Apollo Brown is different than most producers. He grew up on the Seals & Cr… Read Full Bio ↴Apollo Brown is different than most producers. He grew up on the Seals & Crofts—not The Isley Brothers—version of Summer Breeze. Born into a bi-racial family in Grand Rapids, Michigan, his early influences skewed more toward the music of Journey and the Carpenters than the urban genres his peers often cite as inspiration. This is not to say that once hip-hop came into play, Apollo wasn’t all in. Just as easily as he can praise the virtues of yacht rock, the 29-year-old beatsmith can name personal heroes—Gang Starr, Wu-Tang Clan, Mobb Deep, M.O.P., Nas, and Black Moon—from the early 90s period in which, for him, beats and rhymes became life.

Apollo began making his own music in 1996 using now-archaic Voyetra audio software, then upgraded to Cool Edit 2000 in becoming a self-described bedroom beat-maker for roughly the next eight years. After graduating from Michigan State University with a degree in business administration, he moved to the west side of Detroit and immersed himself in the local hip-hop community, forming the Black Day in July production crew with high school classmate and Wu-Tang affiliate Bronze Nazareth. When the pair branched off into individual work, Apollo relocated to the east side of the Motor City and continued to build before becoming disenchanted with music and stepping away from production for two years.

It was the mid-2000s, and the upstart producer saw no future for his work—work he had dedicated his life to—in an industry where radio was setting a formulaic pattern for mainstream music. But he eventually began to miss the creativity in his craft and began producing once again, releasing the instrumental albums Skilled Trade (2007) and Make Do (2009). Apollo was soon in high demand, collaborating with Detroiters Finale, MaGestiK LeGenD, Danny Brown, Paradime, and Kam Moye aka Supastition. He went on in 2009 to win the Detroit Red Bull Big Tune Championships and competed in the national finals. Apollo then signed as a producer with the Mello Music Group in December of 2009, having left Michigan in late 2007 to take a position as a property inspector in Cleveland, Ohio. A week after signing, he was laid off from his job.

“Beautiful,” was Apollo’s reaction, as he viewed the layoff as a blessing and prepared for what he terms his “one-year plan.” Starting things off will be The Reset, a series of reworked tracks in true remix tradition, with new music and arrangements for verses by Rapper Big Pooh of Little Brother, Black Milk, MED, Grap Luva, labelmates Kenn Starr, Oddisee, and Diamond District, along with a host of others.

Next up was Brown Study with Boog Brown which features Miz Korona, Invincible, Kam Moye, and Kenn Starr. When the long-awaited Gas Mask LP by The Left with DJ Soko and MC Journalist 103 took the stage in late October 2010 Apollo cemented his place as one of the games best new producers.

Then early in 2011 Apollo released his first Mello Music Group instrumental album, Clouds, and dominated best of lists at the end of the year. 2011 also saw the release of the album Daily Bread, with Rochester, New York MC Hassaan Mackey.

After taking just under a year off to create a new masterpiece, Apollo released his biggest album to date with the legendary O.C. of D.I.T.C. entitled Trophies. The internet again became abuzz with talk of album of the year. Never one to rest on his laurels, Apollo spent the next 7 months both campaigning for "Trophies" and putting together another album, Dice Game, with Motor City compatriot Guilty Simpson. The result of his intense immersion in his work was yet another year with two albums ("Dice Game" and "Trophies") ending up on people's Best of 2012 lists.

Apollo’s credo is simple: “Everything I make, I try to make it my favorite album of all time.”

Seed of Memory
Apollo Brown Lyrics

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The Little Drummer Boy
Come they told me
Pa rum pum pum pum
A new born King to see
Pa rum pum pum pum
Our finest gifts we bring

Pa rum pum pum pum
To lay before the kIng
Pa rum pum pum pum,
rum pum pum pum,
rum pum pum pum
So to honor Him
Pa rum pum pum pum
When we come
Little baby
Pa rum pum pum pum
I am a poor boy too
Pa rum pum pum pum
I have no gift to bring
Pa rum pum pum pum
That's fit to give our King
Pa rum pum pum pum,
rum pum pum pum,
rum pum pum pum
Shall I play for you
Pa rum pum pum pum
On my drum

Mary nodded
Pa rum pum pum pum
The ox and lamb kept time
Pa rum pum pum pum
I played my drum for Him
Pa rum pum pum pum
I played my best for Him
Pa rum pum pum pum,
rum pum pum pum,
rum pum pum pum
The He smiled at me

Pa rum pum pum pum
Me and my drum

Overall Meaning

The above lyrics are from the classic Christmas song "The Little Drummer Boy." The song tells the story of a young boy who visits the newborn King with gifts. The boy, however, has nothing to offer except his drumming skills. As the singer in the song, he asks if he can play his drum for the King as a way of honoring Him.

The story is reminiscent of the biblical tale of the Wise Men who also brought gifts to the newborn Jesus. However, in "The Little Drummer Boy," it's the humble offering of a young boy that touches the heart of the King. The song celebrates the idea that all gifts, no matter how small or simple, can be meaningful and valuable.

Additionally, the song adds an extra layer of symbolism with the drum. In many cultures, drums are used to signify the heartbeat of a community. In this song, the little drummer boy is representing the heart of humanity that beats in honor of the King. Mary nods her head as if to say that his offering is just as significant as the gifts brought by the Wise Men.

Overall, "The Little Drummer Boy" is a song about the power of humble offerings and the value of simple things. It's a reminder that even the smallest acts of kindness and creativity can have a profound impact.

Line by Line Meaning

Come they told me
Someone told me to come

Pa rum pum pum pum
Repetitive sounds that mimic a drum

A new born King to see
To see a newly born King

Our finest gifts we bring
We brought our best gifts

To lay before the kIng
To offer them to the King

So to honor Him
To show respect for Him

When we come
When we arrive

I am a poor boy too
I am also a poor boy

I have no gift to bring
I don't have anything to give as a gift

That's fit to give our King
That is worthy of giving to our King

Shall I play for you
Should I play music for you?