Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung Hindi, Assamese, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.
In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009. The Government of India honoured her with the Dadasaheb Phalke Award in 2000 and the Padma Vibhushan in 2008.
Dayya Re Dayya
Asha Bhosle Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Maaji aaja re maaji aaja
Oo maaji aaja re maaji aaja
Daiyaa re daiyaa laaj mohe laage
Daiyaa re daiyaa laaj mohe laage
Paayal mori baaje saas mori jaage
Daiyaa re daiyaa laaj mohe laage
Aaun mai kaise dagar tori mitavaa
Chhup chhup dekhe hai ghar ke logavaa
Pag thahare to man moraa bhaage
Pag thahare to man moraa bhaage
Pag thahare to man moraa bhaage
Daiyaa re daiyaa laaj mohe laage
Paayal mori baaje saas mori jaage
Daiyaa re daiyaa laaj mohe laage
Aaaa
Chudiyaan khanake to dar-dar jaaun
Jhaanjhar jhanake to mar-mar jaaun
Bandhe pag me sharam ke dhaage
Bandhe pag me sharam ke dhaage
Daiyaa re daiyaa laaj mohe laage
Paayal mori baaje saas mori jaage
Daiyaa re daiyaa laaj mohe laage
Aaaa
Nanadi roke devar moraa toke
Chale naa bahaane chale naa koi dhokhe
Badi mushqil hai aaj more aage
Badi mushqil hai aaj more aage
Daiyaa re daiyaa laaj mohe laage
Paayal mori baaje saas mori jaage
Daiyaa re daiyaa laaj mohe laage
The song "Dayya Re Dayya" by Asha Bhosle tells the story of a woman eagerly awaiting the arrival of Diwali, the festival of lights. As each house in the neighborhood lights up, she implores her mother-in-law to come join in the festivities, singing "Maaji aaja re maaji aaja". However, she is also feeling a sense of shame or "laaj" as she hears her own ankle bells ring and her breath quicken, suggesting that she is anxious about the attention she may receive at the festival. The lyrics convey the singer's desire to be part of the celebration but also her vulnerability and fear of judgment.
In the second verse, the singer expresses her uncertainty about how to navigate the social dynamics of the festival. She does not know which path to take, and feels like she is being watched and judged by those around her. She feels a sense of relief when she is able to slow down and catch her breath, suggesting that she is overwhelmed by the pressure to conform and perform.
In the final verse, the singer highlights the power dynamics at play between herself and her sister-in-law. She fears being stopped or manipulated by her sister-in-law, and feels like she is facing a difficult challenge. The final line, "laaj mohe laage", repeats the sense of shame or vulnerability that permeates the entire song.
Overall, "Dayya Re Dayya" is a poignant exploration of the emotional complexity that surrounds the festival of Diwali, particularly for women who are expected to navigate complicated social hierarchies and norms.
Line by Line Meaning
Divaali aai ghar ghar dip jale
The festival of Diwali has arrived, and everywhere lamps have been lit
Maaji aaja re maaji aaja, Oo maaji aaja re maaji aaja
Oh Mother, please come to me
Daiyaa re daiyaa laaj mohe laage
Oh protector, I feel shy and embarrassed
Paayal mori baaje saas mori jaage
My anklets jingle, and my breath quickens
Aaun mai kaise dagar tori mitavaa
How can I traverse this path, my beloved?
Chhup chhup dekhe hai ghar ke logavaa
The people of my house secretly observe me
Pag thahare to man moraa bhaage
My heart races whenever you come into sight
Chudiyaan khanake to dar-dar jaaun
My bangles jingle and I feel scared
Jhaanjhar jhanake to mar-mar jaaun
The sound of the anklets makes me go weak
Bandhe pag me sharam ke dhaage
The thread of shyness is tied to my feet
Nanadi roke devar moraa toke
My sister-in-law stops me from leaving
Chale naa bahaane chale naa koi dhokhe
There are no excuses, and no deceits
Badi mushqil hai aaj more aage
Today, it is very difficult for me
Writer(s): Naushad, Shakeel Badayuni
Contributed by Michael N. Suggest a correction in the comments below.
@rumanachatterjee6303
Beautiful graceful and every movement like shimmering light u won't such in today's dance choir graph because it was based on classical bharatnatyam and Vajinytamala ji was superb dancer
@hanifsurti5004
Ashaji super voice n rafi sab just saying aaaaa aaaa great voice n vaijantimala dance great
@narayandas6207
Ever green vaijayanti mala we salute you
@trilokinath2596
जितना सुंदर संगीत ,उतना ही मनमोहक नृत्य।
@accordin6539
In this age with all technology and computing power . We are still unable to creat not even a fraction of this music . I dont know what to say . Those musical legends were real ? I mean ... its divine .
@SureshTrivedi-qy1co
कितना मनमोहक बरबसमनहारी नृत्य मर्यादित पहनावे को नमन🙏
@nareshchhabra6082
Salaam beautiful song
@anjalithakre1925
A real talent doesn't need to expose body, that graceful talent itself speaks. Vaijayantimala, a real god gifted dancer!
@AshokSaluja-dl3oe
💐🌷 great voice 💐🌷 so beautiful 💐🌷 lovely song 💐🌷 super dancer vgetimala ji 💐🌷🧡💖👍
@pawanbhutani447
God gifted very nice long live vaijayanthi mala ji