Calexico had its origins in 1990 when Burns, who was studying music at the University of California, Irvine, met up with Convertino, who was playing drums with Howe Gelb in Giant Sand. Burns joined them, after first playing upright bass on a European tour.
Giant Sand moved to Tucson, Arizona in 1994. John and Joey formed the Friends of Dean Martin (later the Friends of Dean Martinez) which scored a record deal with Sub Pop. However, the pair split up with Bill Elm, the co-founder of The Friends of Dean Martinez in 1996. The band subsequently became a kind of indie rhythm section for hire, working with the likes of Victoria Williams, Barbara Manning and Richard Buckner before forming Calexico.
Calexico first recorded Spoke in 1995 for German independent label Hausmusik with a limited edition of 2,000 copies. At that point the band was still called Spoke and the album was technically self-titled. After the band signed with Quarterstick Records (a subsidiary of Touch and Go Records) and changed their name to Calexico, Spoke was reissued by that label in 1997. Burns and Convertino also collaborated with Gelb and Lisa Germano on the album Slush released under the name OP8 that same year.
Their second album The Black Light was released in 1998. This was a concept album about the desert of Arizona and northern Mexico and received excellent reviews, with the critic from the Wall Street Journal rating it as one of the best records of the year.
The band built their profile by touring as support acts for bands such as Pavement, the Dirty Three and Lambchop. Calexico has regularly played festivals such as the Bonnaroo Music Festival, the Hurricane Festival and All Tomorrow's Parties. The Road Map album was a limited recording released in 1999 for sale only at Calexico's live shows.
Calexico released its third album Hot Rail in May 2000 featuring the addition of horns and violin to their sound. The duo was busy in 2000 as they also appeared on a Giant Sand record called Chore of Enchantment as well as a tour only record Travelall.
At the end of 2000, Burns and Convertino joined with two French friends Naïm Amor and Thomas Belhôm to record "Tête A Tête" (Wabana Records, 2001) released under moniker ABBC (Amor/Belhom/Burns/Convertino). Calexico released two collections of rarities during 2001. Even My Sure Things Fall Through collected outtakes from previous albums, B-sides, remixes and material previously unreleased in the US. The album also featured Mariachi Luz de Luna who frequently played live with the duo. The Aerocalexico album was sold exclusively at their gigs in 2001.
The Scraping live album was released in 2002. Their next studio recording Feast of Wire was released in 2003 and made the charts for the first time appearing on Billboard's Heatseekers and Independent album chart. They made their first video for "Quattro (World Drifts In)" which was a single from Feast of Wire. They released a live DVD in 2004 called World Drifts In: Live at the Barbican. The song "Güero Canelo", from Feast of Wire, was featured in Michael Mann's Film, Collateral, starring Tom Cruise and Jamie Foxx, in which the band appears.
Calexico contributed the song "Burnin' Down the Spark" to Nancy Sinatra's self-titled album in late 2004. The album featured artists who cited Sinatra as a musical influence. The song was released in the UK as the second single from the album in early 2005.
In 2005, Calexico joined up with Miami-based band Iron & Wine. Howard Greynolds of Overcoat Records was responsible for bringing the two bands together having previously been responsible for Tortoise and Will Oldham recording together. The In the Reins EP was released in September 2005 and received a positive reception with an MSNBC review giving it honorable mention. It also made an appearance in the Billboard 200 album charts, becoming their first recording to make the album charts, and No. 12 on the independent charts. In October 2005, they commenced a US tour with Iron & Wine to promote the record.
Released in 2006, Garden Ruin is Calexico's fifth studio album and was produced by JD Foster. The sound strays slightly from earlier works, focusing less on the horn section, and placing more emphasis on guitar and vocal tracks, giving the whole album a more mainstream sound.
In 2007, Calexico was invited by Arcade Fire to record a cover of their "Ocean of Noise." This recording was used as the B-side for Arcade Fire's "Intervention" single, originally released on vinyl on May 21, 2007. Also in 2007, Calexico recorded a revamped version of the Bob Dylan song "Goin' to Acapulco" for the Dylan biopic "I'm Not There". The song featured Jim James of My Morning Jacket on vocals and was featured on the soundtrack of the film.
Several of Calexico's songs, usually their shorter instrumental pieces, have been used as interstitial and background music on Public Radio International's This American Life. Their songs "Ballad Of Cable Hogue" and "Service And Repair" were featured in the 2001 German comedy movie Lammbock.
Their sixth studio LP is called 'Carried to Dust', featuring Sam Beam of Iron & Wine, Douglas McCombs of Tortoise and Pieta Brown. It was released in the USA via Touch & Go Records on September 9, 2008. The album enjoyed solid reviews, with hometown paper the Arizona Daily Star praising the band's "ability to sweep you into its world, taking listeners to the American Southwest. This is one of the reasons Europeans love Calexico and others in this country are beginning to come around."
