Das EFX
The duo “Das EFX” emerged in 1991 from the well-established East Coast Hip-Hop scene. The group is composed of Willie “Skoob” Hines and Andre “Krazy Drayz” Weston. With their first album “Dead serious” released in 1992, the group creates a mini-revolution by using an ultra-fast rap associated with funky beats. The album was a commercial success. The following year, Das EFX released their second LP “Straight up Sewaside", “Hold it down” in 1995, and “Generation EFX” in 1998. Read Full BioThe duo “Das EFX” emerged in 1991 from the well-established East Coast Hip-Hop scene. The group is composed of Willie “Skoob” Hines and Andre “Krazy Drayz” Weston. With their first album “Dead serious” released in 1992, the group creates a mini-revolution by using an ultra-fast rap associated with funky beats. The album was a commercial success. The following year, Das EFX released their second LP “Straight up Sewaside", “Hold it down” in 1995, and “Generation EFX” in 1998. Their last album was "How We Do" which was released in 2003.
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Das EFX's wildly playful, rapid-fire stuttering -- dense with rhymes and nonsense words -- was one of the most distinctive and influential lyrical styles in early-'90s hip-hop. While the duo completely rewrote the MC rule book, they themselves were increasingly pegged as a one-dimensional novelty the longer their career progressed, despite watching elements of their style creep into countless rappers' bags of tricks. Krazy Drazyz (born Andre Weston; Teaneck, NJ) and Skoob (born Willie Hines) were both raised in Brooklyn, but didn't begin performing together until they met at Virginia State University in 1988. Removed from an active music scene, the two were free to develop their most idiosyncratic tendencies; they started making up gibberish words (anything ending in "-iggity" was a favorite) that added loads of extra syllables to their lines, and wove plenty of pop-cultural references into the tongue-twisting lyrical gymnastics that resulted. Das EFX caught their big break when they performed at a talent show judged by EPMD; though they didn't win, EPMD was impressed enough to offer them a deal, and the duo became part of the Hit Squad crew of protégés.
Signing to the East West label, Das EFX began work on their debut album, commuting between Virginia and New York and mailing tapes to EPMD (then touring the country) for guidance. Upon its release in 1992, Dead Serious caused an immediate sensation, and is still considered something of a landmark in hip-hop circles. The first single, the instantly memorable signature song "They Want EFX," was a Top 40 pop hit and a Top Ten R&B hit, and helped push sales of Dead Serious past the platinum mark. Wary of being pigeonholed by repeating themselves, the duo slowed down their lyrical flow and downplayed the surrealistic side of their interplay on the follow-up album, 1993's Straight Up Sewaside, which went gold. Around the time of 1995's disappointing Hold It Down, Das EFX found themselves caught in the middle of EPMD's ugly breakup; it led to a three-year absence from recording. By the time they returned in 1998 with Generation EFX, the group was playing more to a devoted but narrower cult audience; they have remained largely silent since. Steve Huey, All Music Guide
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Das EFX's wildly playful, rapid-fire stuttering -- dense with rhymes and nonsense words -- was one of the most distinctive and influential lyrical styles in early-'90s hip-hop. While the duo completely rewrote the MC rule book, they themselves were increasingly pegged as a one-dimensional novelty the longer their career progressed, despite watching elements of their style creep into countless rappers' bags of tricks. Krazy Drazyz (born Andre Weston; Teaneck, NJ) and Skoob (born Willie Hines) were both raised in Brooklyn, but didn't begin performing together until they met at Virginia State University in 1988. Removed from an active music scene, the two were free to develop their most idiosyncratic tendencies; they started making up gibberish words (anything ending in "-iggity" was a favorite) that added loads of extra syllables to their lines, and wove plenty of pop-cultural references into the tongue-twisting lyrical gymnastics that resulted. Das EFX caught their big break when they performed at a talent show judged by EPMD; though they didn't win, EPMD was impressed enough to offer them a deal, and the duo became part of the Hit Squad crew of protégés.
Signing to the East West label, Das EFX began work on their debut album, commuting between Virginia and New York and mailing tapes to EPMD (then touring the country) for guidance. Upon its release in 1992, Dead Serious caused an immediate sensation, and is still considered something of a landmark in hip-hop circles. The first single, the instantly memorable signature song "They Want EFX," was a Top 40 pop hit and a Top Ten R&B hit, and helped push sales of Dead Serious past the platinum mark. Wary of being pigeonholed by repeating themselves, the duo slowed down their lyrical flow and downplayed the surrealistic side of their interplay on the follow-up album, 1993's Straight Up Sewaside, which went gold. Around the time of 1995's disappointing Hold It Down, Das EFX found themselves caught in the middle of EPMD's ugly breakup; it led to a three-year absence from recording. By the time they returned in 1998 with Generation EFX, the group was playing more to a devoted but narrower cult audience; they have remained largely silent since. Steve Huey, All Music Guide
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They Want EFX
Das EFX Lyrics
Bum stiggedy bum stiggedy bum, hon, I got the old pa-rum-pum-pum-pum
But I can fe-fi or fo, diddly-bum, here I come
So Peter Piper, I'm hyper than Pinocchio's nose
I'm the supercalafragilistic tic-tac pro
I gave my oopsy, daisy, now you've got the Crazy
I'm Crazy with the books, Googley-goo where's the gravy
So one two, um, buckle my, um shoe
Yabba Doo, hippity-hoo, crack a brew
So trick or treat, smell my feet, yup I drippedy-dropped a hit
So books get on your mark and spark that old censorship
Drats and double drats, I smiggedy-smacked some whiz kids
The boogedy-woogedly Brooklyn boy's about to get his, dig
My waist bone's connected to my hip bone
My hip bone's connected to my thigh bone
My thigh bone's connected to my knee bone
My knee bone's connected to my hardy-har-har-har
The jibbedy-jabber jaw ja-jabbing at your funny bone, um
Skip the Ovaltine, I'd rather have a honeycomb
Or preferably the sinsemilla, Let's spiggedy-spark the blunts, um
Dun dun dun dun dun, dun dun
They want EFX, some live EFX
They want EFX, some live EFX
They want EFX, some live EFX
Snap a neck for some live EFX
Well I'll be darned, shiver me timbers yo, head for the hills!
