Austin Wintory is a film and video game music composer. In film, he is well… Read Full Bio ↴Austin Wintory is a film and video game music composer. In film, he is well known for the 2009 Sundance hit GRACE, as well as the 2008 Sundance Audience Award winner CAPTAIN ABU RAED. His score for the former garnered many horror film genre accolades, including a nomination at the 2010 Fangoria Chainsaw Awards for 'Best Original Score,' and Vision in Sound's Top Ten Scores for 2009. The latter was listed by the LA Times as a contender for the 2009 Academy Awards for 'Best Original Score' and also won Austin the Hollywood Music Award for "Best New Composer." The combined success of those films, along with several others, prompted The Hollywood Reporter to list Austin as one of 15 composers "Primed to take their place on the A-list," as well as a nomination by the International Film Music Critics Association for "Breakout Composer of the Year."
In addition to feature films, Austin has a tremendous passion for the world of game scoring. His first major game score for thatgamecompany's flOw in 2006 earned Austin a British Academy Award nomination and triple nominations at the Game Audio Network Guild awards ("Innovative use of Audio," "Best Interactive Score" and winning for "Rookie of the Year."). Perhaps most notably, his score for thatgamecompany's much lauded 'Journey' (2012) debuted as #1 in iTunes' game soundtrack charts, and made history as the only video game score to be nominated for the Grammy 2012 Best Score Soundtrack For Visual Media. He also scored 'Assassin's Creed Syndicate' (2015), which won International Film Music Critics Association Awards's "Original Score for a Video Game or Interactive Media" award, and 'The Pathless' (2020), which won Game Audio Network Guild Awards's "Best Music for an Indie Game" award.
Austin also maintains a busy schedule writing concert music and composing/producing albums. In addition to more traditional chamber and orchestral music, in 2010 he released a meditation album entitled "Sounds of Darkness" using never-before recorded sacred Aztec chants. 2010 also saw the launch of Allogamy, an ambitious blog in collaboration with photographer Andrew Berglund which posts a new photo with a new piece of music for every single day in the year.
Since 2003, Wintory has composed over three hundred musical scores.
In addition to feature films, Austin has a tremendous passion for the world of game scoring. His first major game score for thatgamecompany's flOw in 2006 earned Austin a British Academy Award nomination and triple nominations at the Game Audio Network Guild awards ("Innovative use of Audio," "Best Interactive Score" and winning for "Rookie of the Year."). Perhaps most notably, his score for thatgamecompany's much lauded 'Journey' (2012) debuted as #1 in iTunes' game soundtrack charts, and made history as the only video game score to be nominated for the Grammy 2012 Best Score Soundtrack For Visual Media. He also scored 'Assassin's Creed Syndicate' (2015), which won International Film Music Critics Association Awards's "Original Score for a Video Game or Interactive Media" award, and 'The Pathless' (2020), which won Game Audio Network Guild Awards's "Best Music for an Indie Game" award.
Austin also maintains a busy schedule writing concert music and composing/producing albums. In addition to more traditional chamber and orchestral music, in 2010 he released a meditation album entitled "Sounds of Darkness" using never-before recorded sacred Aztec chants. 2010 also saw the launch of Allogamy, an ambitious blog in collaboration with photographer Andrew Berglund which posts a new photo with a new piece of music for every single day in the year.
Since 2003, Wintory has composed over three hundred musical scores.
London Is Waiting
Austin Wintory Lyrics
We have lyrics for these tracks by Austin Wintory:
No Tree Grows to the Sky Áfram, Afram, Afram, undir hrímsól! Afram. Til himna teygja …
Only the Sun Has Stopped Sólin Sólin ein hefur numið staðar. Vocals by Johann Sigurd…
Onward Áfram Veginn sem sólin eilífa lýsir Og aðeins hinir hugdjörf…
We Are All Guests Upon the Land Öll erum við gestir hér á grund. Aldrei að gista á…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@kingrichard3990
I am the only one who like the setting of Assassins creed Syndicate. The middle of Victorian era in 19th century is truly something really mystery and I love it
@kingrichard3990
@Gachamon hello bro!! you love it too?
@denji5368
One of my favorite setting.
@parsaamini984
I like the setting as well.
@yitzhakmalul9921
you're not, i love it so much, i can't explain how thorough my love is for the game and its setting.
@thangngudxop
It's England, and it's Assassin's Creed, no way they'd not make one in UK. And I personally have always been wanting to travel to London for years 😁
@ashleytheheartless9050
i absolutely love the mixture of classical music and industrial drums almost like factories
@BrickwallsGames
Austin, congratulations on another insanely enjoyable OST.
@ultimatessg2462
All of these soundtracks are excellent! Great work Austin Wintory!
@ommkerduttajay1673
Perfectly went with london vibes..specially the violin intro