Temple began her film career in 1932 at the age of three and, in 1934, found international fame in Bright Eyes, a feature film designed specifically for her talents. She received a special Juvenile Academy Award in February 1935 for her outstanding contribution as a juvenile performer to motion pictures during 1934, and film hits such as Curly Top and Heidi followed year after year during the mid-to-late 1930s. Licensed merchandise that capitalized on her wholesome image included dolls, dishes, and clothing. Her box office popularity waned as she reached adolescence, and she left the film industry in her teens. She appeared in a few films of varying quality in her mid-to-late teens, and retired completely from films in 1950 at the age of 22. She was the top box-office draw four years in a row (1935–38) in a Motion Picture Herald poll.
Temple returned to show business in 1958 with a two-season television anthology series of fairy tale adaptations. She made guest appearances on television shows in the early 1960s and filmed a sitcom pilot that was never released. She sat on the boards of corporations and organizations including The Walt Disney Company, Del Monte Foods, and the National Wildlife Federation. In 1988, she published her autobiography, Child Star. Temple was the recipient of awards and honors including Kennedy Center Honors and a Screen Actors Guild Life Achievement Award.
Temple ranks 18th on the American Film Institute's list of the greatest female American screen legends of all time.
Temple began dance classes at Meglin's Dance School in Hollywood in 1931, at the age of 3. Her film career began when a casting director from Educational Pictures visited her class. Although Temple hid behind the piano in the studio, she was chosen by the director, invited to audition, and, eventually, signed to a contract with Educational.
Temple worked at Educational from 1932 to 1933, and appeared in two series of short subjects for the studio. Her first series, Baby Burlesks, satirized recent motion pictures and politics. In the series "Baby Burlesks", Shirley would dress up in a diaper, but then be wearing adult clothes everywhere else. The series was considered controversial by some viewers because of its depiction of young children in adult situations. Her second series at Educational, Frolics of Youth, was a bit more acceptable, and cast her as a bratty younger sister in a contemporary suburban family.
While working for Educational Pictures, Temple also performed many walk-on and bit player roles in various films at other studios. She is said to have auditioned for a lead role in Hal Roach's Our Gang comedies (later known as The Little Rascals) in the early 1930s; various reasons are given for her not having been cast in the role. Roach stated that Temple and her mother were unable to make it through the red tape of the audition process, while Our Gang producer/director Robert F. McGowan recalls that the studio wanted to cast Temple, but they refused to give in to Temple's mother's demands that Temple receive special star billing. Temple, in her autobiography Child Star, denies that she ever auditioned for Our Gang at all. However, Temple had some connection with Our Gang in that Temple's carpool friend, David Holt, had a small role in the 1933 Little Rascals film Forgotten Babies.
Temple was finally signed to Fox Film Corporation (which later merged with 20th Century Pictures to become 20th Century Fox) in late 1933 after appearing in Stand Up and Cheer! with James Dunn. Later, she was paired with Dunn in several films.
Temple would stay with Fox until 1940, becoming the studio's most lucrative player. Her contract was amended several times between 1933 and 1935, and she was loaned to Paramount for a pair of successful films in 1934. For four solid years, she ranked as the top-grossing box office star in America. Shirley's birth certificate was altered to hold on to her babyhood; her birth year was advanced from 1928 to 1929. She was not told her real age until her twelfth (actually thirteenth) birthday.
Her popularity earned her both public adulation and the approval of her peers. Even at the age of five, the hallmark of her acting work was her professionalism: she always had her lines memorized and dance steps prepared when shooting began.
Temple also made pictures with Carole Lombard, Gary Cooper, Adolphe Menjou, and many others. Arthur Treacher appeared as a kindly butler in several of Temple's films.
Temple's ability as a dancer (especially a tap dancer) is well known and celebrated. Even in her earliest films she danced, and she was able to handle complex tap choreography by the age of five. She was teamed with famed dancer Bill "Bojangles" Robinson in The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner. Robinson also coached and developed her choreography for many of her other films. Because Robinson was African-American, and the South was replete with racism, his scenes holding hands with Temple had to be edited out in many cities in the South.
Aside from the films, there were many Shirley Temple product during the 1930s. Ideal's numerous Temple dolls, dressed in costumes from the movies, were top sellers. Original Shirley Temple dolls bring in hundreds of dollars on the secondary market today. Other successful Temple items included a line of girls' dresses and hairbows. Several of Temple's film songs, including "On the Good Ship Lollipop"(from 1934's Bright Eyes), "Animal Crackers in My Soup" (from 1935's Curly Top) and "Goodnight My Love" (from 1936's Stowaway) were popular radio hits. She frequently lent her likeness and talent to promoting various social causes, including the Red Cross.
