?
Girls is on the way, where the Bacardi at?
Models and models, talkin all a that
Know I can't forget about my thugs
(Where the party at?)
And all my girls
(Where the party at?)
Off in the club
(Where the party at?)
If the party's where you're at let me hear you say
Uh ooooooooooooh
(uh oh oh oh)
Uh ooooooooooooh
(uh oh oh oh)
Uh ooooooooooooh
(uh oh oh oh)
Uh ooooooooooooh
If the party's where you're at just let me know
All the girls in the club in they best outfits
Just showin that skin, tryna' make a nigga want to spit
Where you been girl? You and your friend
Need to come to the back where we got it locked down
In your white t-shirt or a three-piece suit
Don't matter what you wear all that matters is who you with
Some jiggy and some are straight grindin
All up in the club just to have a good time and
[Hook]

Just show me where that party at dirty
Somewhere where it's crackin right around one-thirty
Never get done too early
Come in as is, doo-rags and Tims
I'm rollin past his, his little Jag and Benz
With the Rolls, not the one with the stem (the one with the rims)
The one that seem to make more enemies than friends
I'm slidin in past doors, both eyes closed
Both arms rose, both charms froze
With the S-O-S-O, D-E dot F
I'm buyin bottles, bottles, until it ain't none left
I'm quick to go left, I blaze with no rep
I jams more than def, baby show me the club
I'm like "hey, where that Bacardi at?"
Come and mix it with the Cris', baby, what's wrong with that?
We in the V.I.P. twisted, down right spliffed it
Two way and shit, ooh they makin like they missed it
[Hook]

Left side, just put your hands up, throw 'em up
Right side, just put your hands up, throw 'em up
Everybody, put your hands up, throw 'em up
When the beat come back around e'rybody do it again
Do the eastside run this mutha for ya? (Hell yeah)
Do my southside run this mutha for ya? (Hell yeah)
And them haters ain't hittin on, ain't talkin 'bout us




And they look like
If the party's where you're at let me hear you say

Overall Meaning

The song "Where the Party At" by Jagged Edge ft. Nelly is a classic party anthem. The track opens with a chant of "C'mon, c'mon, yeah, c'mon, yeah," setting the tone for a high-energy atmosphere. The lyrics talk about the excitement of being out in the club, looking good, and having a good time. The hook repeatedly asks the question "Where the party at?" and encourages everyone to show a little love and represent their side. The verses describe the scene in the club, with people dressed to impress, looking for a good time and some potential romantic connections. Nelly's verse describes him rolling up in his fancy car, buying bottles, and having a great time in the VIP section. The song ends with a call-and-response section, where everyone is encouraged to throw their hands up and repeat the chant of "Where the party at?"


Overall, the song is a celebration of the party lifestyle and the joy of being out in the club. It encourages people to have fun, let loose, and enjoy themselves. The lyrics are simple and repetitive, but they are effective at creating a catchy, danceable track that has stood the test of time.


Line by Line Meaning

C'mon, c'mon, yeah, c'mon, yeah
The song is starting, and the artist wants the audience to join in and vibe with it.


Uh ooooooooooooh (uh oh oh oh)
This is the catchy hook of the song, that makes the audience get into the groove and repeat it throughout the song.


If the partys where your at just let me know
The artist is asking where the party is happening, and wants to join in on the fun.


Don't be trippin when you see us in the club
The artist is asking the audience to not be bothered by their presence in the club, and just enjoy the party with them.


Just show a little love, represent your side like me
The artist wants the audience to show some love and support, and represent their group, just like the artist is doing.


'Cause 'round here if you slick you pick a hot one
The artist is saying that in this area, if you are smooth and confident, you can easily attract a beautiful partner.


Ride shotgun, couple of 'em got one
The artist is saying that their crew has hot partners with them, and they are driving shotgun (passenger seat) in the car.


Belvedere in the rear of the club
The artist is saying that they have a bottle of Belvedere (liquor) in the back of the club, ready to party.


