Depending on whom you ask, Matthew Dear (born in Kingsville, Texas, USA) is… Read Full Bio ↴Depending on whom you ask, Matthew Dear (born in Kingsville, Texas, USA) is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He co-founded both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The xx, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service and The Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none — and he’s just hitting his stride.
Dear’s first single was 1999’s "Hands Up For Detroit" (co-produced by ghettotech pioneer Disco D, who performed under the name Daisha). Successive singles, such as "Stealing Moves" and the chart-topping "Mouth to Mouth" (as Audion) were issued on Spectral Sound, Ghostly’s offshoot that focuses on dancefloor music.
Matthew Dear’s 2003 full-length Ghostly debut, "Leave Luck to Heaven", is a suite of sparse, wickedly funky house laced with Dear’s deep, distinctive vocals, and includes the much-loved single “Dog Days” (voted one of Pitchfork’s Top 100 Songs of the decade). The record was met with rapturous acclaim from both the dance-music establishment and the critical press, including a four-star review in Rolling Stone. Dear’s 2007 follow-up, "Asa Breed", is a considerable departure from Heaven’s dancefloor excursions, incorporating the polyrhythms of afrobeat, the irreverent pop sensibilities of Brian Eno, and the austere beauty of krautrock. More four-stars reviews followed (Q and Mojo magazines), and Dear subsequently began touring with a live three-piece band, Matthew Dear’s Big Hands, in which he acted as frontman, commanding the stage with a Bryan Ferry-like swagger and a gentleman’s grace.
Today, Matthew Dear finds himself in a unique position. His highly anticipated fourth album, 2010’s Black City, is the culmination of years of hard work and experimentation, a darkly playful sound-world that envelops the listener like the arms of a malevolent lover. After over a decade of exploring pop’s outer limits, Matthew Dear now inhabits a rarefied corner of the musical universe: no longer tethered to any one genre, respected by his peers, and blessed with a bottomless well of creative energy. Now is Matthew Dear’s moment, and it sounds like nothing else.
Dear’s first single was 1999’s "Hands Up For Detroit" (co-produced by ghettotech pioneer Disco D, who performed under the name Daisha). Successive singles, such as "Stealing Moves" and the chart-topping "Mouth to Mouth" (as Audion) were issued on Spectral Sound, Ghostly’s offshoot that focuses on dancefloor music.
Matthew Dear’s 2003 full-length Ghostly debut, "Leave Luck to Heaven", is a suite of sparse, wickedly funky house laced with Dear’s deep, distinctive vocals, and includes the much-loved single “Dog Days” (voted one of Pitchfork’s Top 100 Songs of the decade). The record was met with rapturous acclaim from both the dance-music establishment and the critical press, including a four-star review in Rolling Stone. Dear’s 2007 follow-up, "Asa Breed", is a considerable departure from Heaven’s dancefloor excursions, incorporating the polyrhythms of afrobeat, the irreverent pop sensibilities of Brian Eno, and the austere beauty of krautrock. More four-stars reviews followed (Q and Mojo magazines), and Dear subsequently began touring with a live three-piece band, Matthew Dear’s Big Hands, in which he acted as frontman, commanding the stage with a Bryan Ferry-like swagger and a gentleman’s grace.
Today, Matthew Dear finds himself in a unique position. His highly anticipated fourth album, 2010’s Black City, is the culmination of years of hard work and experimentation, a darkly playful sound-world that envelops the listener like the arms of a malevolent lover. After over a decade of exploring pop’s outer limits, Matthew Dear now inhabits a rarefied corner of the musical universe: no longer tethered to any one genre, respected by his peers, and blessed with a bottomless well of creative energy. Now is Matthew Dear’s moment, and it sounds like nothing else.
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Asa Breed Black Edition
Matthew Dear Lyrics
Death to Feelers An emotion overlooked I had calluses on my hands I've been…
Deserter What was that? You sound deserted Lost and alone The world a…
Don and Sherri I've been sending you signals But my signals have never been…
Don and Sherri (Hot Chip version) I've been sending you signals But my signals have never been…
Elementary Lover Where would we be without each other? Two un-embraced and l…
Fleece on Brain No friend of mine No friend of mine is asking for…
Give Me More Your actions are now clear I must shut you down I will…
Good to Be Alive Doomp , doomp, doomp, cha Doomp , doomp, doomp, cha Doomp ,…
Midnight Lovers If I grab you by the hand Can I take you…
Neighborhoods We run around in circles When circles are kept in larger…
Pom Pom (love) Can make your world go round (love) Can really bring …
Shy [Chorus 1: x2] All of these reasons to be kept inside Go…
Vine to Vine Ahhh... I was a breath short of death I was in grave…
Will Gravity Win Tonight? (No work to be done) [Repeat 2X] (Skades upon skades of lig…