On October 16, 2008, a three-song live acoustic video performance premiered on LiveDaily Sessions, featuring Joey Burns performing the songs "Two Silver Trees," "Writer's Minor Holiday" and "Man Made Lake".
In 2009, the song Banderilla was featured in an episode of AMC's Breaking Bad.
In 2010, a new album of Calexico was released: the soundtrack of the documentary "Circo". The band also spent part of 2010 touring with Arcade Fire along the west US coast.
In May 2011, their song "Slowness" was dedicated by Gabrielle Giffords to her husband astronaut Mark Kelly as the wake up song aboard the Space Shuttle Endeavour on its final flight.
Algiers was released 11 September 2012 on ANTI Records and CITY SLANG (Europe).
In April 2014, the band began referring to a new album on Twitter in posts from Mexico City, Coyoacan, Mexico, and Athens, Greece. Edge of the Sun was announced on 27 January 2015, and released on April 14, 2015. The album features guest appearances by various artists such as Sam Beam (Iron & Wine), Ben Bridwell (Band of Horses), Gaby Moreno, Carla Morrison and members of the Greek instrumental group Takim.
The current members of Calexico are:
Joey Burns – vocals, guitars, bass, cello, piano, keyboards, accordion, percussion, vibraphone
John Convertino – drums, percussion, piano, keyboards, vibraphone, marimba, accordion
Paul Niehaus – steel guitar, guitars
Jacob Valenzuela – trumpet, keyboards, vibraphone, vocals
Martin Wenk – trumpet, guitar, keyboards, accordion, glockenspiel, vibraphone, theremin (occasionally harmonica & French horn)
Volker Zander – standup bass, electric bass
Live tour 2013:
Joey Burns - vocals, guitars
John Convertino - drums, percussion
Sergio Mendoza - Keyboards
Jairo Zavala - bazouki, baritone guitar, vocals
Jacob Valenzuela – trumpet, keyboards, vibraphone, vocals
Martin Wenk – trumpet, guitar, keyboards, accordion, glockenspiel, vibraphone (occasionally harmonica & French horn)
Ryan Alfred - bass, vocals
He Lays In Reins
Calexico Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Where he lays in the reins
For all of the speed and the strength he gave
One more kiss tonight from some tall stable girl
She's like grace from the earth
When you're all tuckered out and tame
When your want from the day
Makes you to curse in your sleep at night
One more gift to bring we may well find you laid
Like your steed in his reins
Tangled too tight and too long to fight
The lyrics of "He Lays in the Reins" by Calexico and Iron and Wine explore themes of exhaustion and resignation to life's struggles. The song opens with the image of a gray stallion resting in his reins, implying that the singer of the song has escaped from his problems by letting his horse rest. However, the horse's strength and speed only serve to remind the singer of his own failings, leaving him feeling tired and defeated. It is in this vulnerable state that he encounters the "tall stable girl," who represents a brief moment of grace and comfort in a world that has worn him down.
The song continues with the singer cursing his circumstances and longing for an escape, but recognizing that he may end up like the gray stallion - "tangled too tight and too long to fight." This line suggests a sense of resignation and acceptance of one's limitations, even when fighting against them seems futile. Overall, the song speaks to the human desire for both escape and connection, and the tension between the two.
Line by Line Meaning
One more drink tonight as your gray stallion rests
Drinking once more tonight when there is no rush to be out, and your horse, once full of vigor, taking the back seat
Where he lays in the reins
The horse resting in the reins
For all of the speed and the strength he gave
Acknowledging the horse for all of the speed and power it had in the past
One more kiss tonight from some tall stable girl
Kissing a stable girl who is tall, almost a symbol of grace on earth
She's like grace from the earth
Describing the prowess of the stable girl to almost divine-like qualities
When you're all tuckered out and tame
When one gets tired and disinterested in the excitement of youth
One more tired thing the gray moon on the rise
The moon slowly rising in a tired fashion
When your want from the day
Remembering all the things you had wanted during the day
Makes you to curse in your sleep at night
All the wants turning into curses at night and into slumber
One more gift to bring we may well find you laid
One more gift to bring, one may find you laid out like a horse tangled in its reins
Like your steed in his reins
Like a horse tangled in its reins and unable to fight free
Tangled too tight and too long to fight
Tangled too tight and too long, too much to fight against
Lyrics © Warner Chappell Music, Inc.
Written by: SAMUEL ERVIN BEAM
Lyrics Licensed & Provided by LyricFind