In 1991, the group released its jazz-influenced second album, The Low End Theory, regarded for helping shape alternative hip hop in the 1990s. In 1998, the group broke up shortly before releasing its fifth album, The Love Movement, but in 2006, the group's original members reunited and toured the United States. In 2016, the group released its sixth and final album, We Got It from Here... Thank You 4 Your Service, which was still incomplete when Phife Dawg died suddenly in March 2016, and was completed by the other members after his death. A Tribe Called Quest was the most commercially successful act in the Native Tongues collective, with all six of its albums certified either gold or platinum.
John Bush of AllMusic called them "the most intelligent, artistic rap group during the 1990s." The Source gave the group's debut album, People's Instinctive Travels and the Paths of Rhythm (1990), a perfect rating of five 'mics,' marking the first time that the magazine awarded the rating. In 2005, A Tribe Called Quest received the Founders Award at the Billboard R&B/Hip-Hop Awards, and two years later, the group was honored at the 4th VH1 Hip Hop Honors. In 2017, the group was awarded the Brit Award for International Group.
AllMusic critic John Bush called A Tribe Called Quest "without question the most intelligent, artistic rap group during the 1990s", further stating that the group "jump-started and perfected the hip-hop alternative to hardcore and gangsta rap." At a time when James Brown drum breaks and P-Funk basslines dominated hip hop production, the group successfully bridged the gap between jazz and hip hop, incorporating bebop and hard bop samples and recording with double bassist Ron Carter. The group's production influenced their contemporaries, thus changing the sound of hip hop; Dr. Dre produced his highly regarded debut The Chronic after being inspired by The Low End Theory, and Pete Rock stated, "There were times when I would walk into a record store and see Tip sitting on the floor with his glasses on, going through albums, looking for beats ... I was like, 'This guy is serious.' Being around [the group] made me step up and become even more serious than I was".
Lyrically, A Tribe Called Quest has been regarded for addressing many social issues through Q-Tip's philosophical viewpoints and Phife Dawg's everyman perspectives. People's Instinctive Travels and the Paths of Rhythm influenced several hip hop artists; Scarface asserted that it "really made me want to rap", and Pharrell Williams expressed that it was "the turning point [which] made me see that music was art." Kierna Mayo, former editor-in-chief of Ebony, said that The Low End Theory and Midnight Marauders "gave birth to neo-everything. ... That entire class of D'Angelo, Erykah Badu, Maxwell, and Lauryn Hill—and moving on to André 3000, Kanye West, and Talib Kweli—everything that is left of everything begins with Tribe." The group has also been credited for helping launch the solo careers of Busta Rhymes, J Dilla and Consequence.
The group was the subject of the acclaimed 2011 documentary film Beats, Rhymes & Life: The Travels of A Tribe Called Quest, directed by Michael Rapaport.
Studio albums
People's Instinctive Travels and the Paths of Rhythm (1990)
The Low End Theory (1991)
Midnight Marauders (1993)
Beats, Rhymes and Life (1996)
The Love Movement (1998)
We Got It from Here... Thank You 4 Your Service (2016)
Award Tour ft. Trugoy the Dove
A Tribe Called Quest Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Oaktown, L.A., San Fran, St. John
People give your ears so I be sublime
Niggas, take off your coats ladies, act like gems
Sit down, Indian style, as we recite these hymns
See, lyrically I'm Mario Andretti on the mo-mo
Ludicrous, we speedy, or infectious with the slow-mo
Heard me in the eighties, J Beez on the promo
On my never ending quest to get the paper on the caper
But now, let me take it to the Queens side
I'm taking it to Brooklyn side
All the residential Questers to invade the way
Hold up a second son, 'cause we almost there
You can be a black man and lose all your soul
You can be white and blue but don't crap the roll
See my shit is universal, if you got knowledge and dolo
Of delf for self, see there's no one else
Who can drop it on the angle, acute at that
So, do that, do that, do do that that that(come on)
Do that, do that, do do that that that(OK)
Do that, do that, do do that that that
I'm bugging out, so let me get back 'cause I'm wettin niggas
So run and tell the others 'cause we are the brothas
I learned how to build mics in my workshop class
So give me this award, and let's not make it the last
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Chinatown, Spokane, London, Tokyo
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Houston, Delaware, DC, Dallas
Back in '89, I simply slid into place
Buddy, buddy, buddy all up in your face
A lot of kids was busting rhymes but they had no taste
Some said Quest was wack, but now is that the case
I have a quest to have the mic in my hand
Without that, it's like Kryptonite and Superman
So Shaheed come in with the sugar cuts
Phife Dawg's my name, but on stage, call me Dynomutt
When was the last time you heard the Phifer sloppy
