Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung Hindi, Assamese, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.
In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009. The Government of India honoured her with the Dadasaheb Phalke Award in 2000 and the Padma Vibhushan in 2008.
Meri Nazar Hai Tujhpe
Asha Bhosle Lyrics
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कभी छाया कभी धुप
मेरे कितने रूप
कभी छाया कभी धुप
मैं हूँ ऐसी मुझको देखे
मैं हूँ ऐसी मुझको देखे
दुनिया के दीवाने
ध्यान किधर हैं
तेरा ध्यान किधर हैं
मेरी तुझपे नज़र है
जन्नत में जो न मिले
मुझ में हैं ऐसा सबाब
जन्नत में जो न मिले
मुझ में हैं ऐसा सबाब
घटिया न पीओ सनम
बढ़िया नज़र की सराब
ओ मेरे खऱाब दिल तेरा मकान
हाय ध्यान किधर हैं
मेरी तुझपे नज़र है
तेरा ध्यान किधर हैं
मेरी तुझपे नज़र है
तू ही तो मैं हैं मेरा
उल्फत चलन हैं मेरा
तू ही तो मैं हैं मेरा
उल्फत चलन हैं मेरा
तेरे सिवा कौन हैं
तुहि तो धन हैं मेरा
ओ रोमियो मेरे ओ रोमियो
हाय ध्यान किधर हैं
मेरी तुझपे नज़र है
तेरा ध्यान किधर हैं
मेरी तुझपे नज़र है
मुझे मन न रात भर
मैं हूँ तो किसका हैं दर
मुझे मन न रात भर
मैं हूँ तो किसका हैं दर
दौलत को तू भूल जा
लूट जा मेरे नाम पर
ओ रांझिया झरा आँख तो मिला
तेरा ध्यान किधर हैं
मेरी तुझपे नज़र है
हे तेरा ध्यान किधर हैं
मेरी तुझपे नज़र है
मेरे कितने रूप
कभी छाया कभी धुप
मेरे कितने रूप
कभी छाया कभी धुप
मैं हूँ ऐसी मुझको देखे
मैं हूँ ऐसी मुझको देखे
दुनिया के दीवाने
The lyrics of the song "Meri Nazar Hai Tujhpe" by Asha Bhosle express the singer's multiple facets and how she is observed by the world. The first two verses talk about the different sides of her personality, which includes both light and shadow. She is unique and stands out from everyone else in the world. The repeated lines "Meri tujhpe nazar hai, tera dhyan kidhar hai" question where the world's attention is focused, indicating that she deserves more attention and recognition.
The next verse speaks of her being a cause or reason for something that is missing in heaven. It emphasizes her importance and presence in the world. The lines "Ghatiya na pio sanam, badhiya nazar ki saraab" advise not to consume low-quality things but to appreciate the beauty of her gaze. The phrase "O mere kharab dil, tera makan" suggests that her heart is a dwelling place for someone, probably referring to a loved one or romantic interest.
The following verse highlights the idea that she is only for herself and her love interests. The lines "Tu hi toh main hoon mera, ulfat chalan hai mera" imply that she identifies herself through her love and is devoted to someone special. She questions who else is there besides that person, emphasizing their significance in her life.
The final verse expresses the singer's desire to meet someone and have their attention throughout the night. The lines "Mujhe mann na raat bhar, main hoon toh kiska hai dar" reflect her longing for companionship and the fear of being alone. The phrase "Loot jaa mere naam par" suggests being associated with her would bring prosperity. The song concludes with a plea for a wandering soul to meet her and give her some attention.
Overall, the lyrics of "Meri Nazar Hai Tujhpe" depict the singer's multi-faceted personality, her longing for companionship, and her desire to be recognized and appreciated.
Line by Line Meaning
मेरे कितने रूप
I have so many different facets
कभी छाया कभी धुप
Sometimes in the shade, sometimes in the sunlight
मैं हूँ ऐसी मुझको देखे
I am like this and I want to be seen as such
दुनिया के दीवाने
The world is crazy for me
ध्यान किधर हैं
Where is their attention focused?
