Mayday
Alonzo Lyrics

Mamacita, je te vois, t'es la seule ce soir
Alonzo sees a woman, Mamacita, and he claims that she's the only one for him tonight.

Quand tu danses, rohlala, c'est noir
Alonzo is impressed with Mamacita's dancing skills and can't help but feel aroused.

Reste là, près de moi, j'vais t'garder, oh
Alonzo wants Mamacita to stay close to him, as if he's trying to protect her.

Mayday, mayday, mayday (mayday)
Alonzo uses the distress signal Mayday repetitively, to signify his need for help or support, in his case, a woman.

Mon cœur, elle a touché (coulé)
Mamacita has captured Alonzo's heart, and he's fallen for her.

Yeah, tu fais des manières, on te sort du V.I.P (sort du V.I.P)
Alonzo criticizes a woman who's in the VIP section for being arrogant, and he feels like she needs to be kicked out.

Tu montres ton boule, je baisse pas la vitre (pas la vitre)
Alonzo is not interested in a woman on the street who's trying to show off her body to him. He's not willing to engage.

Tellement énorme est la kichta, bientôt elle aura la taille de mon fils (de mon fils)
Alonzo comments on how large the woman's buttocks are, and he suggests that soon they'll be as big as his son.

C'est du roro' sur mes lunettes Cartier (Cartier)
Alonzo admits that he has expensive Cartier glasses with a Rolex symbol on them.

Combien d'euros? On fait le four d'ton quartier
Alonzo boasts about how much money he makes and how much he's willing to spend on drugs.

J'm'en bas les couilles, je monte sur la table et la plus fraiche sera dans ma cité
Alonzo doesn't care what others think of him and will do whatever he wants. He'll even climb on the table and pick the prettiest woman to take back to his neighborhood with him.

Marseille (Marseille) Lutèce (Lutèce)
Alonzo shouts out the names of two cities, possibly a reference to where he's from or where he's presently located.

Ça bouge pas (ça bouge pas) on encaisse (on encaisse)
Alonzo and his crew don't panic when they face obstacles; they handle the situation and move on in a positive manner.

J'ai mis le mzinga dans son Hermès
Alonzo has taken out his gun and put it inside a woman's Hermès bag.

Trop d'teilles, trop d'faillot, trop d'folles, trop d'jaloux
Alonzo claims that there are too many people around him who are boastful, cowardly, crazy, or jealous.

L'oseille et la malla
Alonzo refers to money and gangsters who handle it, implying a connection between the two.

Ma bella, on va où? Conduis, j'suis léwé
Alonzo asks Mamacita where they're going, and then tells her to drive since he's too high.

La caution va sauter, où on va? Je sais pas
Alonzo's bail will be forfeited if he breaks the law again, and he's uncertain where he's headed.

Y a que West qui connais
Alonzo claims that only a certain person, West, knows the answer or information that he's seeking.

Bébé tu me connais (c'est moi)
Alonzo reminds the girl that she knows him; he's famous.

C'est Christian ou c'est L.V (bling, bling)
Alonzo references the fancy brands of Christian Dior and Louis Vuitton in order to showcase his wealth.

Les prix, j'ai pas regardé (no, no)
Alonzo signals that he's too wealthy to bother checking the prices for anything; he just buys it.

C'est le Capo dei Capi, coño, coño
Alonzo refers to himself as the boss of bosses, or Capo dei Capi, in a self-aggrandizing way.