Born in Valdosta, Georgia, Bill Hicks was the son of Jim and Mary (Reese) Hicks and had two older siblings: sister Lynn and brother Steve. The family lived in Florida, Alabama, and New Jersey, before settling in Houston, Texas when Hicks was seven. He was raised in the Southern Baptist faith, where he first began performing as a comedian for other children at Sunday School.
Hicks was 16 years old when he started performing stand-up comedy at the Comedy Workshop in Houston, Texas, in 1978. During the 1980s he toured the United States extensively and performed a number of high-profile television appearances. It was in the UK, however, where Hicks first amassed a significant fan base, packing large venues with his 1991 tour. Hicks died of pancreatic cancer in 1994 at the age of 32. In the years after his death, his work and legacy achieved the significant admiration and acclaim of numerous comedians, writers, actors and musicians alike. In 2007 he was voted the 6th greatest stand-up comic on the UK's Channel 4's 100 Greatest Stand-Ups and again in the updated 2010 list as the 4th greatest stand-up comic.
Hicks was associated with the Texas Outlaw Comics group developed at the Comedy Workshop in Houston in the 1980s. Once Hicks gained some underground success in night clubs and universities, he quit drinking. However, Hicks continued to smoke cigarettes. His nicotine addiction, love of smoking, and occasional attempts to quit became a recurring theme in his act throughout his later years.
In January 1986, Hicks found himself broke, having spent all his money on a variety of substances. His career soon received another upturn, though, as he appeared on Rodney Dangerfield's Young Comedians Special, in 1987. The same year, he moved to New York City, and, for the next 5 years, performed about 300 times a year. On the album Relentless, he jokes that he quit using drugs because "once you've been taken aboard a UFO, it's kind of hard to top that", although in his performances, he continued to extol the virtues of LSD, marijuana, and psychedelic mushrooms. He fell back to chain-smoking, a theme that would figure heavily in his performances from then on.
In 1988, Hicks signed on with his first professional business manager, Jack Mondrus.[citation needed] Throughout 1989, Mondrus worked to convince many clubs to book Hicks, promising that the wild drug- and alcohol-induced behavior was behind him. Among the club managers hiring the newly sober Hicks was Colleen McGarr, who would become his girlfriend and fiancée in later years.[citation needed]
Hicks quit drinking in 1988, as stated in his 1990 album Dangerous on the first track, entitled "Modern Bummer".
In 1989 he released his first video, Sane Man.
In 1990, Hicks released his first album, Dangerous, performed on the HBO special One Night Stand, and performed at Montreal's Just for Laughs festival. He was also part of a group of American stand-up comedians performing in London's West End in November. Hicks was a huge hit in the UK and Ireland and continued touring there throughout 1991. That year, he returned to Just for Laughs and filmed his second video, Relentless.
Hicks made a brief detour into musical recording with the Marble Head Johnson album in 1992. During the same year he toured the UK, where he recorded the Revelations video for Channel 4. He closed the show with his soon-to become-famous philosophy regarding life, "It's Just a Ride". Also in that tour he recorded the stand-up performance released in its entirety on a double CD titled Salvation. Hicks was voted "Hot Standup Comic" by Rolling Stone magazine in 1993. He moved to Los Angeles in 1992.
The progressive metal band Tool invited Hicks to open a number of concerts in its 1992 Lollapalooza appearances, where Hicks once asked the audience to look for a contact lens he had lost. Thousands of people complied. Members of Tool felt that they and Hicks "were resonating similar concepts".
Intending to raise awareness about Hicks's material and ideas, Tool dedicated their triple-platinum album Ænima (1996) to Hicks. Both the lenticular casing of the Ænima album packaging as well as the chorus of the title track "Ænema" make reference to a sketch from Hicks's Arizona Bay album, in which he contemplates the idea of Los Angeles falling into the Pacific Ocean. Ænima's final track, "Third Eye" contains samples from Hicks's Sane Man and Relentless albums. An alternate version of the Ænima artwork shows a painting of Bill Hicks, calling him "Another Dead Hero," and mentions of Hicks are found both in the liner notes and on the record.
In 1984, Hicks was invited to appear on Late Night with David Letterman for the first time. He had a joke that he used frequently in comedy clubs about how he caused a serious accident that left a classmate using a wheelchair. NBC had a policy that no handicapped jokes could be aired on the show, making his stand-up routine difficult to perform without mentioning words such as "wheelchair".
On October 1, 1993, Hicks was scheduled to appear on Late Show with David Letterman, his 12th appearance on a Letterman late-night show, but his entire performance was removed from the broadcast—then the only occasion where a comedian's entire routine was cut after taping.
Hicks's stand-up routine was removed from the show allegedly because Letterman and his producer were nervous about a religious joke ("If Jesus came back he might not want to see so many crosses"). Hicks said he believed it was due to a pro-life commercial aired during a commercial break. Both the show's producers and CBS denied responsibility. Hicks expressed his feelings of betrayal in a letter to John Lahr of The New Yorker. Although Letterman later expressed regret at the way Hicks had been handled, Hicks did not appear on the show again.