Pulled up on dubs and we 'bout to go and buy the bar up
The artist arrived in a fancy car, and is now planning on buying drinks for the whole party.


So So, for sure we ain't playin
The artist is saying that they are not messing around, and they are serious about having a good time.


Hang with no lames, hit the park and sayin...
The artist is saying that they are not hanging out with boring people, and are excited to party in the park.


Ay, where the party at?
This is the hook of the song, that repeats and encourages people to ask where the party is happening.


Girls is on the way, where the Bacardi at?
The artist is asking where the Bacardi (rum) is located, as girls are coming to the party and he wants to party with them.


Models and models, talkin all a that
The artist is saying that there are attractive people at the party, and they are having a good time and chatting.


Know I can't forget about my thugs
The artist is saying that he cannot forget about his friends who are loyal and supportive.


Off in the club (where the party at?)
This line repeats the hook of the song, asking where the party is happening.


All the girls in the club in they best outfits
The artist is saying that all the girls are dressed up nicely, trying to get attention and impress the guys.


Just showin that skin, tryna' make a nigga want to spit
The girls are revealing more skin, trying to attract guys and make them want to dance with them.


Where you been girl? You and your friend
The artist is asking where the girl has been, and also referring to her friend who they want to party with.


Need to come to the back where we got it locked down
The artist is inviting the girls to come to the back of the party, where their crew is hanging out and having a good time.


In your white t-shirt or a three-piece suit
The artist is saying that it doesn't matter what you wear, as long as you are having fun and enjoying the party.


Don't matter what you wear all that matters is who you with
The artist is saying that the most important thing is to be with people you enjoy and have a good time with, regardless of what you are wearing.


Some jiggy and some are straight grindin
The people at the party have different styles of dancing, some more elegant (jiggy) and some more energetic (grinding).


All up in the club just to have a good time and
Everyone is at the club to let loose and have fun, without any other motives.


Just show me where that party at dirty
The artist is asking again where the party is happening, and referring to the party as 'dirty' to imply it will be wild and fun.


Somewhere where it's crackin right around one-thirty
The artist is saying that the party needs to be popping (cracking) around 1:30am to be worth going to.


Never get done too early
The artist is saying that they don't want the party to end too early, so it needs to be a good one.


Come in as is, doo-rags and Tims
The artist is saying that it doesn't matter what you are wearing, even if it's a doo-rag (a hat) and Tims (boots), as long as you are ready to party.


I'm rollin past his, his little Jag and Benz
The artist is referring to a person they passed by who had a nice car (Jaguar and Mercedes-Benz), but the artist has a fancier one.


With the Rolls, not the one with the stem (the one with the rims)
The artist has a Rolls-Royce car with fancy rims, and is pointing out that it doesn't have a stem (a symbol on the front of the car).


The one that seem to make more enemies than friends
The artist knows that their lavish lifestyle attracts haters and people who are envious or jealous.


I'm slidin in past doors, both eyes closed
The artist is entering the party smoothly, without any hesitation or concern, and is not looking around much.


Both arms rose, both charms froze
The artist is saying that they raise both their arms, and that their expensive jewelry (charms) are shining.


With the S-O-S-O, D-E dot F
The artist is referring to their crew, So So Def, and including his own initials (D.E.)


I'm buyin bottles, bottles, until it ain't none left
The artist is buying many bottles of alcohol, and will continue to do so until there is none left.


I'm quick to go left, I blaze with no rep
The artist is saying that they are quick to move in a different direction, and also do drugs (blaze) without anyone repping (representing) them.


I jams more than def, baby show me the club
The artist is saying that they party a lot and enjoy themselves, and is asking someone to show him the club.


I'm like "hey, where that Bacardi at?"
The artist is asking again where the Bacardi is located, as he wants to drink and party with others.


Come and mix it with the Cris', baby, what's wrong with that?
The artist is asking someone to mix Bacardi with Cristal (champagne), and is asking if there is anything wrong with that.


We in the V.I.P. twisted, down right spliffed it
The artist is partying in the VIP section of the club, and is drunk and high (twisted), and smoking a joint (spliff).


