Initially intended to be performed in one 48-hour cycle, "Instrumentals" wa… Read Full Bio ↴Initially intended to be performed in one 48-hour cycle, "Instrumentals" was in fact only performed briefly in excerpts as a work in progress. The legendary performances captured live in New York at The Kitchen and Franklin St. Arts Center include the cream of that eras downtown new music scene including Ernie Brooks, Rhys Chatham, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Dave Van Tiegham, and Peter Zummo. Included here is the previously unreleased "Instrumentals" Vol. 1 along with "Instrumentals" Vol. 2 that has been out of print for over twenty years. Originally released in 1984, sections of "Instrumentals" Vol. 2 were incorrectly mastered at half speed, and have been corrected for this compilation.
Reach One is one of Arthur's earliest compositions dating back to 1973. The hypnotic soundscape was written and performed for two Fender Rhodes pianos.
One of the holy grails in Arthur's discography, Tower Of Meaning is a beautiful and stunningly moving orchestral work. Conducted by the late Julius Eastman, Tower Of Meaning was originally released in a limited private edition of only 320 copies.
Inspired by his work with friend and composer Arnold Dreyblatt, Sketch For The Face Of Helen was recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River.
Credits
Bass – Ernie Brooks (tracks: A1 to B1)
Cello – Arthur Russell (tracks: A1 to B1)
Clarinet – Jon Gibson (2) (tracks: A1 to B1)
Conductor – Julius Eastman (tracks: D1 to E)
Drums – Andy Paley (tracks: A1 to A10)
Electric Guitar – Jon Sholle (tracks: A1 to B1)
Flute – Jon Gibson (2) (tracks: A1 to B1), Rhys Chatham (tracks: A1 to A10)
Keyboards – Peter Gordon (tracks: A1 to A10)
Mastered By – Ray Janos
Percussion – David Van Tieghem (tracks: A1 to B1)
Producer – Arthur Russell
Saxophone – Jon Gibson (2) (tracks: A1 to B1)
Trombone – Garrett List (tracks: A1 to A10)
Written-By – Arthur Russell
Reach One is one of Arthur's earliest compositions dating back to 1973. The hypnotic soundscape was written and performed for two Fender Rhodes pianos.
One of the holy grails in Arthur's discography, Tower Of Meaning is a beautiful and stunningly moving orchestral work. Conducted by the late Julius Eastman, Tower Of Meaning was originally released in a limited private edition of only 320 copies.
Inspired by his work with friend and composer Arnold Dreyblatt, Sketch For The Face Of Helen was recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River.
Credits
Bass – Ernie Brooks (tracks: A1 to B1)
Cello – Arthur Russell (tracks: A1 to B1)
Clarinet – Jon Gibson (2) (tracks: A1 to B1)
Conductor – Julius Eastman (tracks: D1 to E)
Drums – Andy Paley (tracks: A1 to A10)
Electric Guitar – Jon Sholle (tracks: A1 to B1)
Flute – Jon Gibson (2) (tracks: A1 to B1), Rhys Chatham (tracks: A1 to A10)
Keyboards – Peter Gordon (tracks: A1 to A10)
Mastered By – Ray Janos
Percussion – David Van Tieghem (tracks: A1 to B1)
Producer – Arthur Russell
Saxophone – Jon Gibson (2) (tracks: A1 to B1)
Trombone – Garrett List (tracks: A1 to A10)
Written-By – Arthur Russell
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First Thought Best Thought
Arthur Russell Lyrics
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