"The raw spirit of indie rock. An amplified, rocking version of ’60s protest folk. The soulful passion of the Violent Femmes and The Waterboys." All of these comparisons have been made in attempts to describe Delta Spirit, the southern California five-piece who might just be one of the most important new bands of the decade. Each description contains elements of the truth, but the real answer to the question “who is Delta Spirit?” lies within Ode to Sunshine, the band’s captivating debut. The group’s DIY ethic shines throughout the album, with songs honed razor-sharp over a year of non-stop touring across America. Opening sold-out tours for Clap Your Hands Say Yeah, Cold War Kids, and Dr. Dog, the band developed a riveting live show and gained a loyal following amongst tastemaker music fans, earning them invites to national festivals like Austin City Limits, Noise Pop and Sasquatch. So it would not be an understatement to call Ode to Sunshine one of the year’s most highly-anticipated debuts. But don’t take our word for it; in the words of Delta Spirit: “If you’re feeling what I’m feeling come on, all you soul searching people come on.”
Jonathan Jameson of Delta Spirit took a few minutes out of the band’s busy touring schedule to answer a few questions about the band, their music, and Ode to Sunshine.
Where in California did the band come together? How did you meet?
We are all from Southern California. Brandon met Matt while he was singing and playing guitar by the train tracks in San Diego. The rest is boring.
Who plays what and sings? Do you trade off instruments on different songs?
Brandon plays drums and percussion. Sean plays guitar, does some percussion and hits a big drum. Jon exclusively plays bass with the occasional vocal. Kelly plays piano, hits a drum, sings, hits a trashcan, plays guitar and a high strung guitar. Matt plays guitar, sings and plays piano.
Your songs are credited to the band as a whole. Could you describe how they come together? Are the lyrics collaborative as well?
It’s always a new experience. Matt and Kelly write the lyrics with minor editing done by the band. Songs come as jams, ideas, almost complete chords, hummed notes, drum beats, etc.
Some of the songs have very infectious sing along melodies (like the ba ba ba’s in “People C’mon”). Do you envision your music as communal, for audiences to participate in as well as listen to?
Our music feels most at home when we play it with people as opposed to at people. There is a mystery to music played live. It brings us out of ourselves into something bigger, something beyond our individuality. Sometimes it happens, other times the songs are just songs.
You recorded Ode to Sunshine at a cabin in Julian, California, out in the desert east of San Diego. Did the isolation of the setting influence the vibe of the album (like say, Dylan and The Band’s Basement Tapes)?
It feels like sun, saunas, dogs, friends, Old Crow and Coke, Eli Thompson, beards, hot days, long star filled nights, good books, hikes, shorts, bbq and just the way we wanted to make our first record.
Your music has been compared to current indie rockers, ’80s punk roots bands, and sixties folk rockers. Was there any music you listened to growing up, or that you listen to now, that you hear seeping into your current sound?
We were born in the ’80s, grew up in the ’90s and have parents from the ’60s. We are proud of the bands that are making great music now. Maybe it’s like the Waterboys covering Harry Nilsson or maybe a song by the Weavers at a rally, but on tour next month with Richard Swift. We want to be found in the lineage of honest and true music that has found its way through every current of music history.
There seems to be a conscience in the music, a sense of taking responsibility for ourselves, each other, and the world. What do you feel is special about this moment in history, and this generation, and the place of music and art in society? Are you encouraged by the energy you feel coming back to you from your audiences?
There is a feeling of possibility in our age. We feel that same possibility with our band. There is a deep connection there. We don’t want to forget about the most important thing for us, which is simply making good music, but that does include being aware of what’s going on in the world as well as what’s going on in our own heads and souls. We aren’t self-aggrandizing cock rockers or activist idealist hippies. We just want to be honest about ourselves and how we see the world, not minimizing the darkness or the hope, because both are very real.
Your original DIY version of Ode to Sunshine featured austere black & white artwork, while the new cover is much warmer, with the smiling face of Dr. Thomas Payne (an uncle of one of the band members) raising a toast while at a scientific convention on bark beetles. The Rounder release also features an additional song, “Streetwalker,” which despite its somber subject features a Phil Spector / Brian Wilson groove. Do the new artwork and song show a new side to the band?
I think that before when we were looking at the album it felt kinda heavy to us and serious. About the big things in life. Like a dusty record of Kennedy speeches. But I think we realized that the true feeling of the album also included what we were feeling while making it and recording it and that those bits of summer and excitement and wonder break through every once in a while. It’s as if after listening to those sobering speeches we found the pics of the Kennedys on vacation and now it all really made sense. The light and the dark. Sometimes you have to laugh at the serious stuff to be able to do something about it.
From the opening Rubber Soul-esque acoustic guitars of “Tomorrow Goes Away” to the saloon piano-over-grunge chords of “Trashcan,” from the harmonica-driven protest waltz “People, Turn Around” to the insistent surf rock drums of “Children,” Ode to Sunshine perfectly captures the energy and hope of a new generation that’s rising like a phoenix to change the world. And with Delta Spirit providing the soundtrack, this is one revolution you can dance to.
