Austin Wintory is a film and video game music composer. In film, he is well… Read Full Bio ↴Austin Wintory is a film and video game music composer. In film, he is well known for the 2009 Sundance hit GRACE, as well as the 2008 Sundance Audience Award winner CAPTAIN ABU RAED. His score for the former garnered many horror film genre accolades, including a nomination at the 2010 Fangoria Chainsaw Awards for 'Best Original Score,' and Vision in Sound's Top Ten Scores for 2009. The latter was listed by the LA Times as a contender for the 2009 Academy Awards for 'Best Original Score' and also won Austin the Hollywood Music Award for "Best New Composer." The combined success of those films, along with several others, prompted The Hollywood Reporter to list Austin as one of 15 composers "Primed to take their place on the A-list," as well as a nomination by the International Film Music Critics Association for "Breakout Composer of the Year."
In addition to feature films, Austin has a tremendous passion for the world of game scoring. His first major game score for thatgamecompany's flOw in 2006 earned Austin a British Academy Award nomination and triple nominations at the Game Audio Network Guild awards ("Innovative use of Audio," "Best Interactive Score" and winning for "Rookie of the Year."). Perhaps most notably, his score for thatgamecompany's much lauded 'Journey' (2012) debuted as #1 in iTunes' game soundtrack charts, and made history as the only video game score to be nominated for the Grammy 2012 Best Score Soundtrack For Visual Media. He also scored 'Assassin's Creed Syndicate' (2015), which won International Film Music Critics Association Awards's "Original Score for a Video Game or Interactive Media" award, and 'The Pathless' (2020), which won Game Audio Network Guild Awards's "Best Music for an Indie Game" award.
Austin also maintains a busy schedule writing concert music and composing/producing albums. In addition to more traditional chamber and orchestral music, in 2010 he released a meditation album entitled "Sounds of Darkness" using never-before recorded sacred Aztec chants. 2010 also saw the launch of Allogamy, an ambitious blog in collaboration with photographer Andrew Berglund which posts a new photo with a new piece of music for every single day in the year.
Since 2003, Wintory has composed over three hundred musical scores.
In addition to feature films, Austin has a tremendous passion for the world of game scoring. His first major game score for thatgamecompany's flOw in 2006 earned Austin a British Academy Award nomination and triple nominations at the Game Audio Network Guild awards ("Innovative use of Audio," "Best Interactive Score" and winning for "Rookie of the Year."). Perhaps most notably, his score for thatgamecompany's much lauded 'Journey' (2012) debuted as #1 in iTunes' game soundtrack charts, and made history as the only video game score to be nominated for the Grammy 2012 Best Score Soundtrack For Visual Media. He also scored 'Assassin's Creed Syndicate' (2015), which won International Film Music Critics Association Awards's "Original Score for a Video Game or Interactive Media" award, and 'The Pathless' (2020), which won Game Audio Network Guild Awards's "Best Music for an Indie Game" award.
Austin also maintains a busy schedule writing concert music and composing/producing albums. In addition to more traditional chamber and orchestral music, in 2010 he released a meditation album entitled "Sounds of Darkness" using never-before recorded sacred Aztec chants. 2010 also saw the launch of Allogamy, an ambitious blog in collaboration with photographer Andrew Berglund which posts a new photo with a new piece of music for every single day in the year.
Since 2003, Wintory has composed over three hundred musical scores.
Cathedrals of Steel
Austin Wintory Lyrics
We have lyrics for these tracks by Austin Wintory:
No Tree Grows to the Sky Γfram, Afram, Afram, undir hrΓmsΓ³l! Afram. Til himna teygja …
Only the Sun Has Stopped SΓ³lin SΓ³lin ein hefur numiΓ° staΓ°ar. Vocals by Johann Sigurd…
Onward Γfram Veginn sem sΓ³lin eilΓfa lΓ½sir Og aΓ°eins hinir hugdjΓΆrf…
We Are All Guests Upon the Land Γll erum viΓ° gestir hΓ©r Γ‘ grund. Aldrei aΓ° gista Γ‘…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Rohail Khan
This breaks my heart every time . This is why I love video games , because they often contain real world messages .
Doing these missions makes me feel good and I hope I get the chance to contribute to real world initiatives against child labour as well.
Parlons Astro(nomie)
Unfortunatly Syndicate missed the point here.
Child labour was a common thing back and was the result of the application of capitalism during that time area.
Instead of questioning capitalism and its aberration they played the "only vilain do that" card :/
Build a WALL
Don't buy nike
kawasaki
I do the Child Liberation missions just so that I can hear this beautiful piece... and save the children, obviously. π
Luka Betts
You can hear the breaths of the flute player. It's so realistic.
Paledomain
@Thiccy i didnt mean to beπ
Almost SOON
@Paledomain thatβs the singer taking the breaths.
Thiccy
Paledomain lol so passive aggresive
Paledomain
That's because, if I'm not wrong, this is live, like the rest of the soundtrack.
Fryewalker
The Syndicate Soundtrack is such a masterpiece! <3