Apollo began making his own music in 1996 using now-archaic Voyetra audio software, then upgraded to Cool Edit 2000 in becoming a self-described bedroom beat-maker for roughly the next eight years. After graduating from Michigan State University with a degree in business administration, he moved to the west side of Detroit and immersed himself in the local hip-hop community, forming the Black Day in July production crew with high school classmate and Wu-Tang affiliate Bronze Nazareth. When the pair branched off into individual work, Apollo relocated to the east side of the Motor City and continued to build before becoming disenchanted with music and stepping away from production for two years.
It was the mid-2000s, and the upstart producer saw no future for his work—work he had dedicated his life to—in an industry where radio was setting a formulaic pattern for mainstream music. But he eventually began to miss the creativity in his craft and began producing once again, releasing the instrumental albums Skilled Trade (2007) and Make Do (2009). Apollo was soon in high demand, collaborating with Detroiters Finale, MaGestiK LeGenD, Danny Brown, Paradime, and Kam Moye aka Supastition. He went on in 2009 to win the Detroit Red Bull Big Tune Championships and competed in the national finals. Apollo then signed as a producer with the Mello Music Group in December of 2009, having left Michigan in late 2007 to take a position as a property inspector in Cleveland, Ohio. A week after signing, he was laid off from his job.
“Beautiful,” was Apollo’s reaction, as he viewed the layoff as a blessing and prepared for what he terms his “one-year plan.” Starting things off will be The Reset, a series of reworked tracks in true remix tradition, with new music and arrangements for verses by Rapper Big Pooh of Little Brother, Black Milk, MED, Grap Luva, labelmates Kenn Starr, Oddisee, and Diamond District, along with a host of others.
Next up was Brown Study with Boog Brown which features Miz Korona, Invincible, Kam Moye, and Kenn Starr. When the long-awaited Gas Mask LP by The Left with DJ Soko and MC Journalist 103 took the stage in late October 2010 Apollo cemented his place as one of the games best new producers.
Then early in 2011 Apollo released his first Mello Music Group instrumental album, Clouds, and dominated best of lists at the end of the year. 2011 also saw the release of the album Daily Bread, with Rochester, New York MC Hassaan Mackey.
After taking just under a year off to create a new masterpiece, Apollo released his biggest album to date with the legendary O.C. of D.I.T.C. entitled Trophies. The internet again became abuzz with talk of album of the year. Never one to rest on his laurels, Apollo spent the next 7 months both campaigning for "Trophies" and putting together another album, Dice Game, with Motor City compatriot Guilty Simpson. The result of his intense immersion in his work was yet another year with two albums ("Dice Game" and "Trophies") ending up on people's Best of 2012 lists.
Apollo’s credo is simple: “Everything I make, I try to make it my favorite album of all time.”
Heirloom
Apollo Brown Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
So I can, so I can
Watch you weave
Then breathe your story lines
And I wear my sunglasses at night
So I can, so I can
Keep track of the visions in my eyes
It cuts my security
Has she got control of me
I turn to her and say
Don't switch the blade
On the guy in shades, oh-no
Don't masquerade
With the guy in shades, oh-no
I can't believe it
'Cause you got it made
With the guy in shades, oh-no
And I wear my sunglasses at night
So I can, so I can
Forget my name while you collect your claim
And I wear my sunglasses at night
So I can, so I can
See the light that's right before my eyes
While she's deceiving me
She cuts my security
Has she got control of me
I turn to her and say
Don't switch the blade
On the guy in shades, oh-no
Don't masquerade
With the guy in shades, oh-no
I can't believe it
Don't be afraid
Of the guy in shades, oh-no
It kinda scared you
'Cause you got it made
With the guy in shades, oh-no
Oh, I say I wear my sunglasses at night
I wear my sunglasses at night
I wear my sunglasses at night
I say it to you now
I wear my sunglasses at night
I wear my sunglasses at night
I wear my sunglasses at night
I cry to you
I wear my sunglasses at night
I wear my sunglasses at night
The lyrics to Apollo Brown's song Heirloom are actually a sample from the popular '80s song "Sunglasses at Night" by Corey Hart. The song uses the metaphor of wearing sunglasses at night to represent a person's attempt to conceal their true identity or intentions. The singer wears his sunglasses to watch someone as they weave their stories and to keep track of the visions in his eyes. He is aware that this person is deceiving him and cutting his security, but he is still drawn to them.