Lyrics anonymous, you'll never hear me copy
Top notch baby, never coming less
Sky's the limit, you gots to believe up in Quest
Sit back, relax, get up out the path
If not that, here's the dance floor, come move that ass
Non-believers, you can the steps
I roll with Shaheed and the brother Abstract
Niggas know the time when the Quest is in the jam
I never let a statue tell me how nice I am
Coming with more hits than the Braves and the Yankees
Living mad phat like an over sized Bam-bi
The wackest crews try to dis, it makes me laugh
When my track record's longer than a DC-20 aircraft
So, next time that you think you want something here
Make something deffer, take that garbage to St. Elsewhere
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
S.C., Maryland, New Orleans, Motown
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Chinatown, Spokane, London, Tokyo
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
Houston, Delaware, DC, Dallas
We on Award Tour with Muhammad my man
Going each and every place with the mic in their hand
New York, NJ, N.C., VA
The lyrics to A Tribe Called Quest's "Award Tour" are centered on the group's travels across the United States and globally on their tour as Muhammad, one of the members, holds the microphone to perform. The first and second verses describe their journey to different locations throughout America, including Oakton, L.A., San Francisco, St. John, New York, New Jersey, North Carolina, Virginia, Delaware, Houston, and Dallas. The third verse, rapped by Phife Dawg, outlines the group's success and achievements as artists, celebrating their unique style of music and dismissing their critics. The lyrics are characterized by the group's effortless flow, intricate rhyme schemes, and references to location-sampling.
Additionally, the lyrics' last two lines, "Make something deffer, take that garbage to St. Elsewhere," refer to the NBC medical drama St. Elsewhere's tendency to end episodes with significant plot twists that rendered everything that had taken place in that episode meaningless. The phrase has since become shorthand for dismissing something as subpar.
Line by Line Meaning
We on Award Tour with Muhammad my man
Travelling on a tour, accompanied by my friend Muhammad, collecting different awards on the way.
Going each and every place with the mic in their hand
Performing at every location they go, holding a microphone.
New York, NJ, N.C., VA
Visiting various places in the United States such as New York, New Jersey, North Carolina, and Virginia.
People give your ears so I be sublime
Asking the crowd to pay attention so that the artist can impress them tremendously.
It's enjoyable to know you and the concubine
Appreciating the audience and their company along with their significant others.
Niggas, take off your coats ladies, act like gems
Addressing the crowd in a friendly, informal manner and encouraging them to be comfortable and put on a great show.
Sit down, Indian style, as we recite these hymns
Politely requesting the audience to sit in the traditional Indian style and enjoy the poetic and musical performance.
See, lyrically I'm Mario Andretti on the mo-mo
Comparing himself to a skilled racing driver known for his speed and precision.
Ludicrous, we speedy, or infectious with the slow-mo
Boasting about being incredibly fast and powerful in their artform as well as sculpting it slowly and meaningfully.
Heard me in the eighties, J Beez on the promo
Making a reference to people hearing about his music in the 1980s, with J Beez doing the promotion work.
On my never ending quest to get the paper on the caper
Working continually on making money from their music gigs.
But now, let me take it to the Queens side
Introducing a new segment about a location called Queens.
I'm taking it to Brooklyn side
Shifting focus onto another location, Brooklyn
All the residential Questers to invade the way
Encouraging everyone to join him to explore and conquer the locations.
Hold up a second son, 'cause we almost there
Asking for a brief pause as they approach their destination.
You can be a black man and lose all your soul
Warning people that their spirit can still suffer and be broken even if they are a black man.
You can be white and blue but don't crap the roll
Encouraging white people to be themselves and not pretend to be someone else.
See my shit is universal, if you got knowledge and dolo
Claiming that his music is universal, and that anyone can enjoy it if they have intelligence and courage.
Of delf for self, see there's no one else
Stating that only the self can be trusted with the best interests of oneself.
Who can drop it on the angle, acute at that
Asserting that only he can deliver poetry and lyrics on a sharp angle or slope.
So, do that, do that, do do that that that(come on)
Encouraging the crowd to follow his lead and groove along with him.
Do that, do that, do do that that that(OK)
Giving permission to do what he just asked for.
Do that, do that, do do that that that
Repeating the command for emphasis and rhythm.
I'm bugging out, so let me get back 'cause I'm wettin niggas
Getting excited about the performance and jokingly saying he's spraying the crowd with spit as he talks.
