Austin Wintory is a film and video game music composer. In film, he is well… Read Full Bio ↴Austin Wintory is a film and video game music composer. In film, he is well known for the 2009 Sundance hit GRACE, as well as the 2008 Sundance Audience Award winner CAPTAIN ABU RAED. His score for the former garnered many horror film genre accolades, including a nomination at the 2010 Fangoria Chainsaw Awards for 'Best Original Score,' and Vision in Sound's Top Ten Scores for 2009. The latter was listed by the LA Times as a contender for the 2009 Academy Awards for 'Best Original Score' and also won Austin the Hollywood Music Award for "Best New Composer." The combined success of those films, along with several others, prompted The Hollywood Reporter to list Austin as one of 15 composers "Primed to take their place on the A-list," as well as a nomination by the International Film Music Critics Association for "Breakout Composer of the Year."
In addition to feature films, Austin has a tremendous passion for the world of game scoring. His first major game score for thatgamecompany's flOw in 2006 earned Austin a British Academy Award nomination and triple nominations at the Game Audio Network Guild awards ("Innovative use of Audio," "Best Interactive Score" and winning for "Rookie of the Year."). Perhaps most notably, his score for thatgamecompany's much lauded 'Journey' (2012) debuted as #1 in iTunes' game soundtrack charts, and made history as the only video game score to be nominated for the Grammy 2012 Best Score Soundtrack For Visual Media. He also scored 'Assassin's Creed Syndicate' (2015), which won International Film Music Critics Association Awards's "Original Score for a Video Game or Interactive Media" award, and 'The Pathless' (2020), which won Game Audio Network Guild Awards's "Best Music for an Indie Game" award.
Austin also maintains a busy schedule writing concert music and composing/producing albums. In addition to more traditional chamber and orchestral music, in 2010 he released a meditation album entitled "Sounds of Darkness" using never-before recorded sacred Aztec chants. 2010 also saw the launch of Allogamy, an ambitious blog in collaboration with photographer Andrew Berglund which posts a new photo with a new piece of music for every single day in the year.
Since 2003, Wintory has composed over three hundred musical scores.
In addition to feature films, Austin has a tremendous passion for the world of game scoring. His first major game score for thatgamecompany's flOw in 2006 earned Austin a British Academy Award nomination and triple nominations at the Game Audio Network Guild awards ("Innovative use of Audio," "Best Interactive Score" and winning for "Rookie of the Year."). Perhaps most notably, his score for thatgamecompany's much lauded 'Journey' (2012) debuted as #1 in iTunes' game soundtrack charts, and made history as the only video game score to be nominated for the Grammy 2012 Best Score Soundtrack For Visual Media. He also scored 'Assassin's Creed Syndicate' (2015), which won International Film Music Critics Association Awards's "Original Score for a Video Game or Interactive Media" award, and 'The Pathless' (2020), which won Game Audio Network Guild Awards's "Best Music for an Indie Game" award.
Austin also maintains a busy schedule writing concert music and composing/producing albums. In addition to more traditional chamber and orchestral music, in 2010 he released a meditation album entitled "Sounds of Darkness" using never-before recorded sacred Aztec chants. 2010 also saw the launch of Allogamy, an ambitious blog in collaboration with photographer Andrew Berglund which posts a new photo with a new piece of music for every single day in the year.
Since 2003, Wintory has composed over three hundred musical scores.
I Would Have Created a Paradise
Austin Wintory Lyrics
We have lyrics for these tracks by Austin Wintory:
No Tree Grows to the Sky Áfram, Afram, Afram, undir hrímsól! Afram. Til himna teygja …
Only the Sun Has Stopped Sólin Sólin ein hefur numið staðar. Vocals by Johann Sigurd…
Onward Áfram Veginn sem sólin eilífa lýsir Og aðeins hinir hugdjörf…
We Are All Guests Upon the Land Öll erum við gestir hér á grund. Aldrei að gista á…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
MrTyst
Possibly my favorite track in Ac: Syndicate.
Have this in my head all the time now :D
Really captures Crawford Starricks insanity in my opinion :P. Love the piano.
Hope you will make more music for future Ac games Austin :) Fantastic soundtrack.
Ubisoft makes a big mistake if they dont hire you again :P
Stef Blaauwgeers
This song is played when you're fighting Starrick in the end battle.
Charlie Robertson-Boyd
I feel the madness in this piece too. The piano reminds me a lot of Seath the Scaleless's theme from dark souls.
Master Assassin
@MrTyst it will be amazing with those 3 composers join to make an ac game
MrTyst
+BestGamerEver yolo* Yes i love Balfe and Kyds work too of course. They can all return to Ac. Ac games are not even close to stop coming out so plenty of job opportunities :D
Master Assassin
+MrTyst what about jesper and lorne (ac 2 and ac 3) :/ those two did amazing songs
Connor Mac
God every piece in this soundtrack makes me want to dance
Arrr K
@Netta Atzili wooooow
Netta Atzili
@Cal U The "running around with bloody sharp objects" kind of dance.
Роман
I noticed that there is a whole drama with instruments here
Villain - piano
The Fry Twins - Violins
Ivy the violin
Jacob Cello
And there are constant roll calls between these tools - a struggle. With the course of the violin's action, it becomes louder and draws attention to itself - the twins win
Well, in the end everything is clear which instrument has stopped sounding