Billy Murray (25 May 1877 - 17 August 1954) was one of the most popular sin… Read Full Bio ↴Billy Murray (25 May 1877 - 17 August 1954) was one of the most popular singers in the United States in the early decades of the 20th century. While he received star billings on Vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era. He was probably the best selling recording artist of the first quarter of the 20th century.
He was born as William Thomas Murray in Philadelphia, Pennsylvania, the son of immigrants from Ireland. He became fascinated with the theater and joined a traveling vaudeville troupe in 1893. He also performed in minstrel shows early in his career. He made his first recordings for a local phonograph cylinder company in San Francisco, California in 1897. He started recording regularly in the New York City and New Jersey area in 1903, when the nation's major record companies as well as the Tin Pan Alley music industry were concentrated there.
In 1906 he waxed the first of his popular duets with Ada Jones. He also performed with Aileen Stanley, the Haydn Quartet, the Premier Quartet, and the American Quartet (the latter two actually being the same group), in addition to his solo work.
He had a strong tenor voice with excellent enunciation and a more conversational delivery than common with bel canto singers of the era. On comic songs he often deliberately sang slightly flat, which he felt helped the comic effect.
While he often performed romantic numbers and ballads which sold well at the time, his comedy and novelty song recordings continue to be popular with later generations of record collectors.
Murray's popularity faded with changes in public taste and recording technology; the rise of the electric microphone in the mid 1920s coincided with the rise of the crooners. His "hammering" style, as he called it, essentially yelling the song into the recording horn, did not work in the electronic era, and it took him some time to learn how to soften his voice. While he continued to work, his singing style was considered "dated" and less in demand. In the late 1920s and early 1930s he also did voices for animated cartoons, especially the "follow the bouncing ball" type which incorporated songs from his salad days. He also did radio work.
Murray made his last recordings in 1943 and retired to Freeport, Long Island, New York in 1944. He died in nearby Jones Beach.
He was born as William Thomas Murray in Philadelphia, Pennsylvania, the son of immigrants from Ireland. He became fascinated with the theater and joined a traveling vaudeville troupe in 1893. He also performed in minstrel shows early in his career. He made his first recordings for a local phonograph cylinder company in San Francisco, California in 1897. He started recording regularly in the New York City and New Jersey area in 1903, when the nation's major record companies as well as the Tin Pan Alley music industry were concentrated there.
In 1906 he waxed the first of his popular duets with Ada Jones. He also performed with Aileen Stanley, the Haydn Quartet, the Premier Quartet, and the American Quartet (the latter two actually being the same group), in addition to his solo work.
He had a strong tenor voice with excellent enunciation and a more conversational delivery than common with bel canto singers of the era. On comic songs he often deliberately sang slightly flat, which he felt helped the comic effect.
While he often performed romantic numbers and ballads which sold well at the time, his comedy and novelty song recordings continue to be popular with later generations of record collectors.
Murray's popularity faded with changes in public taste and recording technology; the rise of the electric microphone in the mid 1920s coincided with the rise of the crooners. His "hammering" style, as he called it, essentially yelling the song into the recording horn, did not work in the electronic era, and it took him some time to learn how to soften his voice. While he continued to work, his singing style was considered "dated" and less in demand. In the late 1920s and early 1930s he also did voices for animated cartoons, especially the "follow the bouncing ball" type which incorporated songs from his salad days. He also did radio work.
Murray made his last recordings in 1943 and retired to Freeport, Long Island, New York in 1944. He died in nearby Jones Beach.
Let it Rain Let it Pour
Billy Murray Lyrics
We have lyrics for these tracks by Billy Murray:
Alexander's ragtime band Oh ma honey, oh ma honey, Better hurry and let's meander. …
By The Light Of The Silvery Moon Place, park, scene, dark Silvery moon is shining through the…
Come Josephine in My Flying Machine Oh! Say! Let us fly, dear Where, kid? To the sky,…
Don't Bring Lulu Your presence is requested, wrote little Johnny White, But w…
Grand Old Rag There's a feeling comes a-stealing, And it sets my brain…
I Love A Piano As a child I went wild When a band played How I ran To…
I Wonder Who's Kissing Her Now? You have loved lots of girls in the sweet long…
I'Ll See You In C VERSE ONE: Not So Far From Here There's a very lively atmosp…
I'm Looking Over A Four Leaf Clover I'm looking over a four-leaf clover I overlooked before On…
In My Merry Oldsmobile Young Johnny Steele has an Oldsmobile He loves his dear litt…
I`ll See You In C-U-B-A VERSE ONE: Not So Far From Here There's a very lively atmosp…
K-K-K-Katy (Stammering Song) Jimmy was a soldier brave and bold, Katy was a maid…
Oh You Beautiful Doll Honey dear, want you near, Just turn out the lights and…
Pretty Baby You ask me why I'm always teasing you. You hate to…
Stumbling 'Tention folks, speak of jokes This is one on me Took my…
That Old Gang of Mine I've got a longing way down in my heart For that…
The Cubanola Glide Way down in Cuba where skies are clear Where it is…
The Further It Is From Tipperary The tommies in the trenches seem to have one favorite…
The Grand Old Rag There's a feeling comes a-stealing, And it sets my brain a-…
The Yankee Doodle Boy I'm the kid that's all the candy, I'm a Yankee Doodle…
They Were All Out of Step But Jim Jimmy's mother went to see her son Marching along on parade …
You're A Grand Old Flag You're a grand old flag, You're a high flying flag And forev…
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Nobiles Novus homo
A most jubilant rendition, with sentiments of life goes on, as he makes his own way, and how he may have his trifles, but tomorrow always comes!
Luis Mántaras
1925 dance bands recordings never disappointed to the trained ear that love that era of early pop music! Thanks!
bill3murr
thank you for a delightful tune and a historic one at that. great.
Garrett Jeffer
Just brilliant.when this record was first released in july 1925 there was NO correct machine to play it on.I wonder how many were torn up by the victrola no2 soundboxes
MTN - A Rainbow Pastures Company
James Jasion I have my VV 8-4 with an Orthophonic reproducer as a soundbox, but it plays fine when playing 78’s from the 1950’s, but it has some sort of distortion. Early rock & roll and rhythm & blues depending on what I was playing on my 1926 Victor VV 8-4 does play okay.
James Jasion
Garrett Jeffer I don't know about torn up but supposedly the soundboxes rendered the orthophonics very raucous and distorted. Supposedly some of the soundboxes of a few models of 1905 era Victrolas rendered better results, as accounted in the book "The Fabulous Phonograph."
James Jasion
Garrett Jeffer Probably a lot. Thank God someone got ahold of a mint copy fir this restoration.
roybo1930
I LOVE THIS!!! Ialso LOVE the old Microphones You display! Old electronics FASCINATE Me. I also collect Old Electric Fans, For some very interesting Fans look up some that I favorited. I myself own about 150 fans in My collection., From 1897 to the 1930s. Some of the fans I favorited use "Chane Oscillators" Vane Oscillators ( One of My favorits is "The Fethervane") I have in My collection a Western Electric HAWTHORN Victor vane 16'. What I`m saying is old electronics are just too COOL!
antonio campagnefilho
parabens
dick12235
Fine Tune: Brain enjoyed it. Thanks