The Pressure
Delta Spirit Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You're hiding in the basement
Projected all your shit on somebody else
Well, soon you better face it
You practiced all your life, nobody can tell
You say you're fine as you lie to yourself
But you can't fight the feeling
When it's coming around again
The pressure got its hooks in
You love, can we talk to
Someone
You pick a poison, and keep passing the buck
Your body's gonna shatter
You probably don't remember giving a fuck
Can't listen, really matter
I hope you see that this applies to that
Won't get offended if you call me the rep
You can't fight the feeling
When it's coming around again
The pressure got its hooks in
You love, can we talk to
Someone
Stuck in the gray, divided
Pieces of you collide
The mask we made is wearing thin
Reach for the silver lining
Into the light, we're walking
Every step feels like caving in
The pressure got its hooks in
You love, can we talk to
The pressure got its hooks in
You love, can we talk to
Someone
Anyone
Stuck in the gray, divided
Pieces of you collide
The mask we made is wearing thin
Reach for the silver lining
Into the light, we're walking
Every step feels like caving in
You got the vibe but you can't let it out
You're hiding in the basement
Projected all your shit on somebody else
Well, soon you better face it
You practiced all your life, nobody can tell
You say you're fine as you lie to yourself
But you can't fight the feeling
When it's coming around again
The song "The Pressure" by Delta Spirit is about the struggle to maintain a facade of contentment and control despite feeling overwhelmed and burdened. The lyrics suggest that the pressure and stress of life can be difficult to confront, leading some to bury their emotions or project their problems onto others. While the singer claims to be fine, the repeated refrain "the pressure got its hooks in" reveals the underlying tension, fear, and isolation they feel. The song concludes with a call to reach out to someone for help, acknowledging that it's okay to admit to vulnerability and seek support.
The lyrics in "The Pressure" are particularly powerful since they resonate with a common experience for many people. It can be overwhelming to feel that one is drowning in pressure - whether that pressure is from social norms, family, work, or personal expectations. The song's message is one of encouragement, urging us to take a step back and reach out to someone when we're feeling overwhelmed. It also reminds us that we are not alone in this experience - that others are struggling to keep their heads above water too. The lyrics and the song as a whole encourage everyone to open up and seek help when they need it.
The delivery of the song is just as powerful as the lyrics themselves. The instrumentation is a mix of indie rock and folk, featuring guitar-based chords and steady percussion. The vocals are raw and impassioned, conveying the urgency and desperation of the lyrics. The song's melody is catchy and upbeat, which contrasts with the underlying emotional weight it carries. Altogether, "The Pressure" is an emotional and powerful song about the struggles of modern life and the importance of reaching out for help.
Line by Line Meaning
You got the vibe but you can't let it out
You have a good energy within you, but you are holding it back
You're hiding in the basement
You are avoiding facing your problems by retreating to a secluded place
Projected all your shit on somebody else
You are blaming others for your own issues and insecurities
Well, soon you better face it
You need to confront your problems and take responsibility for your actions
You practiced all your life, nobody can tell
You have been hiding your true feelings and struggles for a long time, and no one knows about them
You say you're fine as you lie to yourself
You claim that everything is okay, even though you know deep down that it's not
But you can't fight the feeling
You cannot suppress your emotions forever
When it's coming around again
When the same issues and feelings start recurring
The pressure got its hooks in
The stress and anxiety have taken hold of you
You love, can we talk to Someone
You need to reach out to someone and talk about your struggles
You pick a poison, and keep passing the buck
You choose a harmful solution to your problems and keep avoiding responsibility
Your body's gonna shatter
Your physical and mental health will deteriorate if you keep ignoring your problems
You probably don't remember giving a fuck
You have stopped caring about yourself and those around you
Can't listen, really matter
You are unable to listen to others or let anyone help you
I hope you see that this applies to that
I hope you realize that this advice can help you in your situation
Won't get offended if you call me the rep
I won't be upset if you come to me for help or advice
Stuck in the gray, divided
You are in a state of confusion and indecisiveness
Pieces of you collide
Different parts of your personality and emotions are clashing
The mask we made is wearing thin
The facade you have put up to hide your problems is starting to crack
Reach for the silver lining
Try to find the positive aspect in your situation
Into the light, we're walking
We are moving towards a better future
Every step feels like caving in
Despite the progress, every step forward feels like a struggle
You love, can we talk to Someone
You need someone to talk to, someone who can help you through your struggles
The pressure got its hooks in
You are still struggling with stress and anxiety
Anyone
Anyone who is willing to listen and help
Lyrics © BMG Rights Management
Written by: Matthew Logan Vasquez, Jonathan Jameson, Brandon Young, William Robert McLaren, Kelly Winrich
Lyrics Licensed & Provided by LyricFind