There are two bands named Antimatter.
1) 80s synth-pop band Anti-Matter… Read Full Bio ↴There are two bands named Antimatter.
1) 80s synth-pop band Anti-Matter formed by Xopher Davidson.
2) United Kingdom dark rock band Antimatter founded by Mick Moss. The project was originally a duo composed of founding member Duncan Patterson (former bassist/songwriter of Anathema) and Moss, being essentially an amalgamation of two solo projects working in tandem with each other, with each member writing and arranging their songs alone and compiling them in the studio later on to create an album.In this manner the pair released three albums together, Saviour, Lights Out and Planetary Confinement, after which Patterson left, in 2005, to start another band Íon. Moss continued Antimatter as an extension of his own timeline established throughout the first three discs, releasing the project's fourth album Leaving Eden in 2007. Followed Alternative Matter, Fear of a Unique Identity, The Judas Table, "Too Late", Welcome To The Machine, Live Between The Earth & Clouds, and, most recently, Black Market Enlightenment in 2018.

Xopher Davidson Anti-Matter
Xopher Davidson began his experiments in electronic sound from a basis in painting, film, and installation art, mixed with a long-time interest in electronics. While in primary school he learned to construct simple circuits, removing the components from old televisions and playing with step-up transformers. In 1985 the naively extremist project Jesus Wept was formed by James Chandler, John Hong, Will B. Gavin, and Davidson, beginning an era of tape manipulation. An electronic side project with James Chandler resulted in the (in)famous cassette release, Climatron. While attending school in Richmond, Virginia, Davidson completed the short black and white films Hess and Positioning Device, significant for its soundtrack of modulated full-frequency noise. He also started work on the trilogy of recorded sound pieces titled "Reflector," "Primer," and "Number," which was completed in 1990. Also during this period, Davidson performed with the noise fusion group 45-102, demonstrating an advanced position on sound in one public appearance. Presenting his work in numerous shows, he co-curated a major infrastructuralist show at the Henry Street Gallery. Davidson received a BFA degree in painting and sculpture from Virginia Commonwealth University in 1991.

In 1992, Davidson rode the train to Oakland, California, where he founded the seminal Exhibit < > space. In this storefront location (situated adjacent to a freeway onramp), he presented an ongoing installation of signs and diagrams which his paintings had evolved into. Listening here to the rumblings of the overhead freeway, it became obvious that the issue of sound needed to be (re)addressed. A year later, Davidson began work at the Center for Contemporary Music at Mills College in Oakland, California. Here he performed and recorded sound in many forms, presenting three concerts of electronic music while working on his MFA. At this same time, Davidson constructed a trilogy of experimental 16mm films at CCAC's film studios, to be overlayed with sound developed at the CCM recording studio. As a member of the live electronic groups Citizen Band and Circular Firing Squad, he performed extensively in and around the San Francisco Bay Area and the Pacific Northwest. Davidson continues to collaborate with David Kwan performing their audio visual presentations, a mixture of order and decay, and are currently working on a series of DVD translations.

As an audio engineer, Davidson has worked on projects by/ for: The-Allies, John Cage, Marcel Duchamp, Diamanda Galas, Jhno, Zbigniew Karkowski, Lloop, Once 11, Hannah Marcus, Paul D. Miller, Mix Master Mike, Pepito, Phoenecia, The Soft Pink Truth, Jonah Sharp, Otto Von Schirach, Subtropic, Themselves, Tipsy, We, and Iannis Xenakis, to name a few.

In 1999 Davidson released the antimatter recording Transfixion on the Artifact label. In 2001 he released the influential infrasonic recording, Function Generator, in collaboration with Zbigniew Karkowski, on Portugal's Sirr.records. His 2003 release for asphodel antimatter vs. antimatter sounds the depths of 15 years of his experiments with recording, leading the concept of remixing into an unknown expanse. Davidson continues to conduct experiments in sound and image in his backyard workshop, The Treatment Center.
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Black Sun
Antimatter Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Murderer!
Man of fire.