So run and tell the others 'cause we are the brothas
Saying that they are the leaders in their group.
I learned how to build mics in my workshop class
Revealing a little bit about his background and skills in building microphones.
So give me this award, and let's not make it the last
Asking to be given the award for their success and hoping for even more awards in the future.
Chinatown, Spokane, London, Tokyo
Listing out various locations he is visiting, such as Chinatown, Spokane, London, and Tokyo.
Houston, Delaware, DC, Dallas
Naming locations like Houston, Delaware, Washington DC, and Dallas.
Back in '89, I simply slid into place
Recalling how they found their place in the music industry in 1989.
Buddy, buddy, buddy all up in your face
Describing people trying to assert themselves into the music scene and get noticed.
A lot of kids was busting rhymes but they had no taste
Saying that many other rappers tried to get attention, but their music quality was not great.
Some said Quest was wack, but now is that the case
Recalling a time when some people criticized their music, but posing the question of whether people still think that way now.
I have a quest to have the mic in my hand
Asserting their goal of always holding and performing with a microphone.
Without that, it's like Kryptonite and Superman
Comparing his dependence on the microphone to Superman's weakness to Kryptonite.
So Shaheed come in with the sugar cuts
Referring to Shaheed's skills as a DJ who is adept at seamlessly incorporating a range of music tracks into a performance.
Phife Dawg's my name, but on stage, call me Dynomutt
Joking about his name being Phife Dawg but preferring to be called Dynomutt like the cartoon character when performing on stage.
When was the last time you heard the Phifer sloppy
Rhetorically asking the audience when they had last heard him perform sloppily.
Lyrics anonymous, you'll never hear me copy
Stating that he always creates original lyrics and never copies from other artists.
Top notch baby, never coming less
Claiming to always deliver the best possible performance.
Sky's the limit, you gots to believe up in Quest
Saying that the sky is the limit in terms of success and achievement, and encouraging people to believe in themselves and their abilities like they believe in their group, Quest.
Sit back, relax, get up out the path
Taking a moment to relax and enjoy the performance while moving out of the way to make room for others to dance.
If not that, here's the dance floor, come move that ass
For those who don't want to relax, he is inviting them to the dance floor to move and groove to the music.
Non-believers, you can the steps
Telling those who don't believe in their music that they can leave and step away from the performance.
I roll with Shaheed and the brother Abstract
Referencing his friends, Shaheed and Abstract, who are also part of the music group.
Niggas know the time when the Quest is in the jam
Saying that people know when their group is performing, and they should be excited about it.
I never let a statue tell me how nice I am
Saying that he does not rely on external validation, such as awards or praise, to know he is good at what he does.
Coming with more hits than the Braves and the Yankees
Claiming to have more hit songs than the famous baseball teams, the Braves and the Yankees.
Living mad phat like an over sized Bam-bi
Using slang to describe living well, like the animated character Bambi who is large and well-fed.
The wackest crews try to dis, it makes me laugh
Saying that mediocre or bad music groups may criticize them, but he doesn't take their criticism seriously and even finds it funny.
When my track record's longer than a DC-20 aircraft
Comparing his impressive track record to a long aircraft.
So, next time that you think you want something here
Sending a warning to anyone who may try to challenge their success.
Make something deffer, take that garbage to St. Elsewhere
Encouraging others to be original and creative in their own way, and warning them to take their bad music elsewhere.
Lyrics © Warner/Chappell Music, Inc., Universal Music Publishing Group
Written by: KAMAAL IBN JOHN FAREED, ALI SHAHEED JONES-MUHAMMAD, MALIK IZAAK TAYLOR, WELDON JOHNATHAN JR. IRVINE
Lyrics Licensed & Provided by LyricFind
@sintexx2801
If u searched for this, you’re my kind of people
@jesusdontlikethatimgaybuts9493
i just heard it on forza horizon 4 and thought it sounded cool
@joshuaejimofor8407
Soviet Prussia yeahhhh same
@mr.levintouge154
Soviet Prussia HORIZON BLOCK PARTY
@mr.levintouge154
Troop Guy lol yes
@loloakal796
London UK 🇬🇧
@ayandagumede3812
That Phife verse gives me chills... Rest in power
@eugenedantzler4485
Right!!! Especially if you were born in 89😎
@feltonbrown4087
Chills! 🥂🍾 I'm 55 yrs from San Francisco CA but in Dallas and this still bumps!🎉😊
@matthewwheeler2231
Me too I also born in July 6 1989 and 1990s music for sure 👌 😊