Tarō Shōji (東海林 太郎 Shōji Tarō, December 11, 1898 – October 4, 1972) was a J… Read Full Bio ↴Tarō Shōji (東海林 太郎 Shōji Tarō, December 11, 1898 – October 4, 1972) was a Japanese popular ryūkōka singer.
Shōji was born in Akita, Akita Prefecture. His father was an employee of the South Manchuria Railway, and his parents moved to Manchukuo, leaving him behind in Japan to be raised by his grandmother, who introduced him to the violin. He graduated from the Waseda University Department of Commerce, where he majored in Marxist economics. He married shortly before graduation from undergraduate studies, and was employed by the South Manchurian Railways Research Division on completion of his graduated degree in 1923. His main work at the South Manchurian Railways was on unionization; however, his highly leftist viewpoints alienated both his managers and the Imperial Japanese Army, and he found himself sidelined to a position in a library. After seven years in Manchukuo, he returned to Japan, where his brother was running a Chinese restaurant near Waseda University.
Music career
Shōji made his debut as a recording singer in 1933.[1] He attempted to become a Western classical baritone singer, but finally became a popular singer. His first major hit popular song Akagi no Komoriuta (赤城の子守唄 "Akagi Lulaby") written about Kunisada Chūji. The song was released in 1934 and sold 400,000 copies. This song became a model for many lesser known singers in the 1930s and early 1940s about tragic or semi-tragic Japanese anti-heroes.
From 1934 to 1936, the young actress Hideko Takamine and her mother lived with Shōji, although she refused his offer to formally adopt her.
After World War II, many of his songs were banned by the American occupation forces as too nationalistic. In the 1960s, his popularity revived, riding a wave of nostalgia for songs of the early Shōwa period. Shōji appeared four times on the NHK Kōhaku Uta Gassen, starting with the first broadcast in 1951, followed by 1955, 1956 and 1965. He performed at the Asakusa International Theater in 1957 and in 1963 became honorary chairman of the Japan Vocalist Association in 1963. He was awarded the “special recognition” award at the Japan Record Awards in 1965 and the 4th class of the Order of the Rising Sun in 1969.
Shōji suffered from cancer. However, he recovered from the illness in 1964. He died from cerebral hemorrhage in 1972.
Shōji was born in Akita, Akita Prefecture. His father was an employee of the South Manchuria Railway, and his parents moved to Manchukuo, leaving him behind in Japan to be raised by his grandmother, who introduced him to the violin. He graduated from the Waseda University Department of Commerce, where he majored in Marxist economics. He married shortly before graduation from undergraduate studies, and was employed by the South Manchurian Railways Research Division on completion of his graduated degree in 1923. His main work at the South Manchurian Railways was on unionization; however, his highly leftist viewpoints alienated both his managers and the Imperial Japanese Army, and he found himself sidelined to a position in a library. After seven years in Manchukuo, he returned to Japan, where his brother was running a Chinese restaurant near Waseda University.
Music career
Shōji made his debut as a recording singer in 1933.[1] He attempted to become a Western classical baritone singer, but finally became a popular singer. His first major hit popular song Akagi no Komoriuta (赤城の子守唄 "Akagi Lulaby") written about Kunisada Chūji. The song was released in 1934 and sold 400,000 copies. This song became a model for many lesser known singers in the 1930s and early 1940s about tragic or semi-tragic Japanese anti-heroes.
From 1934 to 1936, the young actress Hideko Takamine and her mother lived with Shōji, although she refused his offer to formally adopt her.
After World War II, many of his songs were banned by the American occupation forces as too nationalistic. In the 1960s, his popularity revived, riding a wave of nostalgia for songs of the early Shōwa period. Shōji appeared four times on the NHK Kōhaku Uta Gassen, starting with the first broadcast in 1951, followed by 1955, 1956 and 1965. He performed at the Asakusa International Theater in 1957 and in 1963 became honorary chairman of the Japan Vocalist Association in 1963. He was awarded the “special recognition” award at the Japan Record Awards in 1965 and the 4th class of the Order of the Rising Sun in 1969.
Shōji suffered from cancer. However, he recovered from the illness in 1964. He died from cerebral hemorrhage in 1972.
上海の街角で
東海林太郎 Lyrics
We have lyrics for these tracks by 東海林太郎:
むらさき小唄 流す涙が お芝居ならば 何の苦労も あるまいに 濡れて燕の 泣く声は あわれ浮名の 女形 好いちゃいけない 好かれち…
名月赤城山 男ごころに 男が惚れて 意気がとけ合う赤城山 澄んだ夜空のまんまる月に 浮世横笛 誰が吹く 意地の筋金 度胸のよさも …
国境の町 そりのスズさえ さびしくひびく 雪の広野よ 町の灯よ 一つ山越しゃ 他国の星が 凍りつくよな 国ざかい 故郷はなれて …
旅笠道中 夜が冷たい 心が寒い 渡り鳥かよ 俺らの旅は 風のまにまに 吹きさらし 風が変れば 俺らも変る 仁義双六 丁半かけて …
赤城の子守唄 泣くなよしよし ねんねしな 山の鴉が 啼(な)いたとて 泣いちゃいけない ねんねしな 泣けば鴉が またさわぐ 坊や男…
野崎小唄 野崎参りは 屋形船でまいろ どこを向いても 菜の花ざかり 粋な日傘にゃ 蝶々もとまる 呼んで見ようか 土手の人 野崎…
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か組門番[Z旗]その1
この曲歌の場は
戦果近し人の生きざまかとなぁ
さりとてとしてなぁ‼️
我が父母の若き若きよく似た
青春の思いいずこに非ずかな⁉️
されど流れきく曲歌のみが🎵
時代を越えて響くなぁ‼️
ありがとー😉👍️🎶なぁ‼️
引き継ぐまぁーす💖
市川裕一
素晴らしい曲ですね。
間奏良いですね。
伊東昭夫
何故かｰｰこの時代に生まれたかったｰｰｰ!
ガラシャTV【登録者450人目標】✔️
当時の上海に行ってみたい
ぽんたぽん太
ぽん太の何故か胸打つ歌詞•・““せめて昨日の純情のままで・・・““綺麗で美しい気高さを併せ持つ風情が•こんな生き方がして生きたい
OrangeOfWilliam
What a beautiful night on the streets of Legation Cities, Shanghai.
tamotsu suzuki
時間は異なるが、第二次上海事変が父の初陣だった、従軍記念誌の写真集が私にとっては貴重な遺品である。
漣レン
この曲は私が生まれる約２年前の発売ですが聞いててすごく懐かしく感じます、特にセリフがいいですね。戦死した私の従兄（私とは親子ほどの年齢差）がよく歌っていたそうです。
省二 佐藤
何故か懐かしさ涙が流れるメロディーですね
treanteanslean lean
懐かしい、最高っす！
敏樹田守
よくよく聴けば台詞は内田朝雄さんの様です。昭和5年生まれの内田さんには無理なと思えます。東海林さんの声も戦後25年たった、昭和45年位の声だと思います。終わります。