Temple was the first recipient of the special Juvenile Performer Academy Award in 1935 for recognition of her outstanding contribution to screen entertainment in 1934. Seventy years later, Temple is still the youngest performer ever to receive this honor, or any Oscar. She is also the youngest actress to add foot and hand prints to the forecourt at Grauman's Chinese Theatre.
On the Good Ship Lollipop
Shirley Temple Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I want to make some noisewith real live aeroplanes
Some day I'm going to fly,I'll be a pilot, too
And when I do, how would you like to be my crew?
OnTheGoodShipLollipop
It's a sweet trip to a candy shop
Wherebon-bons play
On the sunny beach of Peppermint Bay
Lemonade stands everywhere
Crackerjack bands fill the air
And there you are
Happy landing on a chocolate bar
See the sugar bowl dothe tootsie roll
With the big bad devil's food cake
If you eat too much, ooh-ooh
You'll awake with a tummy ache
OnTheGoodShipLollipop
It's a night trip, into bed you hop
And dream away
OnTheGoodShipLollipop
OnTheGoodShipLollipop
It's a sweet trip to a candy shop
Wherebon-bons play
On the sunny beach of Peppermint Bay
Lemonade stands everywhere
Crackerjack bands fill the air
And there you are
Happy landing on a chocolate bar
See the sugar bowl dothe tootsie roll
With the big bad devil's food cake
If you eat too much, ooh-ooh
You'll awake with a tummy ache
OnTheGoodShipLollipop
It's a night trip, into bed you hop
And dream away
OnTheGoodShipLollipop
You'll awake with a tummy ache
OnTheGoodShipLollipop
It's a night trip, into bed you hop
And dream away
OnTheGoodShipLollipop
The song "On the Good Ship Lollipop" by Shirley Temple is a whimsical tune about a child's dream of flying planes and visiting a candy shop. The first verse sets the scene and introduces the dream of the child. The child has thrown away their toys and desires to make noises with real aeroplanes. The child wants to become a pilot and invites the listener to join them on their imaginary crew. The song then transitions to the chorus and describes the sweet journey on the good ship Lollipop to a candy shop where bon-bons play on the sunny beach of Peppermint Bay. The imagery of lemonade stands, crackerjack bands, and happy landings on a chocolate bar evoke a sense of carefree joy and nostalgia.
The second verse continues the vivid imagery describing the sugar bowl doing the tootsie roll and the warning that eating too much candy will result in a tummy ache. The chorus is repeated with the addition of the child dreaming away on the good ship Lollipop into bed at night. The song ends with a reminder that eating too much candy will cause a tummy ache and encourages the listener to dream away on the good ship Lollipop.
The lyrics of the song capture the innocence and whimsy of childhood dreams and the joy of indulging in sweets, while also serving as a reminder of the consequences of overindulgence. It is a timeless classic that has captured the hearts of generations.
Line by Line Meaning
I've thrown away my toys, even my drum and train
I am tired of playing with toys and want to experience something new and exciting
I want to make some noise with real live aeroplanes
I want to be a pilot and fly airplanes to create an exciting and loud sound
Some day I'm going to fly, I'll be a pilot, too
I am determined to become a pilot and fly airplanes
And when I do, how would you like to be my crew?
Would you like to be a part of my team when I fulfill my dream of flying?
On The Good Ship Lollipop, It's a sweet trip to a candy shop
The Good Ship Lollipop is a journey to a wonderful and delightful candy store
Where bon-bons play, On the sunny beach of Peppermint Bay
The candy store is located at Peppermint Bay, where sweet treats like bon-bons can be enjoyed
Lemonade stands everywhere, Crackerjack bands fill the air
The candy store is so fun and lively that there are lemonade stands and bands playing everywhere
And there you are, Happy landing on a chocolate bar
You will feel happy and satisfied as if you just landed on a soft and delicious chocolate bar
See the sugar bowl do the tootsie roll, With the big bad devil's food cake
The sugar bowl is doing the dance called tootsie roll with a tempting and sinful dessert called devil's food cake
If you eat too much, ooh-ooh, You'll awake with a tummy ache
Eating too much candy can lead to an upset stomach, so it's important to enjoy in moderation
On The Good Ship Lollipop, It's a night trip, into bed you hop
The journey on the Good Ship Lollipop is so enjoyable that you will happily go to bed at night after experiencing it
And dream away, On The Good Ship Lollipop
You can continue to dream about the wonderful experience on the Good Ship Lollipop even after the journey is over
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: RICHARD A. WHITING, SIDNEY CLARE
Lyrics Licensed & Provided by LyricFind
Reg
on I'm Gettin Nuttin for Christmas
This isn't Shirley Temple. She was 27 and long retired from show biz when it came out in 1955. The voice is Barry Gordon's, backed by the Art Mooney Orchestra.