The chorus is a warning to this person not to switch the blade on the guy in shades (himself), or masquerade with the guy in shades because he is aware of their deception. He urges this person not to be afraid of him and emphasizes that they have it made with the guy in shades. The repeated line "I wear my sunglasses at night" emphasizes the theme of concealment and the persona that the singer is trying to portray.
Overall, the song's lyrics explore themes of deception and the desire to keep one's true self hidden. The singer is aware of the deception around him but is still drawn to it, almost as if he is living vicariously through it. The use of sunglasses as a metaphor helps to drive this point home by emphasizing the idea of hiding one's true self.
Line by Line Meaning
I wear my sunglasses at night
I wear my sunglasses at night to keep my true intentions and emotions hidden from others, while being able to see and observe their behavior.
So I can, so I can
This phrase is used to imply that there is a specific reason for wearing sunglasses at night, and that reason is about to be explained.
Watch you weave
I watch you closely and carefully as you speak or act, trying to understand your intentions and emotions behind them.
Then breathe your story lines
I pay close attention to the words and stories you tell, trying to understand your perspective and experiences.
Keep track of the visions in my eyes
I keep track of my own thoughts and ideas as I observe and interact with others, trying to maintain my own perspective while understanding theirs.
While she's deceiving me
The pronoun 'she' refers to a person who is manipulating or misleading the singer in some way, making it difficult for them to trust their own perceptions.
It cuts my security
The deception and manipulation makes the singer feel vulnerable and uncertain, as if their own sense of security and control is being taken away.
Has she got control of me
The artist questions whether this person has complete power over their thoughts and actions, suggesting a fear of losing oneself to someone else's influence.
Don't switch the blade
The artist warns the person not to turn against them in a harmful or unexpected way, particularly because they are trying to maintain control over their own emotions and perceptions.
On the guy in shades, oh-no
The artist refers to themselves as the 'guy in shades,' suggesting that they are deliberately hiding their true intentions and emotions, and do not want to be seen as vulnerable or weak.
Don't masquerade
The singer tells the person not to pretend to be something they're not, particularly because they are already struggling to trust their own perceptions and emotions.
I can't believe it
The artist expresses disbelief that someone would try to deceive them, particularly when they are already feeling vulnerable and uncertain.
'Cause you got it made
The singer implies that the person doing the deceiving is doing so because they are in a position of power or advantage.
Forget my name while you collect your claim
The singer is willing to sacrifice their own identity or reputation in order to gain something that someone else has to offer, suggesting a desire or need for validation or success.
See the light that's right before my eyes
The singer sees something important or meaningful in their current situation, but may not be able to fully understand or appreciate it because of their own insecurities or anxieties.
Don't be afraid
The artist wants the person to know that they are not afraid of them, and will not be intimidated by their attempts to deceive or manipulate.
It kinda scared you
The artist suggests that the person doing the deceiving is actually more afraid or uncertain than they appear, and is using deception as a way to gain power or control.
Oh, I say I wear my sunglasses at night
The singer reiterates their earlier statement, emphasizing that their decision to wear sunglasses at night is an intentional and meaningful choice.
I cry to you
The singer may be expressing vulnerability or emotional honesty, suggesting that their decision to wear sunglasses at night is also a way to hide their true feelings.
Contributed by Benjamin R. Suggest a correction in the comments below.
Kuronoichig01
Bro, that static is style, it gives that "Vinyl-like" feel to the tracks. It's got that classic Hip hop flavor.
Tom Roose
That Clap is so nice <3 love this beat
Andy Roux
Best producer ever ! I loe all your beats brown ! Peace ! <3
Rmarsh451
doesn't get better than this.
Noluair
3 years since i draw with this music, its sooooooo goood, makes me fly
Banana Peel
THAT CLAAAP
Ziomek Ziom
love it
King Freshhyy
this song is awesome
Bettina Rupp
"Easy lovers", Piccioni, minha música favorita dele.
TheFozzmaster
love all apollo brown songs=)