Vocalist/guitarist Lawrence Chandler, a former protege of minimalist compos… Read Full Bio ↴Vocalist/guitarist Lawrence Chandler, a former protege of minimalist composer LaMonte Young, and vocalist/bassist Martha Schwendener (now known under the name Echostar) formed Bowery Electric in late 1993 and played their first show together at Brownie's in New York City in January 1994. With drummer Michael Johngren completing the trio, Bowery Electric played shows across the East Coast and recorded a double seven inch single with Kramer that they released on their own Hi-Fidelity label.
In the fall of 1994, very impressed by the debut single set, kranky got in touch with the band. The debut, self-titled album was recorded with Mike Deming at Studio .45 in Hartford, CT in January 1995. Bowery Electric was released on compact disc and vinyl in mid-1995. As The Wire described it, Bowery Electric "weave chilled downbeat dirges via hazy sheets of distorted guitar (that sound as though they were recorded underwater), stumbling sluggish percussion and benumbed male/female vocals... the album works as a sustained moodpiece...". Or, as Chris Wodskou put it in the Sept. 1995 issue of Exclaim!, "Bowery Electric shimmer in the way a 20 foot sheet of metal shimmers and resonates when vibrated. A sharp pop confection with the blunt force of a three-alarm headache."
Simon Reynolds' seminal post-Rock article in the November 1995 issue of The Wire placed Bowery Electric in the forefront of "a distinctively American post-rock." The band returned to Studio .45 to work on the second full length release with engineer Rich Costley. With the acquisition of samplers, the band's song writing process (which had always started with the bass track and drum beats) expanded. The resulting album, Beat, featured a drummer on four out of ten tracks, with plenty of subtly sampled beats and bass tones anchoring the bottom end. Lawrence Chandler told Alternative Press that "technologically [Beat] is the beginning of us learning our way around a proper sampler and software which allows us to work with samples on the computer. We can sample ourselves, manipulate sounds, create our own beats and basically work with fewer restrictions." Beggar's Banquet licensed Beat for release in the U.K. and Europe and with drummer Wayne Magruder added to the group, Bowery Electric began tours of the U.K. and North America.
Melody Maker reviewed a show in July 1997 and noted that "for two people to be able to create such a huge, rolling epic sound is surprising; what really hits hard is just how huge it can be, how the inarguable and pulverising beauty of BE's sound simply forces a slacked out crowd into its swell."
Beggar's Banquet released Vertigo, a collection of remixes of Beat tracks by Main, Third Eye Foundation, Chasm, Witchman, Immersion and others. Beat was the last album Bowery Electric made for kranky, they went on to release an EP (Blow Up/Electro Sleep) and album (Lushlife) for Beggar's Banquet and ultimately broke up in 2000.
Eventually, Lawrence formed a solo project called Metrotech, while Martha formed a project called Echostar. So far Martha released one album, Sola, as Echostar, but Lawrence only appeared with a remix on Calla's Custom.
In the fall of 1994, very impressed by the debut single set, kranky got in touch with the band. The debut, self-titled album was recorded with Mike Deming at Studio .45 in Hartford, CT in January 1995. Bowery Electric was released on compact disc and vinyl in mid-1995. As The Wire described it, Bowery Electric "weave chilled downbeat dirges via hazy sheets of distorted guitar (that sound as though they were recorded underwater), stumbling sluggish percussion and benumbed male/female vocals... the album works as a sustained moodpiece...". Or, as Chris Wodskou put it in the Sept. 1995 issue of Exclaim!, "Bowery Electric shimmer in the way a 20 foot sheet of metal shimmers and resonates when vibrated. A sharp pop confection with the blunt force of a three-alarm headache."
Simon Reynolds' seminal post-Rock article in the November 1995 issue of The Wire placed Bowery Electric in the forefront of "a distinctively American post-rock." The band returned to Studio .45 to work on the second full length release with engineer Rich Costley. With the acquisition of samplers, the band's song writing process (which had always started with the bass track and drum beats) expanded. The resulting album, Beat, featured a drummer on four out of ten tracks, with plenty of subtly sampled beats and bass tones anchoring the bottom end. Lawrence Chandler told Alternative Press that "technologically [Beat] is the beginning of us learning our way around a proper sampler and software which allows us to work with samples on the computer. We can sample ourselves, manipulate sounds, create our own beats and basically work with fewer restrictions." Beggar's Banquet licensed Beat for release in the U.K. and Europe and with drummer Wayne Magruder added to the group, Bowery Electric began tours of the U.K. and North America.
Melody Maker reviewed a show in July 1997 and noted that "for two people to be able to create such a huge, rolling epic sound is surprising; what really hits hard is just how huge it can be, how the inarguable and pulverising beauty of BE's sound simply forces a slacked out crowd into its swell."
Beggar's Banquet released Vertigo, a collection of remixes of Beat tracks by Main, Third Eye Foundation, Chasm, Witchman, Immersion and others. Beat was the last album Bowery Electric made for kranky, they went on to release an EP (Blow Up/Electro Sleep) and album (Lushlife) for Beggar's Banquet and ultimately broke up in 2000.
Eventually, Lawrence formed a solo project called Metrotech, while Martha formed a project called Echostar. So far Martha released one album, Sola, as Echostar, but Lawrence only appeared with a remix on Calla's Custom.
Soul City
Bowery Electric Lyrics
We have lyrics for 'Soul City' by these artists:
Partland Brothers Boy, you're looking great Yeah, you got what it takes alrig…
Southern Culture on the Skids It don't matter if your pants are shiny If your d*ck…
The Partland Brothers Boy, you're looking great Yeah, you got what it takes alrig…
Wraygunn Soul City, here we go! Soul, give me soul, soul city!…
We have lyrics for these tracks by Bowery Electric:
after_landing I'm on the outside Out in the moonlight Out where the womb…
Beat Words are just noise Words are only noise Words are just n…
Black Light I want to hold you close forever I want to take…
Empty Words Words are strange to me Phrases on TV All your empty words…
Fear of Flying We all get used to dreams That used to please We all…
fear of flying (3rd eye founda We all get used to dreams That used to please We all…
Floating World In a crowded room I looked for you In a sea…
Freedom Fighter (Sample: No more war! No more war! No more war!) We…
Lushlife You're breathing in everything around you You're drowning i…
Passages Lie too many and many a time Lie too many and…
Psalms of Survival In a plane that's flown much higher Opened up across the…
Saved A thousand days have passed you by Pushed and pulled and…
Shook Ones In a twilight room they're fighting again Like two plates o…
Things'll Never Be the Same Let me tell ya about this life I got mine and…
Without Stopping The more you run, the further away you are The more…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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patrick
I listened this album during a roadtrip from Montana to California, it was so magic with the differents landscapes. I' ve been keeping this on my mind.
WithASideOfFries
Personally, this is the best song they've ever made.
Delles Simon
This album is timeless! 😀
tgchan
There're so many amazing songs I would like to hear when dying... This is definitely one of them.
shane logan
I feel that
Bobby
one of my favorite songs
Omo Cat
Мне нравятся такие минуса, немножечко такие мрачные, они что-то ээээ...будят в моей душе, внутри меня такая же мрачность порой и я не знаю что мне делать
Rufus Grayward
i havent heard this in 20 years and boom here it is
Jbmorris289
This for some reason gives me nostalgia.
G H
this happens to me a lot with the Bowery Electric songs