Murderer!
I've seen the eyes of living dead.
It's the same game - survival.
The great mass play a waiting game.
Embalmed, crippled, dying in fear of pain.

All sense of freedom gone.

Black sun in a white world.
Like having a black sun in a white world.

I have a son,
His name is Eden.
It's his birthright,
Beyond estranged time.

Give me 69 years,
Another season in this hell.
It's all sex and death
as far as I can tell.

Like Prometheus we are bound,
Chained to this rock
of a brave new world,
Our godforsaken lot.
And I feel
that's all we've ever needed to know,
'Til worlds end and the seas run cold.

Give me 69 years,
Another season in this hell.
There is sex and death
In mother nature's plans.

Like Prometheus we are bound,

Chained to this rock of a brave new world,
Our godforsaken lot.

Overall Meaning

The lyrics of Antimatter's song "Black Sun" are intense and poetic, and they offer a haunting commentary on the human condition. The opening lines of "Murderer! Man of fire" speak to the destructive tendencies of humanity, while the repetition of "Murderer!" underscores the violence that permeates society. The following lines, "I've seen the eyes of living dead. It's the same game - survival," suggest that we are all trapped in a cycle of life and death, constantly fighting for survival.

The next stanza highlights the desperation of the masses, as they wait for death in fear and bondage, stripped of their freedom. The chorus, "Black sun in a white world. Like having a black sun in a white world," conjures up images of a dark, ominous presence in a world meant to be pure and bright, further emphasizing the dark themes of the song.

The third stanza introduces the idea of legacy and inheritance, as the singer references his son, Eden. He suggests that Eden has a right to something beyond the oppressive, chaotic world depicted in the song. The repetition of "Give me 69 years, another season in this hell," reveals the singer's desire for more time, despite the world's troubles. The song ends on a note of tragic resignation and recognition that we are trapped by fate, chained like Prometheus to a rock in a new world forsaken by God.

Line by Line Meaning

Murderer!
Addressing someone as a murderer

Man of fire.
Referring to someone as a man who has an intense and burning personality

Murderer!
Addressing someone as a murderer again

I've seen the eyes of living dead.
Having witnessed people who are alive but feel dead inside

It's the same game - survival.
Life is just a game of survival where people fight to stay alive

The great mass play a waiting game.
Majority of the people are just waiting for something to happen

Embalmed, crippled, dying in fear of pain.
People are living fearfully, knowing that they will eventually die and might have to suffer before that

All sense of freedom gone.
People have lost their sense of freedom

Black sun in a white world.
Feeling like an outsider in a world dominated by others

Like having a black sun in a white world.
Reiterating the feeling of being an outsider in a world dominated by others

I have a son,
Referring to having a child

His name is Eden.
The child's name is Eden

It's his birthright,
Believing that the child has a right to something because of their birth

Beyond estranged time.
Something that is beyond any sense or concept of time

Give me 69 years,
Asking for another 69 years to live

Another season in this hell.
Another period of time to live in this world that feels like hell

It's all sex and death as far as I can tell.
Believing that life is just about sex and death

Like Prometheus we are bound,
Comparing people to Prometheus who was chained to a rock as punishment

Chained to this rock of a brave new world,
Feeling trapped in a new world that is not as good as it seems

Our godforsaken lot.
Feeling like the lot in life is cursed by God

And I feel that's all we've ever needed to know,
Believing that everything can be summarized by the fact that life is about sex and death

'Til worlds end and the seas run cold.
Believing that life will continue to be this way until the end of the world

Give me 69 years,
Asking for another 69 years to live again

Another season in this hell.
Reiterating the feeling of living in a world that feels like hell

There is sex and death in mother nature's plans.
Believing that sex and death play a part in the natural order of things

Like Prometheus we are bound,
Comparing people to Prometheus again

Chained to this rock of a brave new world,
Reiterating the feeling of being trapped in a world that is not as great as it seems

Our godforsaken lot.
Feeling cursed by God again

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: BRENDAN MICHAEL PERRY, LISA GERMAINE GERRARD

Lyrics Licensed & Provided by LyricFind

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