Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Н… Read Full Bio ↴Alexander Nikolayevich Scriabin or Aleksandr Scriabin (Russian: Александр Николаевич Скрябин; 1872-1915, Moscow) was a Russian composer and pianist.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures. The development of Scriabin's voice or style can be followed in his ten piano sonatas: the earliest are in a fairly conventional late-Romantic idiom and show the influence of Chopin and Franz Liszt, but the later ones move into new territory.
Scriabin has been often considered to have had synaesthesia, a condition wherein one experiences sensation in one sense in response to stimulus in another; it is most likely, however, that Alexander Scriabin did not actually experience this. His thought-out system of relating musical notes to colours lines up with the circle of fifths. Prometheus: Poem of Fire includes a part for a 'clavier à lumières' (keyboard of lights) though this is not often featured in performances.
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
5 Preludes Op. 74: No. 5. Fier belliqueux
Alexander Scriabin Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Tehno Grub
Дякую за прекрасну музику на вашому каналі!
Listen to musical notes
Thank you so much for your support and your comments!
Сергей Коханый
Скрябин, интересно, в каком настроении это написал... Стресс, наверняка, снимал😏
Сергей Стрельченко
Наверное😂😂😂
Дамилхан Мендалиев
Он был тупым в сфере музыки с ним дрались некоторые композиторы . Он писал свои произведения взяв отрывок из ему понравившимися композиций и выдавал за якобы свой .
Сергей Коханый
Не знал. Надо отдать ему должное - это он впервые сочетал музыку и цвета. Хотя это всё условно, абстрактно. Тон не абстрактен, имеет только свою звуковую частоту. А какие приписать этим частотам цвета - фантазия каждого. Я ещё в детстве присвоил каждому цвету радуге от красного до фиолетового ноты по порядку: до - красный и так далее, полутона и аккорды интересно сочетаются в цвете. Но куда девать белый и чёрный цвета а также все оттенки серого? Они тоже нужны в музыке)
Carlos Guaymás
¿Para que poner la música y la partituras si la van a tapar con otras partituras?
Listen to musical notes
Thank you so much for your support and your comments!