Post-punk revival
The post-punk revival was a development of the late 20th and early 21st centuries in which bands took inspiration from the original sounds and aesthetics of post-punk of the late 1970s. New Wave music of the 1980s has also influenced the post-punk revival.
Originally, the term "post-punk" was coined to describe those groups which in the late 1970s and early 1980s took punk and started to experiment with more challenging musical structures, lyrical themes Read Full BioThe post-punk revival was a development of the late 20th and early 21st centuries in which bands took inspiration from the original sounds and aesthetics of post-punk of the late 1970s. New Wave music of the 1980s has also influenced the post-punk revival.
Originally, the term "post-punk" was coined to describe those groups which in the late 1970s and early 1980s took punk and started to experiment with more challenging musical structures, lyrical themes, and a self-consciously art-based image, while retaining punk's initial iconoclastic stance, such as Joy Division, The Cure, Public Image Ltd., Gang of Four and Echo & the Bunnymen. At the turn of the century, the term "post-punk" began to appear in the music press again, with a number of critics reviving the label to describe a new set of bands that shared some of the aesthetics of the original post-punk era. The Rapture, The Strokes, The Killers, The Bravery, Arctic Monkeys, Interpol, Franz Ferdinand, and Bloc Party were the first commercially successful projects to revive media interest in the movement. This second wave of post-punk incorporates elements of dance music and genres that are part of dance punk in much the same way that the original post-punk movement was influenced by Krautrock, Dub, and Disco of the 1970s. Music critic Simon Reynolds notes that many of these bands draw particular influence from the more angular strain of post-punk such as Wire and Gang of Four. However, other post-punk revivalists such as Interpol, Editors and White Lies are more clearly indebted to the atmospheric wing of post-punk epitomized by Echo & The Bunnymen and Joy Division.
Originally, the term "post-punk" was coined to describe those groups which in the late 1970s and early 1980s took punk and started to experiment with more challenging musical structures, lyrical themes Read Full BioThe post-punk revival was a development of the late 20th and early 21st centuries in which bands took inspiration from the original sounds and aesthetics of post-punk of the late 1970s. New Wave music of the 1980s has also influenced the post-punk revival.
Originally, the term "post-punk" was coined to describe those groups which in the late 1970s and early 1980s took punk and started to experiment with more challenging musical structures, lyrical themes, and a self-consciously art-based image, while retaining punk's initial iconoclastic stance, such as Joy Division, The Cure, Public Image Ltd., Gang of Four and Echo & the Bunnymen. At the turn of the century, the term "post-punk" began to appear in the music press again, with a number of critics reviving the label to describe a new set of bands that shared some of the aesthetics of the original post-punk era. The Rapture, The Strokes, The Killers, The Bravery, Arctic Monkeys, Interpol, Franz Ferdinand, and Bloc Party were the first commercially successful projects to revive media interest in the movement. This second wave of post-punk incorporates elements of dance music and genres that are part of dance punk in much the same way that the original post-punk movement was influenced by Krautrock, Dub, and Disco of the 1970s. Music critic Simon Reynolds notes that many of these bands draw particular influence from the more angular strain of post-punk such as Wire and Gang of Four. However, other post-punk revivalists such as Interpol, Editors and White Lies are more clearly indebted to the atmospheric wing of post-punk epitomized by Echo & The Bunnymen and Joy Division.
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Obstacle 1
Interpol Lyrics
I wish I could eat the salt off of your lost faded lips
We can cap the old times make playing only logical harm
We can cap the old lines clay-making that nothing else will change
But she can read, she can read, she can read, she can read, she's bad
Oh, she's bad
It's different now that I'm poor and aging, I'll never seek this face again
You'll go stabbing yourself in the neck
And we can find new ways of living make playing only logical harm
And we can top the old times, clay-making that nothing else will change
But she can read, she can read, she can read, she can read, she's bad
She can read, she can read, she can read
Oh, she's bad
It's different now that I'm poor and aging, I'll never see this place again
You go stabbing yourself in the neck
But it's different now that I'm poor and aging, I'll never see this place again
And you go stabbing yourself in the neck
It's in the way that she pulls it
It's in the things that she puts in my head
Her stories are boring and stuff
She's always calling my bluff
She puts the, she puts the weights into my little heart
And she gets in my room and she takes it apart
She puts the weights into my little heart
I said she puts the weights into my little heart
She packs it away
She packs it away
She packs it away
She packs it away
She packs it away
She packs it away
She packs it away
It's in the way that she walks
Her heaven is never enough
She puts the weights in my heart
She puts, oh she puts the weights into my little heart
Lyrics © Kobalt Music Publishing Ltd.
Written by: Carlos Andres Dengler, Daniel Alexander Kessler, Paul Julian Banks, Samuel J Fogarino
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Sami Sage
Lyrics :
I wish I could eat the salt off of your lost faded lips
We can cap the old times make playing only logical harm
We can cap the old lines clay-making that nothing else will change
But she can read, she can read, she can read, she can read, she's bad
Oh, she's bad
It's different now that I'm poor and aging, I'll never seek this face again
You'll go stabbing yourself in the neck
And we can find new ways of living make
playing only logical harm
And we can top the old times, clay-making that nothing else will change
But she can read, she can read, she can read, she can read, she's bad
She can read, she can read, she can read
Oh, she's bad
It's different now that I'm poor and aging, I'll never see this place again
You go stabbing yourself in the neck
But it's different now that I'm poor and aging, I'll never see this place again
And you go stabbing yourself in the neck
It's in the way that she pulls it
It's in the things that she puts in my head
Her stories are boring and stuff
She's always calling my bluff
She puts the, she puts the weights into my little heart
And she gets in my room and she takes it apart
She puts the weights into my little heart
I said she puts the weights into my little heart
She packs it away
She packs it away
She packs it away
She packs it away
She packs it away
She packs it away
She packs it away
It's in the way that she walks
Her heaven is never enough
She puts the weights in my heart
She puts, oh she puts the weights into my little heart
bruh
Legend says somewhere in the backrooms you can find Interpol performing 'Obstacle 1'
Din Djarum
That's liminal spaces for you.
The Baby
They're performing on the 13th floor
yoda
have u heard of this indie band called The Impures, they have this song out called "threats'
Meera Kumar
i have never found a comment that fits so perfectly
jjstratford
@Zack Zallie cocaine is a helluva drug
Arcade Craniacs
SO ABOUT THIS NEW ALBUM, I HAVE HAD ENOUGH REALITY
yoda
have u heard of this indie band called The Impures, they have this song out called "threats'
Evelyn Mendoza
Ojajajajajajjajajajajajajajajaja
Jenny Manson
Hiii guys!!