Two way and shit, ooh they makin like they missed it
The artist is saying that they are texting someone on a two-way pager, and they feel like people are pretending not to see them.


Left side, just put your hands up, throw 'em up
The artist is directing the audience on the left side to put their hands up and wave them in the air.


Right side, just put your hands up, throw 'em up
The artist is directing the audience on the right side to put their hands up and wave them in the air.


Everybody, put your hands up, throw 'em up
The artist is now addressing everyone in the club to put their hands up and wave them in the air.


When the beat come back around e'rybody do it again
The artist is saying that when the beat drops again, everyone should repeat the action of throwing their hands up in the air.


Do the eastside run this mutha for ya? (Hell yeah)
The artist is asking if the crowd from the East side is enjoying the party (and they confirm it with a 'Hell yeah' response).


Do my southside run this mutha for ya? (Hell yeah)
The artist is asking if the crowd from the South side is enjoying the party (and they confirm it with a 'Hell yeah' response).


And them haters ain't hittin on, ain't talkin 'bout us
The artist is saying that the haters (people who are jealous and negative) are not impacting their party atmosphere, and are not talking about them.


And they look like...
The artist is about to finish the sentence, but it fades out, leaving it open for interpretation by the listener.


If the party's where you're at let me hear you say
The artist is repeating the hook again, and encouraging the audience to yell it out with him.




Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: BRANDON CASEY, BRANDON D CASEY, BRIAN CASEY, BRIAN D CASEY, BRYAN MICHAEL PAUL COX, JERMAINE DUPRI, CORNELL HAYNES

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@moritzschaller670

Hey. Musician, composer and Audio engineer here.

The way you handle the music is quite careless. STEMs are "STEreo Masters", meaning they are already mixed and mastered and they are the way they are supposed to be. You don't just go in and make things mono. Most of all, you don't just keep the left track.

Having a stereo track doesn't mean that the material is actually wide. A bass STEM will always be a stereo track, even if the bass itself is mono and panned dead center. There mighht be a stereo reverb on it, or another stereo effect at higher frequencies. If so, this is probably intentional and you don't just take it away, especially without listening to it!

You are also messing with the panning. Again: A stereo track doesn't have to sound wide just because it is panned hard left and right. Don't just make things narrower. You can mess up carefully miced stereo Images. If you do this to a track that was recorded with stereophony that uses time of arrival differences (like AB), you'll destroy all the depth of the stereo image and introduce phase problems.

Don't do any of this without listening to the entire mix. I realize that this dubbing session has a lot of tracks and events, and "mixing" is somewhat pragmatic. However, mixing music is an entirely different matter that is very delicate. We deliver STEMs so that there is room to fix actual problems that can arise when the updated dialogue, sound effects and Foley come in. Not so that the dubbing engineer starts to remix the music. For example: The composer will typically compose music with (!) the dialogue playing and leave room for that already.

Please don't treat delivered STEMs like all the other raw material in your session.



All comments from YouTube:

@daijinfilm

Huge surprise and harvest! Very rare and professional! Thank you very much, best regards.

@FilmSoundTutorials

Thanks for watching!

@makisoundeditor

love these tutorials!!! thank you for these, they're so helpful!

@FilmSoundTutorials

Glad the videos are helpful! Thanks for watching!

@ShampooWow

Nice video! I like it

@FilmSoundTutorials

Thanks for watching!

@nicoraibak

Amazing videos really helpful!!!
I was wondering how do you set up your levels when youre mixing

@FilmSoundTutorials

Thanks for watching. Download the free Youlean Loudness Meter and aim for -24 LUFS for film, -18 LUFS for YouTube. That's about it.

@kelvinkurniawan07

@Film Sound Tutorials What audio file should I use to see the level? Thank you

@logiqueraison5631

thx for all those wonderful videos. I just don't understand why you route the PFX in the DX ? shouldn't it go to FX as there's no dialogues ? Also any production who wants to ADR the film can have those PFX seperate no ?

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