Alois Maxwell "Al" Hirt (November 7, 1922 – April 27, 1999) was an American… Read Full Bio ↴Alois Maxwell "Al" Hirt (November 7, 1922 – April 27, 1999) was an American trumpeter and bandleader. He is best remembered for his million-selling recordings of "Java" and the accompanying album Honey in the Horn (1963), and for the theme song to The Green Hornet. His nicknames included "Jumbo" and "The Round Mound of Sound". Colin Escott, an author of musician biographies, wrote that RCA Victor Records, for which Hirt had recorded most of his best-selling recordings and for which he had spent much of his professional recording career, had dubbed him with another moniker: "The King." Hirt was inducted into The Louisiana Music Hall of Fame in November 2009.

Hirt was born in New Orleans, Louisiana, the son of a police officer. At the age of six, he was given his first trumpet, which had been purchased at a local pawnshop. He would play in the Junior Police Band with the children of Alcide Nunez, and by the age of 16, Hirt was playing professionally, often with his friend Pete Fountain. During this time, he was hired to play at the local horse racing track, beginning a six-decade connection to the sport.

In 1940, Hirt went to Cincinnati, Ohio, to study at the Cincinnati Conservatory of Music with Dr. Frank Simon (a former soloist with the John Philip Sousa Orchestra). After a stint as a bugler in the United States Army during World War II, Hirt performed with various swing big bands, including those of Tommy Dorsey, Jimmy Dorsey, Benny Goodman, and Ina Ray Hutton.

In 1950, Hirt became first trumpet and featured soloist with Horace Heidt's Orchestra. After spending several years on the road with Heidt, Hirt returned to New Orleans working with various Dixieland groups and leading his own bands. Despite Hirt's statement years later "I'm not a jazz trumpeter and never was a jazz trumpeter", he made a few recordings where he demonstrated his ability to play in that style, during the 1950s with bandleader Monk Hazel, and a few other recordings on the local Southland Records label.

Hirt's virtuoso dexterity and fine tone on his instrument soon attracted the attention of major record labels and he signed with RCA Victor. Hirt posted twenty-two albums on the Billboard charts in the 1950s and 1960s. The albums Honey in the Horn and Cotton Candy were both in the Top 10 best sellers for 1964, the same year Hirt scored a hit single with his cover of Allen Toussaint's tune "Java" (Billboard No. 4), and later won a Grammy Award for the same recording. Both Honey in the Horn and "Java" sold over one million copies, and were awarded gold discs.

Hirt's Top 40 charted hit "Sugar Lips" in 1964 would be later used as the theme song for the NBC daytime game show Eye Guess, hosted by Bill Cullen and originally airing from January 1966 to September 1969.

Hirt was chosen to record the frenetic theme for the 1960s TV show The Green Hornet, by famed arranger and composer Billy May. Thematically reminiscent of Nikolai Rimsky-Korsakov's Flight of the Bumblebee, it showcased Hirt's technical prowess. The recording again gained public attention in 2003 when it was used in the film Kill Bill.

From the mid-1950s to early 1960s, Hirt and his band played nightly at Dan's Pier 600 at the corner of St. Louis and Bourbon Street. The club was owned by his business manager, Dan Levy, Sr.

Al Hirt club on the corner of Bourbon Street and St Louis in the French Quarter, 1977
In 1962 Hirt opened his own club on Bourbon Street in the French Quarter, which he ran until 1983. He also became a minority owner in the NFL expansion New Orleans Saints in 1967.

In 1962, in an effort to showcase him in a different musical setting, Hirt was teamed with arranger and composer Billy May and producer Steve Sholes to record an album titled Horn A Plenty that was a departure from the Dixieland material that he was generally associated with. Covering an eclectic variety of popular, standard and show tunes, it featured a big-band supplemented by timpani, French horns and harp. He also appeared opposite Troy Donahue and Suzanne Phlesette in the 1962 motion picture, "Rome Adventure."

In 1965, he hosted the hour-long television variety series Fanfare, which aired on CBS as a summer replacement for Jackie Gleason and the American Scene Magazine.

Hirt starred along with the University of Arizona marching band at the first Super Bowl halftime show in 1967.

On February 8, 1970, while performing in a Mardi Gras parade in New Orleans, Hirt was injured while riding on a float. It is popularly believed that he was struck in the mouth by a thrown piece of concrete or brick. Factual documentation of the details of the incident is sparse, consisting primarily of claims made by Hirt after the incident. Whatever the actual cause of his injuries, Hirt underwent surgery and made a return to the club scene. This incident was parodied in a Saturday Night Live skit from their second season Mardi Gras special, the "Let's Hit Al Hirt in the Mouth with a Brick Contest".

In 1987, Hirt played a solo rendition of "Ave Maria" for Pope John Paul II's visit to New Orleans. He is referred to in the 1987 film Good Morning, Vietnam, in a broadcast made by Lieutenant Hauk (Bruno Kirby).

Hirt died of liver failure at the age of 76, after having spent the previous year in a wheelchair due to edema in his leg. He was survived by his wife, Beverly Essel Hirt, and six children from a previous marriage.

Spanish Eyes
Al Hirt Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Blue Spanish eyes
Teardrops are falling from your Spanish eyes
Please, please don't cry

This is just adios and not goodbye
Soon I'll return
Bringing you all the love your heart can hold
Please say "Si, si"

Say you and your Spanish eyes will wait for me

Blue Spanish eyes
Prettiest eyes in all of Mexico
True Spanish eyes

Please smile at me once more before I go
Soon I'll return
Bringing you all the love your heart can hold
Please say "Si, si"

Say you and your Spanish eyes will wait for me
Say you and your Spanish eyes will wait for me

Overall Meaning

The song Spanish Eyes by Al Hirt is a heartfelt plea to a lover with beautiful blue Spanish eyes not to cry because this is not a permanent farewell, but only a short temporary goodbye. The singer promises to return and bring back all the love that the other person's heart desires. The lyrics are simple and straightforward and evoke the image of a romantic and passionate love affair in a tropical and exotic location like Mexico.

The song's narrator urges the other person not to cry as it is just a temporary goodbye and not a permanent departure. The use of blue Spanish eyes reinforces the tender and emotional quality of the song. The singer uses the refrain "Please say si, si" to emphasize the need for the other person to wait for them until they return. This symbolizes the depth of the love between the two people and the trust that exists between them.

Overall, Spanish Eyes by Al Hirt is a lovely romantic ballad that speaks of true love and passion. The song's simple lyrics, combined with its smooth melody and the use of Spanish language, create a beautiful and traditional love ballad.

Line by Line Meaning

Blue Spanish eyes
The eyes of a Spanish person, which are blue in color.

Teardrops are falling from your Spanish eyes
Your blue eyes are reflecting your sadness and tears.

Please, please don't cry
I don't want to see you sad and crying.

This is just adios and not goodbye
I'm not saying goodbye forever, just see you later.

Soon I'll return
I'll come back soon.

Bringing you all the love your heart can hold
I'll come back with a lot of love for you.

Please say "Si, si"
Please say yes.

Say you and your Spanish eyes will wait for me
Promise me that you'll wait for me.

Prettiest eyes in all of Mexico
Your beautiful blue eyes are the most attractive eyes in Mexico.

True Spanish eyes
Your eyes are the embodiment of traditional Spanish beauty.

Please smile at me once more before I go
I want to see your beautiful smile again before I leave.