Great Lakes Myth Society
Michigan-based Northern Rock collective the Great Lakes Myth Society declared itself a proper entity on January 1st 2003. The groups' previous incarnation as the "Original Brothers and Sisters of Love" yielded two critically-lauded albums (1999s The Legende of Jeb Minor and 2001's H.O.M.E.S.) for the Brooklyn, New York indie label The Telegraph Company (Kelley Stoltz, Stew, Finishing School) and successful appearances at New York City's Knitting Factory Read Full BioMichigan-based Northern Rock collective the Great Lakes Myth Society declared itself a proper entity on January 1st 2003. The groups' previous incarnation as the "Original Brothers and Sisters of Love" yielded two critically-lauded albums (1999s The Legende of Jeb Minor and 2001's H.O.M.E.S.) for the Brooklyn, New York indie label The Telegraph Company (Kelley Stoltz, Stew, Finishing School) and successful appearances at New York City's Knitting Factory, CMJ, SXSW and Bostons NEMO Festival, but by 2002 the amicable departure of violinist and native New Zealander Elisabeth Auchinvole and the record company's untimely financial collapse had left the band with two gaping holes in its side and a mammoth completed record with no home. Rather than fold up their maps and head inward, Timothy Monger (accordion, guitar & vocals), James Monger (guitar & vocals), Gregory McIntosh (guitar & vocals), Scott McClintock (bass & vocals) and Fido Kennington (drums & vocals) adorned themselves in the most affordable black suits available, changed their name to reflect the region from which they drew their power and began to shop what would eventually become their formidable debut. It wasn't long before the newly minted "Great Lakes Myth Society" began sharing stages both locally and regionally with artists as diverse as Andrew Bird, Danielson, The Gourds, Saturday Looks Good to Me, The Hidden Cameras and The High Strung, eventually breaking through into the often impenetrable Detroit music scene with key shows at the Magic Stick, Lager House, Comerica TasteFest and finally a headlining slot at the first annual "Motor City Music Conference". Their eponymous debut, an alternately brooding and nostalgic blend of muscular English folk-rock, pine-kissed Northern Americana and Midwest Carny grit was released in April 2005 on the Boston-based label Stop, Pop & Roll (Paula Kelley, Ad Frank, Cathal Coughlan). Within weeks it had broken into the CMJ Top 200 and the band hit the road, bringing their consistently engaging and occasionally brutal live show to New York, Massachusetts, Rhode Island, Illinois, Minnesota, Wisconsin and Michigan's Upper Peninsula, even putting in an appearance on NPR's "All Things Considered". The GLMS signed with Southeast Michigan-based publishing house, record label, web developer and video/television production company Quack!Media in 2006 with plans to release their second album, "Compass Rose Bouquet", in the Summer of 2007. An eponymous single followed in early 2008 featuring "Brablec Farms" and "She's Come Home To Steal Her Rainbows".
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Heydays
Great Lakes Myth Society Lyrics


Heydays are passing.
Your house has been rented
Several times over
By prettier girls.

Weekends and summers,
Bands that you loved
Were just haircuts and jackets.
Back then that was enough.

Your days are invested,
The band has been signed.
You've been there before,
Perhaps this is the time.

Girlfriends are leaving,
New girls arrive.
You open the circle,
To be blinded by light.

Uncertain the future,
Nostalgic the past.
Unable to recognize,
Moments that pass.

Heydays are passing.
Friendless and thin,
From back doors of cafes,
Hid by the din.

But don't hold a candle,
Don't carry a torch.
Those are for castles,
And you are long from their court.

But lift up a bottle,
And put back a glass.
Some years from tomorrow,
With your gut you'll look back.

Contributed by Jacob G. Suggest a correction in the comments below.
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