There are mutliple artists with this name:

1) Anasarca is a emotiona… Read Full Bio ↴There are mutliple artists with this name:

1) Anasarca is a emotional hardcore band from Washington D.C,USA.

Though their recorded output was a bit on the skimpy side, Anasarca definitely had it’s place in the rise of mathematical emotional hardcore. Blending a complex mix of DC post-punk and hardcore, the seven tracks on ‘Discography’ will appease many a fan of the current crop of “screamo” aficionados, as well as those interested in the progression of the genre of mathematically-diverse hardcore. And while Anasarca may seem to be another in the crop of “new school” core, remembering that the band was doing this some 7 years ago opens ones eyes to the undeniable impact they must have had on those who witnessed their emotional outpouring.

Based in DC, it is only fitting that Anasarca would incorporate the off-kilter song structures of Fugazi and combine it with the fury of metal and hardcore. Relying on complexities, tracks like “Eugene Debs” continue to evolve with each listen; the work and passion that went into these tracks is one of uncompromising dedication. There are few 4/4 time structures, but rather a diverse mix of subtle palmed treble charged guitar atmospherics that give way to thick chords (and accented with high string plucks at each swelling bridge). Strongest track for me was most definitely “Everything Was Beautiful and Nothing Hurt”; beginning with straight ahead hardcore and delving into emo and mathematical territories without losing focus amid the clatter. Bands such as this are tough to call for those unfamiliar. Anasarca are not immediately pleasing or catchy. Given that we have since been exposed to the likes of Dillinger Escape Plan, Drowningman and bands of that nature, it is difficult to be immediately be blown away by diverse outings such as this. But when listened to intently, there is much to be savored, and only then does the depth of Anasarca’s work begin to bridge the gap. I did find “Stationary People” to incorporate a modification of the bass line (in pitch, but with the same pluck) to Nirvana’s “Smell’s Like Teen Spirit”, though it represents only a small portion of the 4 plus minute track…But as a whole, there is a vast array of originality represented here that solidifies the devotion those familiar with the band tend to display.

Though only 7 tracks are represented, they are long in composition and ultimately satisfying with the proper dedication to listening. You can’t just hear a band like this, or their depth will fall flat…But if you give Anasarca the same dedication they exhibited in their songwriting, you are sure to feel satisfied with the honesty and complexity that it holds. Not a record worth hearing…a record worth listening. Kudos to Second Nature for recognizing this aspect and giving us a chance to share in the moment. For mathematical emo-philes and complex hardcore lovers…a bit of history that’s worth revisiting.

2) Anasarca (http://www.anasarca.de/) is a death metal band formed in July 1995 in Emden, Germany. Its original members were Heiner (drums) and Michael (Guitar/Vocals) who left their old band Vomiting Corpses right after the release of the Coma (the Spheres of Innocense) album.

One week after Anasarca originally formed, they released their promo tape entitled Condemned Truth, and at that time took on Frank (Guitar) and Chris (Bass), who left their local band Vae Solis. After some more member bouncing in August 1997, Heiner left and Herbert joined due to his insanely fast-paced drum beats. Finally in August 1998, they released their first album entitled Godmachine through Repulse Records.

Again, Anasarca did some member switching - and label switching - and in February 2001 released their second album Moribund through the Danish label puny Music. For this album they did a European tour.

Current Members

Michael Dormann - Guitars, Vocals (since 1995), Bass (since 2001)
Daniel Schneider - Drums (since 2013)
Steffen Parth - Guitars (since 2013)
Michael Ernst - Guitars (since 2013)
Carsten Geerlings - Guitars (since 2013)

Former members

Joshi Wang - Guitars (2003-2013)
Christian Jansen - Bass (1995-2001)
Heiner Saliger - Drums (1995-1997)
Frank Tholen - Guitars (1995-1999)
Herbert Grimm - Drums (1998-2004)
Benjamin Hakbilir - Guitars (2000-2001)

Of Life and Death
Anasarca Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

They can't see me for who I am. Are they blind
Or do they just not give a damn
When a heart bleeds, the blood congeals
Emotional wounds scar

But never truly heal
Worn and teary
Ripped asunder

Forlorn and teary

Blow me under
Undead zombies become ghosts
The road to hell's the road for most
Living to die is not living at all

Lay your burdens to rest
Inside 'The Walls'
First they take your consciousness
Next they take your breath

One final beat
Before the Reaper welcomes you to death
One more victim
One more number

Added to the pile
One final inaudible sigh

Overall Meaning

These lyrics from Anasarca's song Of Life and Death seem to be conveying a message about how people are often misunderstood in life. The first line discusses how the singer feels like they are not being seen for who they truly are. They question whether it is due to others being unable to see them or simply not caring enough to try. The next few lines speak to the emotional toll that can come from feeling misunderstood. When emotional wounds occur, they leave scars that may never truly heal. The final lines of this stanza use vivid imagery to describe the feeling of being overwhelmed and defeated.

The second stanza of the song seems to be exploring the notion that life is full of people who are "undead zombies." These are individuals who are merely going through the motions of living, without any particular purpose or passion. The "road to hell" can be interpreted as the path that these individuals are on, leading to a meaningless existence. The lyrics encourage the listener to find a way to escape this fate and truly live their lives, instead of just existing. The final lines of the song suggest that in the end, death comes for everyone, and we are all just "one more victim" and "one more number" in the cycle of life and death.

Line by Line Meaning

They can't see me for who I am. Are they blind
People fail to see my true self, possibly due to ignorance or apathy

Or do they just not give a damn
Perhaps people are aware of my true self, but choose not to care

When a heart bleeds, the blood congeals
Emotional pain can manifest physically and become difficult to heal

Emotional wounds scar
Painful experiences can leave lasting emotional damage

But never truly heal
The emotional scars may fade, but they never completely disappear

Worn and teary
Emotionally exhausted and drained

Ripped asunder
Torn apart or broken into pieces

Forlorn and teary
Feeling sad, lonely, and emotional to the point of tears

Blow me under
Metaphorically being knocked down or defeated

Undead zombies become ghosts
Living beings can turn into lifeless, soulless entities

The road to hell's the road for most
The path to destruction and pain is the one most commonly taken