1) Anasarca is a emotiona… Read Full Bio ↴There are mutliple artists with this name:
1) Anasarca is a emotional hardcore band from Washington D.C,USA.
Though their recorded output was a bit on the skimpy side, Anasarca definitely had it’s place in the rise of mathematical emotional hardcore. Blending a complex mix of DC post-punk and hardcore, the seven tracks on ‘Discography’ will appease many a fan of the current crop of “screamo” aficionados, as well as those interested in the progression of the genre of mathematically-diverse hardcore. And while Anasarca may seem to be another in the crop of “new school” core, remembering that the band was doing this some 7 years ago opens ones eyes to the undeniable impact they must have had on those who witnessed their emotional outpouring.
Based in DC, it is only fitting that Anasarca would incorporate the off-kilter song structures of Fugazi and combine it with the fury of metal and hardcore. Relying on complexities, tracks like “Eugene Debs” continue to evolve with each listen; the work and passion that went into these tracks is one of uncompromising dedication. There are few 4/4 time structures, but rather a diverse mix of subtle palmed treble charged guitar atmospherics that give way to thick chords (and accented with high string plucks at each swelling bridge). Strongest track for me was most definitely “Everything Was Beautiful and Nothing Hurt”; beginning with straight ahead hardcore and delving into emo and mathematical territories without losing focus amid the clatter. Bands such as this are tough to call for those unfamiliar. Anasarca are not immediately pleasing or catchy. Given that we have since been exposed to the likes of Dillinger Escape Plan, Drowningman and bands of that nature, it is difficult to be immediately be blown away by diverse outings such as this. But when listened to intently, there is much to be savored, and only then does the depth of Anasarca’s work begin to bridge the gap. I did find “Stationary People” to incorporate a modification of the bass line (in pitch, but with the same pluck) to Nirvana’s “Smell’s Like Teen Spirit”, though it represents only a small portion of the 4 plus minute track…But as a whole, there is a vast array of originality represented here that solidifies the devotion those familiar with the band tend to display.
Though only 7 tracks are represented, they are long in composition and ultimately satisfying with the proper dedication to listening. You can’t just hear a band like this, or their depth will fall flat…But if you give Anasarca the same dedication they exhibited in their songwriting, you are sure to feel satisfied with the honesty and complexity that it holds. Not a record worth hearing…a record worth listening. Kudos to Second Nature for recognizing this aspect and giving us a chance to share in the moment. For mathematical emo-philes and complex hardcore lovers…a bit of history that’s worth revisiting.
2) Anasarca (http://www.anasarca.de/) is a death metal band formed in July 1995 in Emden, Germany. Its original members were Heiner (drums) and Michael (Guitar/Vocals) who left their old band Vomiting Corpses right after the release of the Coma (the Spheres of Innocense) album.
One week after Anasarca originally formed, they released their promo tape entitled Condemned Truth, and at that time took on Frank (Guitar) and Chris (Bass), who left their local band Vae Solis. After some more member bouncing in August 1997, Heiner left and Herbert joined due to his insanely fast-paced drum beats. Finally in August 1998, they released their first album entitled Godmachine through Repulse Records.
Again, Anasarca did some member switching - and label switching - and in February 2001 released their second album Moribund through the Danish label puny Music. For this album they did a European tour.
Current Members
Michael Dormann - Guitars, Vocals (since 1995), Bass (since 2001)
Daniel Schneider - Drums (since 2013)
Steffen Parth - Guitars (since 2013)
Michael Ernst - Guitars (since 2013)
Carsten Geerlings - Guitars (since 2013)
Former members
Joshi Wang - Guitars (2003-2013)
Christian Jansen - Bass (1995-2001)
Heiner Saliger - Drums (1995-1997)
Frank Tholen - Guitars (1995-1999)
Herbert Grimm - Drums (1998-2004)
Benjamin Hakbilir - Guitars (2000-2001)
Concrete Tomb
Anasarca Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I think of the outside world.