Hicks's mother, Mary, appeared on the January 30, 2009 episode of Late Show. Letterman played the routine in its entirety. Letterman took full responsibility for the original censorship and apologized to Mrs. Hicks. Letterman also declared he did not know what he was thinking when he pulled the routine from the original show in 1993, saying, "It says more about me as a guy than it says about Bill because there was absolutely nothing wrong with that."
For many years, Hicks was friends with fellow comedian Denis Leary. But in 1993 Hicks was angered by Leary's album No Cure for Cancer, which featured lines and subject matter similar to Hicks's routine. According to American Scream: The Bill Hicks Story by Cynthia True, upon hearing the album "Bill was furious. All these years, aside from the occasional jibe, he had pretty much shrugged off Leary's lifting. Comedians borrowed, stole stuff, and even bought bits from one another. Milton Berle and Robin Williams were famous for it. This was different. Leary had practically taken line for line huge chunks of Bill's act and recorded it."
The friendship ended abruptly as a result.
At least three stand-up comedians have gone on the record stating they believe Leary stole Hicks's material as well as his persona and attitude. In an interview, when Hicks was asked why he had quit smoking, he answered, "I just wanted to see if Denis would, too."
In another interview, Hicks said, "I have a scoop for you. I stole his [Leary's] act. I camouflaged it with punchlines, and, to really throw people off, I did it before he did." During a 2003 Comedy Central roast of Denis Leary, comedian Lenny Clarke, a friend of Leary's, said there was a carton of cigarettes backstage from Bill Hicks with the message, "Wish I had gotten these to you sooner." This joke was cut from the final broadcast.
The controversy surrounding plagiarism is also mentioned in American Scream: Leary was in Montreal hosting the "Nasty Show" at Club Soda, and Colleen [McGarr?] was coordinating the talent so she stood backstage and overheard Leary doing material incredibly similar to old Hicks riffs, including his perennial Jim Fixx joke: "Keith Richards outlived Jim Fixx, the runner and health nut. The plot thickens." When Leary came offstage, Colleen, more stunned than angry, said, "Hey, you know that's Bill Hicks's material! Do you know that's his material?" Leary stood there, stared at her without saying a word, and briskly left the dressing room.
The Road Can Be Hard
Bill Hicks Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Says she’s not leaving me
Cause I’m on the road
And I’m not there to eave
She’s tired of waiting
And being alone
She said I’m not getting younger
The road can be hard
The road took my only love
And tore us apart
And now, she chose a new road to start
The pain gets stronger
With each passing day
The time gets longer
That you are away
The road can be hard
The road took my only love
And tore us apart
And now, she chose a new road to start
In these lyrics, Bill Hicks is expressing the pain and heartbreak he feels as a result of his partner leaving him while he is away on the road. The opening lines reveal that his partner has told him she is leaving, but insists that she is not leaving him because of his absence, but rather the strain it has put on their relationship.
Hicks goes on to convey his partner's frustration with waiting and being alone. She expresses her feeling of getting older and the fact that he is not coming home, indicating that their relationship has become strained and she can no longer endure the loneliness and uncertainty.
The chorus, "The road can be hard, the road took my only love, and tore us apart," succinctly captures the central theme of the song. Hicks realizes that the lifestyle of being on the road has caused him to lose his partner, who he refers to as his "only love." The road, with its demanding and transitory nature, has created a rift between them, resulting in their separation.
The final lines signify the increasing pain Hicks experiences as time passes without his partner by his side. The pain grows stronger, and the days become longer as he remains away from her. This repetition emphasizes the emptiness and longing he feels in her absence.
The lyrics conclude with a recognition that his partner has chosen a new path for herself. Despite the pain and separation caused by the road, she has decided to embark on her own journey, leaving Hicks behind. This acknowledgment highlights the finality of their separation and the acceptance that they have taken different roads in life.
Line by Line Meaning
She told me she’s leaving
She openly communicated her decision to leave
Says she’s not leaving me
Although she's leaving, she reassures that she's not abandoning the relationship
Cause I’m on the road
Her reason for leaving is because I frequently travel
And I’m not there to eave
Since I'm not present, she feels the absence and support
She’s tired of waiting
She has grown weary of constantly waiting for me
And being alone
She feels the loneliness of being by herself
She said I’m not getting younger
She expressed concern about getting older and wasting time
And you’re not coming home
She emphasized my absence and lack of returning home
The road can be hard
Traveling can be challenging and difficult
The road took my only love
My constant traveling led to the loss of my true love
And tore us apart
It caused a rift and separation between us
And now, she chose a new road to start
As a result, she decided to embark on a different path in life
The pain gets stronger
The emotional pain intensifies
With each passing day
As time goes by, the pain worsens
The time gets longer
The duration of your absence feels extended
That you are away
This emphasizes the fact that you are not present
Lyrics © Word Collections Publishing
Written by: Bill Hicks
Lyrics Licensed & Provided by LyricFind