Loney, dear
Loney, dear used to be the moniker of multi-instrumentalist and home-record… Read Full Bio ↴Loney, dear used to be the moniker of multi-instrumentalist and home-recording phenomenon, Emil Svanängen from Jönköping, Sweden. Svanängen slightly altered his artist's name in 2009, skipping the comma. He is now recording and releasing music as Loney Dear.
Until 2009 Svanängen recorded and released four records as Loney, dear. All albums are now listed under Loney Dear on streaming platforms.
Released as Loney, dear:
The Year Of River Fontana (2003)
Citadel Band (2004)
Sologne (2006)
Loney, Noir (2007)
Released as Loney Dear:
Dear John (2009)
Hall Music (2011)
Loney Dear (2017)
A Lantern and a Bell (2021)
Atlantis (live, 2022)
All Things Go (2024)
In either his tiny Stockholm studio apartment or the basement of his parents’ house, and with a dedication bordering upon manic, Emil discreetly builds Loney Dear songs using a modest home studio set-up. The music of Loney Dear has been aptly described as “soulful indie folk with a powerful mini orchestra.”
Layer upon layer, adding instrumentation and vocals, these songs seem to bloom like time-lapse photography, depicting glimpsed scenes of modern disaffection and timeless yearning. When performing live, Loney, dear becomes the band Emil conjures alone in his home studio, and mutates into a full, five-member band complete with guitar, sax, drums, organ and clarinet, shouts and claps.
Until 2009 Svanängen recorded and released four records as Loney, dear. All albums are now listed under Loney Dear on streaming platforms.
Released as Loney, dear:
The Year Of River Fontana (2003)
Citadel Band (2004)
Sologne (2006)
Loney, Noir (2007)
Released as Loney Dear:
Dear John (2009)
Hall Music (2011)
Loney Dear (2017)
A Lantern and a Bell (2021)
Atlantis (live, 2022)
All Things Go (2024)
In either his tiny Stockholm studio apartment or the basement of his parents’ house, and with a dedication bordering upon manic, Emil discreetly builds Loney Dear songs using a modest home studio set-up. The music of Loney Dear has been aptly described as “soulful indie folk with a powerful mini orchestra.”
Layer upon layer, adding instrumentation and vocals, these songs seem to bloom like time-lapse photography, depicting glimpsed scenes of modern disaffection and timeless yearning. When performing live, Loney, dear becomes the band Emil conjures alone in his home studio, and mutates into a full, five-member band complete with guitar, sax, drums, organ and clarinet, shouts and claps.
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