My life is not missed.
Time continues to pass as I sit in this cell.
These walls that hold me, closing in, they mock me.
They laugh at my cries.
They creep closer and closer till all I see, all I hear
These walls call my name, they know me, they know all.
They enfold the part of me that used to be sane,
Forever locking it away.
That part of me is now dead,
Locked away in its own concrete tomb.
But still I live, waiting for my day.
My day to go free,
or the when all I know will end.
Fate has dealt me a cruel hand.
All I have is to live or to die.
I cannot endure this hell any longer.
I beg the walls, I plead for them to let me go.
Let me go, let me out, somebody help!
My screams fall on deaf ears.
In the song "Concrete Tomb" by Anasarca, the lyrics paint a picture of a person who is trapped in a cage or cell, reflecting on their life and the outside world. The first verse describes the singer's thoughts as they sit in their cell, feeling forgotten and abandoned by the world outside. They are acutely aware of the passage of time and the reality of their captivity.
The second verse paints a vivid picture of the singer's surroundings - the walls of their cell seem to taunt and mock them, and the singer hears whispers coming from their "concrete tomb." The walls have become an oppressive force that knows the singer intimately, and seems to have taken hold of their sanity - the part of them that used to be "sane" has been locked away, leaving them feeling trapped within themselves.
The final verse is a plea for freedom and escape, as the singer begs for someone to let them out of their cell. They are desperate for help, but their cries fall on deaf ears, leaving them feeling powerless and alone.
Overall, the lyrics of "Concrete Tomb" convey a sense of claustrophobia and despair, as the singer wrestles with the reality of their confinement and the hopelessness of their situation.
Line by Line Meaning
As I sit in this cage,
I am imprisoned and reflecting upon the world outside my cell.
I think of the outside world.
I am contemplating the life I used to have before being locked up.
My life is not missed.
My absence from the world outside my cell has gone unnoticed.
Time continues to pass as I sit in this cell.
Although my own life is stagnant, time outside my cell continues to move forward.
These walls that hold me, closing in, they mock me.
The walls surrounding me feel as if they are pressing in on me and causing me misery.
They laugh at my cries.
The walls seem to taunt me and make fun of my emotional distress.
They creep closer and closer till all I see, all I hear
Is the whispers that come from my concrete tomb.
The walls of my cell seemingly approach me until all I can hear and focus on are the sounds and thoughts from within my own mind.
These walls call my name, they know me, they know all.
The walls that imprison me seem to be alive and aware of my presence, causing me deep psychological trauma.
They enfold the part of me that used to be sane,
Forever locking it away.
The walls seem to have taken my sanity, both figuratively and literally, and sealed it away within my own mind.
That part of me is now dead,
Locked away in its own concrete tomb.
The sane part of me has become inaccessible, causing me to feel as if I am living within my own personal grave.
But still I live, waiting for my day.
Even though I feel trapped and tormented, I hold on to the hope that things will one day get better.
My day to go free,
or the when all I know will end.
I long for the moment when I will be released, but fear that that day may never come and I will remain locked in my own personal torment forever.
Fate has dealt me a cruel hand.
I feel as if my imprisonment is an unjust punishment, causing me to suffer needlessly.
All I have is to live or to die.
I have no power over my own life and can only wait for something to change, whether that be freedom or death.
I cannot endure this hell any longer.
The misery of my imprisonment has become unbearable and I can no longer stand it.
I beg the walls, I plead for them to let me go.
I am so desperate for release that I am imploring the walls of my cell to set me free.
Let me go, let me out, somebody help!
I am reaching out for someone, anyone who can aid in my escape from this personal hell, but feel as if no one is listening to my cries for help.
My screams fall on deaf ears.
Despite my desperate pleas, no one seems to be listening to my calls for help, deepening my sense of isolation and despair.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind