Waking Up with the House on Fire is the third album by the English new wave… Read Full Bio ↴Waking Up with the House on Fire is the third album by the English new wave group Culture Club, released on 25 October 1984. The album peaked at no.2 on the UK Albums Chart, becoming the band's third top five album.
Overview:
The first single, "The War Song," became a No. 2 hit in the UK and a Top 20 hit in the US in late 1984. However, the album did not achieve the level of success expected. While Waking Up with the House on Fire reached Platinum status in both the UK and the US, it was considered to be a disappointment compared to the success of the group's previous album, Colour by Numbers (1983). It sold approximately five million copies worldwide, being certified gold or platinum in many countries, and earning Double Platinum status in Canada.
The other two singles were "The Medal Song" (#32 in UK), (with its B-side, "Don't Go Down That Street" being released as a single from a subsequent EP in Japan but only reaching No. 69 in the charts) and "Mistake No.3" (#33 in US). In Mexico, "Don't Talk About It" was released as a single.
On the VH1 program Behind the Music, the narrator states, "Today, the band admits the album was a hurried and halfhearted effort." Some music insiders also feel that Culture Club and lead singer Boy George may have fallen victim to overexposure in both the British and American press by the end of 1984. Subsequently, Culture Club decided to change direction for the next album, From Luxury to Heartache, by choosing a new producer and moving in a dance-oriented direction.
In 2008, the album was re-released in Japan, as a special collector "mini-LP" edition (a CD in a cardboard sleeve (featuring booklets) as a miniature version of the original vinyl album).
The album's cover can be seen in the 2008 film Sex and the City as part of Carrie Bradshaw's collection of LPs from the 1980s.
Reception:
Smash Hits 4/10 stars
AllMusic 2/5 stars
Robert Christgau (B)
Rolling Stone 2/5 stars
Reviews for Waking Up with the House on Fire have been fairly negative. In Smash Hits magazine, reviewer Tom Hibbert stated the album was "a disaster of mediocrity" and that the majority of the tracks were "a characterless stodge of bland blue-eyed soul, slouching rhythms, pedestrian horns and nonchalant vocals..." AllMusic's Lindsay Planer retrospectively rated the album two out of five stars. He noted that "overexposure in the media, the ever-changing tides and trends of pop music, and, quite frankly, a less than laudable collection of songs resulted in receiving a less than enthusiastic response." He also explained that it "was in no way aided by the irony-laden yet undeniable banality of the emphasis track , "The War Song." However, he stated: "Two of the more interesting cuts are the vintage R&B "Crime Time" and the upbeat and soulful "Mannequin," blending Beach Boys-esque vocal harmonies with a distinctly Carolina beach and shag flavour." Robert Christgau rated it a B, stating: "Since I had even less use for the dismissive because-he-wears-dresses theory than for the ridiculous new-Smokey analysis, I could never figure out means of commercial propulsion." He also stated that "this calls for concerted protest – which might be easier to whip up if the latest album weren't part three of more-of-the-same."
Overview:
The first single, "The War Song," became a No. 2 hit in the UK and a Top 20 hit in the US in late 1984. However, the album did not achieve the level of success expected. While Waking Up with the House on Fire reached Platinum status in both the UK and the US, it was considered to be a disappointment compared to the success of the group's previous album, Colour by Numbers (1983). It sold approximately five million copies worldwide, being certified gold or platinum in many countries, and earning Double Platinum status in Canada.
The other two singles were "The Medal Song" (#32 in UK), (with its B-side, "Don't Go Down That Street" being released as a single from a subsequent EP in Japan but only reaching No. 69 in the charts) and "Mistake No.3" (#33 in US). In Mexico, "Don't Talk About It" was released as a single.
On the VH1 program Behind the Music, the narrator states, "Today, the band admits the album was a hurried and halfhearted effort." Some music insiders also feel that Culture Club and lead singer Boy George may have fallen victim to overexposure in both the British and American press by the end of 1984. Subsequently, Culture Club decided to change direction for the next album, From Luxury to Heartache, by choosing a new producer and moving in a dance-oriented direction.
In 2008, the album was re-released in Japan, as a special collector "mini-LP" edition (a CD in a cardboard sleeve (featuring booklets) as a miniature version of the original vinyl album).
The album's cover can be seen in the 2008 film Sex and the City as part of Carrie Bradshaw's collection of LPs from the 1980s.
Reception:
Smash Hits 4/10 stars
AllMusic 2/5 stars
Robert Christgau (B)
Rolling Stone 2/5 stars
Reviews for Waking Up with the House on Fire have been fairly negative. In Smash Hits magazine, reviewer Tom Hibbert stated the album was "a disaster of mediocrity" and that the majority of the tracks were "a characterless stodge of bland blue-eyed soul, slouching rhythms, pedestrian horns and nonchalant vocals..." AllMusic's Lindsay Planer retrospectively rated the album two out of five stars. He noted that "overexposure in the media, the ever-changing tides and trends of pop music, and, quite frankly, a less than laudable collection of songs resulted in receiving a less than enthusiastic response." He also explained that it "was in no way aided by the irony-laden yet undeniable banality of the emphasis track , "The War Song." However, he stated: "Two of the more interesting cuts are the vintage R&B "Crime Time" and the upbeat and soulful "Mannequin," blending Beach Boys-esque vocal harmonies with a distinctly Carolina beach and shag flavour." Robert Christgau rated it a B, stating: "Since I had even less use for the dismissive because-he-wears-dresses theory than for the ridiculous new-Smokey analysis, I could never figure out means of commercial propulsion." He also stated that "this calls for concerted protest – which might be easier to whip up if the latest album weren't part three of more-of-the-same."
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Waking Up With The House On Fire
Culture Club Lyrics
Crime Time Death Cab for Cutie Sung it like a beauty Stepped out forget…
Dangerous Man He could word it out like a dangerous man How could…
Don't Talk About It I was staring at the people Lost and terrified Turned and sa…
Hello Goodbye Hello hello goodbye Hello hello goodbye Hello hello goodbye …
Mannequin He's the mannequin of your dreams You designed him Nothing w…
Mistake No. 3 Da da da da da da do do do do…
The Dive When I wake up feeling victimized There is nothing That can …
The Medal Song Sun go east, sun go west Sun go east, sun go…
The War Song War, war is stupid and people are stupid And love means…
Unfortunate Thing Breaking out of school Ain't really fooling no one I was sur…