I picked a weeping willow, and a daffodil
So back up bucko or I'll pulverize McGruff
Cause, this little piggy gets, busy and stuff
Arrivederci, heavens to mercy, honky tonk I get swift
I caught a Snuffleupagus and smoked a boogaloo spliff
I got the nooks, the cranies, the nitty gritty 40 doe
So all aboard, castaway, hey where's my boogaloo?
Oh-h-h-h-h-h-hhh I'm steamin, a-go-ny!
Why's everybody always pickin on me?
They call me Puddin' Tane, and rap's my game
You ask me again and I'll t-tell you the same
Since I'm the vocal vegemintarian, stick 'em up freeze so
No Parks sausages, mom, please
A-Blitz shoots the breeze, twiddly-dee shoots his lip
Crazy Drayzie shot the sheriff yup, and I shot the gift
And that's PRET-TY SNEA-KY SIS, oh yo
I got my socks off, my rocks off, my Nestle's cup of cocoa
Holly Hobbie tried to slob me, tried to rob me silly stunt
Diggedy-dun dun dun dun dun, DUN DUN!
They want EFX, some live EFX
They want EFX, some live EFX
They want EFX, some live EFX
Snap a neck for some live EFX
Yahoo, hidee-ho yup I'm coming around the stretch
So here Fido boy, fetch, boy, fetch
I got the rope-a-dope a slippery choker, look at me get raw
And I'm the hickory-dickory top of morning boogoloo big jaw
With the yippedy zippedy Winnie the Pooh bad boy blue
Yo crazy got the gusto, what up, I swing that too
So nincompoop give a hoot and stomp a troop without a strain
Like Rosco P.-P. Coltrane
I spiggedy-spark a spiff and give a twist like Chubby Checker
I take my Froot Loops with two scoops, make it double decker
Oh Finster baby, come to Papa Duke
A babaloo, ooh, a babaloo boogedy boo
I went from Gucci to Stussy, to fliggedy-flam a groupie
To Zsa Zsa, to yibbedy-yabba dabba hoochie koochie
Tally ho I-I'll take my Stove Top instead of potatoes, so
Maybe I'll shoot 'em now, nope maybe I'll shoot 'em later, yep
I used to have a dog and Bingo was his name oh, so uh
B - I - N - G - O-oh
You do the hokey pokey and you turn yourself around, hon, so uh
Dun dun dun dun dun, dun dun
They want EFX, some live EFX
They want EFX, some live EFX
They want EFX, some live EFX
Snap a neck for some live EFX
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: WILLIAM D HINES, ANDRE G WESTON, CHARLES A BOBBIT, JAMES BROWN, FRED WESLEY
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
MJBThePeacekeeper
I'ma drop a verse on this joint. Fuck who criticizes....
Do people nowadays even recall this instrumental
they might be thinkin' it's way too simple for their mental
this beat right here is bangin' in my temple
and I'm 'bout to set it off no need to get sentimental
the live effects was brought by Skoob and Drazy
reciting whimsical and insensible catch phrases
can't forget about the ex-rough ryder Jin
who convinced us to 'Learn Chinese' back then
you funny acting people stop being like clowns
you relentless thugs no need to bust any rounds
you fast-ass women; pull your skirt down
cuz' the proud virgin has made his way through town
for the moment right now I'm 'bout to get my flow on
coming at y'all with obscure oxymorons
a vivid vernacular I'm about to emphasize
that'll let you know why I was socially ostracized
being bombastic, manifesting magniloquence
awesome alliteration, aspiring assonance
proficient poetry, pleasant personifier
seldom storyteller, veracious versifyer
endless enigma, intriguing imagination
intelligent individual, infinite innovation
I'ma stop fuckin' with your mind with no lubrication
years back I lack sufficient communication
I got my own way of expressing certain things
the way I think; alot of questions it might bring
koolpop jones
Fresh Prince of Bel air with Jeffrey doing the running man episode.
Clinton Corriveau
The lake party from The Babysitter: Killer Queen brought this song.
Mel White
Fun fact they got discovered when they were attending Virginia State University
Jack Torrance
in 2020 always .. and for ever ever and ever .... peace from France ....
Winston George Music
THE DEFINITION OF HIP HOP.
Miguel Novo
Still remember being home on a Sat. night watching MTV Raps and the debut of this played....I was immediately like “This is gonna be a hit” .... and there you go.
Tim Dog
James brown funky!
Tio Dawg
Big sampled lords of the underground aswell this sick still!
Adrian Nieves
Classic dope ass jam here!
jasonpfinch
Beyond the absolute virtuoso rapping, I love the simplicity of the production and beats on this album. Compared to the overwrought crap which completely took over in the mid-90s and has never really gone away with a few honourable exceptions.