Ratzinger was the creative force behind Wumpscut, occasionally employing the help of others as guest artists. Ratzinger cites the influence of such bands as Leæther Strip as his reason for making the transfer from DJing to recording music.
The release of the song "Soylent Green", which is named after the 1973 movie and also contains audio samples from the German dubbed version, first attracted attention to Wumpscut. Since its release in 1993, it has become a frequently played song at events and clubs in the gothic and industrial subcultures and its associated splinter groups, both in Germany and the United States.
So far Ratzinger has published numerous recordings and remixes for other artists. Wumpscut is also very well known for elaborate box set releases including limited versions of a CD or LP release in a box with additional and often also limited bonus material (bonus tracks,energy drinks, posters, pins, stickers, bags, flags, etc.). Wumpscut albums are reissued regularly with variant artworks and occasionally bonus tracks. Standalone merchandise is also available such as caps, mugs, etc.
Studio Albums
* Music for a Slaughtering Tribe (1993)
* Music for a Slaughtering Tribe II (1997 - features revised track order and remix CD)
* Bunkertor 7 (1995) (released as 'Bunker Gate 7' in USA)
* Embryodead (1997)
* Boeses Junges Fleisch (1999) (released as 'Eevil Young Flesh' in USA)
* Wreath of Barbs (2001)
* Bone Peeler (2004)
* Evoke (2005)
* Cannibal Anthem (2006)
* Body Census (2007)
* Schädling (2008)
* Fuckit (2009)
* Siamese (2010)
* Schrekk & Grauss (2011)
* Women And Satan First (2012)
* Madman Szpital (2013)
* Bulwark Bazooka (2014)
* Blutspuker Tavern (2015)
* Wüterich (2016)
Compilations
* Mesner Tracks (1996)
* Born Again (1997)
* Dried Blood of Gomorrha (1997)
* Blutkind (2000)
* Liquid Soylent (2002)
* Preferential Legacy - Music For A German Tribe (2003)
* Killer Archives (2006)
* Innerfire (2017)
Singles and EPs
* Dried Blood (1994)
* Gomorra, (1994)
* Totmacher (1999) (released as 'Deadmaker' in USA)
* Ich Will Dich (1999) (released as 'I Want You' in USA)
* Deliverence (2001)
* Wreath of Barbs (2002) (initially 2 CD singles - issued in 2003 as single CD)
* Blondi (2005)
* Jesus Antichristus & Die Liebe (2006)
Demos and Limited Releases
* Defcon (1991) (self-released cassette)
* Small Chambermusicians (1992) (self-released cassette)
* Smell the Disgusting Sweet Taste of Dried Blood (1994) (limited vinyl single)
* The Oma Thule Single (1995) (limited vinyl single)
Breathe
:Wumpscut: Lyrics
Jump to: Overall Meaning ↴
As the lyrics to the song "Breathe" by :wumpscut: are instrumental, there are no specific lyrics to interpret. Instead, the focus lies on the musical elements of the song, such as the instrumentation, the melody, the harmony, the rhythm, and the timbre.
The song "Breathe" is a dark ambient/industrial/ebm track that creates a sinister and ominous atmosphere with its pulsating beats, haunting synths, and distorted samples. The track features a minimalistic approach, with a repetitive structure that builds tension and intensity throughout its runtime. The use of various sound effects, such as eerie whispers, sirens, and random noises, adds to the unsettling mood of the song.
Overall, "Breathe" can be interpreted as a representation of the suffocating and oppressive atmosphere of modern society, where people are constantly bombarded with information, expectations, and pressures to conform. The song presents a bleak, dystopian vision of the world, where the only way to survive is to keep breathing, despite the constant threats and dangers lurking around every corner.
Contributed by Peyton O. Suggest a correction in the comments below.
@larsrohde560
🇩🇪 Love this crank shit!!! Wir sind die guten!!! 🇩🇪
@myresynes9854
Wir sind die guten ....
@aureliusxi1462
the most dark & depressive track T_T song of artificial breathing ...
@Manglet762
\o/
@Semihumanbeing
Youtube didn't find the lyrics of this song probably...
@Semihumanbeing
Wir sind die Guten
@bendranski6882
1:53
@thetwistofcain
\o.
@JesusOnHeroin
o/