मेरी तुझपे नज़र है
My eyes are fixed on you
तेरा ध्यान किधर हैं
Where is your attention focused?
जन्नत में जो न मिले
What is not found in paradise
मुझ में हैं ऐसा सबाब
I possess such a reason
घटिया न पीओ सनम
Don't consume cheap drinks, my love
बढ़िया नज़र की सराब
Look at the elegance of my gaze
ओ मेरे खऱाब दिल तेरा मकान
Oh, my wretched heart, your abode is here
तू ही तो मैं हैं मेरा
You are the only one who completes me
उल्फत चलन हैं मेरा
Love is my way of life
तेरे सिवा कौन हैं
Who is there apart from you?
तुहि तो धन हैं मेरा
You are my wealth
ओ रोमियो मेरे ओ रोमियो
Oh, my Romeo, my Romeo
मुझे मन न रात भर
I can't rest all night
मैं हूँ तो किसका हैं दर
Because I belong to someone
दौलत को तू भूल जा
Forget about wealth
लूट जा मेरे नाम पर
Plunder in my name
रांझिया झरा आँख तो मिला
Oh, beloved, just let our eyes meet
मेरे कितने रूप
I have so many different facets
कभी छाया कभी धुप
Sometimes in the shade, sometimes in the sunlight
मेरी तुझपे नज़र है
My eyes are fixed on you
Lyrics © O/B/O APRA AMCOS
Written by: ANU MALIK, HASRAT JAIPURI
Lyrics Licensed & Provided by LyricFind
@saleemjawad1349
What a composition by the great R.D.Burman mind blowing & Asha_ji’s magical voice which is unparalleled-👏👏👏👏👏
@singhs2211
बेहद ही खूबसूरत गीत.
सुनते वक़्त ऐसा लगता है कि आरडी और आशा दी के बीच में रोचक मुकाबला चल रहा हो की कौन बेहतर करेगा परंतु आखिर ये गीत+संगीत की विजय हुई।.
किस उच्च स्तर तक संभावना हो सकती है वहा तक ये गीत का स्तर पहुंचा हैं.
धन्यवाद् Atanu da.
🙏
@Sach659
Bet lakhs ...if anyone can mix classical and Western..so seamlessly.Ashaji once agreed it was very difficult to render this song.... With out losing the tempo... ie why we keep on listening such gems after so many years and keep analysing.Thats magic of RD.😍😘
@satishbansal9395
Magic of pancham da ....
@zenlikes
A rumbustious number underlining the range and the daring experiments only a maverick of RD's calibre is capable of. Not only does RD's radical blending of the Western and Eastern 'gharanas' here disprove Rudyard Kipling's notorious contention: "East is East and West is West and never the twain shall meet", it brings together the stark opposites of sensuality and sobriety to an explosive fusion.
Ashaji is sheer electric in vocalising both extremes of emotions with the perfect proportion of pizzazz and poise, executing both the roles --- of a saucy seductress and a shy, "susheel" lady-love --- with even-handed justice. The song remains one of the foremost specimens of her brilliance not merely as a singer but a consummate actor as well. I had read / heard somewhere that in order to be a good singer one needs to be a good actor too.
And last but not the least, a bouquet of thanks to Atanuda for presenting the song in such mindblowing quality of sound. It's true that the "TBT" OST was mastered with superb sound by the then HMV, but it isn't easy to sustain that same standard in a YouTube upload. Atanuda does this here and in upload after upload. Hats off, Atanuda.
@atanu2804
Great observations! Thanks!
@sbose64
always appreciated zenith roys critical acclaim in a language bengalis are not very easy with. i am liking here the wonderful stereo separation atanu has achieved. i cant believe my ears! atanubabu is delighting audience like me upload after upload.
@zenlikes
@@sbose64 Heartfelt thanks for sparing such kind words of appreciation. Actually, the thanks should go entirely to Atanuda. It's because of the beauty of his upload,
the aural brilliance of it, that these words came out of me.
@A.J.Sunshine
Signature RD Burman...Wowww!! Hats off to the Legend RD Burman for each and every song he created
@vandana5682
Well balanced song of Western and Indian classic by Panchamda and what we say about Aashaji singing 🙏🙏🙏