Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian David Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame, Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Baker was born and raised in a musical household in Yale, Oklahoma; his father, Chesney Baker, Sr., was a professional guitar player, and his mother, Vera (née Moser) was a talented pianist who worked in a perfume factory. His maternal grandmother, Randi Moser, was Norwegian. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.
Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin, where he joined the 298th Army band. After leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.
Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1952 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.
In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a Baker solo, was a hit, and became a tune with which Baker was intimately associated.
The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. Baker formed his own quartet with pianist and composer Russ Freeman in 1953, along with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The Chet Baker Quartet found success with their live sets, and they released a number of popular albums between 1953 and 1956. In 1953 and 1954, Baker won the Down Beat and Metronome magazines' Readers Jazz Polls, beating the era's two top trumpeters, Miles Davis and Clifford Brown. Down Beat readers also voted Baker as the top jazz vocalist in 1954. In 1956, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career.
Due to Baker's chiseled features, he was approached by Hollywood studios, and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. In 1956 Chet Baker completed an eight month tour of Europe, where he recorded Chet Baker In Europe.
He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper, helped further the West Coast jazz sound and became a staple of cool jazz.
Baker began using heroin in the 1950s, resulting in an addiction that lasted the remainder of his life. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the United Kingdom for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California, where he played in San Jose and San Francisco between short jail terms served for prescription fraud.
In 1968, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in The Trident restaurant in Sausalito, California sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He entered a car and became surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street, where the chase by his attackers continued, and subsequently he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York City.
Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast jazz.
After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career. He relocated to New York City and began performing and recording again, including with guitarist Jim Hall. Later in the 1970s, Baker returned to Europe, where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.
From 1978 until his death in 1988, Baker resided and played almost exclusively in Europe, returning to the USA roughly once a year for a few performances. This was Baker's most prolific era as a recording artist. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85).[citation needed] He also toured with saxophonist Stan Getz during this period.
In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Has Gone") in his concert sets, and recorded the song for Let's Get Lost, a documentary film about his life.
The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was, but his trumpet playing was alert, lively and inspired. Baker recorded the live album Chet Baker in Tokyo with his quartet featuring pianist Harold Danko, bassist Hein van de Geyn and drummer John Engels less than a year before his death, and it was released posthumously. Silent Night, a recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.
Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".
At about 3:10 am on May 13, 1988, Baker was found dead on the Prins Hendrikkade, near the Zeedijk, the street below his second-story room of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident. A plaque outside the hotel memorializes him and the room he was staying in, No. 210, is named "The Chet Baker Room".
Baker is buried at the Inglewood Park Cemetery in Inglewood, California.
- Baker was photographed by William Claxton for his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.
- Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim. The musical play Chet Baker – Speedball explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.
- Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.
- In 1991, singer/songwriter David Wilcox recorded the song "Chet Baker's Unsung Swan Song" on his album Home Again, speculating on what might have been Baker's last thoughts before falling to his death. The song was later covered by k.d. lang as "My Old Addiction" on her 1997 album Drag.
- The song "Chet Baker", which appears on the 2007 CD Wally Page and Johnny Mulhern: Live at the Annesley House, by Irish folk singer-songwriter Wally Page, describes the end of Baker's life in Amsterdam.
- Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation.
Other biographies include James Gavin's Deep In A Dream—The Long Night of Chet Baker, and Matthew Ruddick's Funny Valentine. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.
- He is portrayed by Ethan Hawke in the 2015 film Born to Be Blue.
- The Australian electronica musician Nicholas James Murphy chose Chet Faker as his stage name, in order to pay homage to Chet Baker, who was a big influence for him.
Honors
In 1987 Chet Baker was inducted into the Big Band and Jazz Hall of Fame.
In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.
In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.
In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as "Chet Baker Day".
In 2007 Mayor of the City of Tulsa, Kathy Taylor, proclaimed December 23 as "Chet Baker Day".
On October 10, 2015 Yale, Oklahoma held the inaugural Chet Baker Jazz Festival in Baker's honor.
and when i die
Chet Baker Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
there'll be one child born and a world to carry on, to carry on.
I'm not scared of dying and I don't really care.
If it's peace you find in dying, well, then let the time be near.
If it's peace you find in dying, when dying time is here,
just bundle up my coffin cause it's cold way down there,
I hear that's it's cold way down there, yeah, crazy cold way down there.
there'll be one child born and a world to carry on, to carry on.
My troubles are many, they're as deep as a well.
I can swear there ain't no heaven but I pray there ain't no hell.
Swear there ain't no heaven and pray there ain't no hell,
but I'll never know by living, only my dying will tell,
only my dying will tell, yeah, only my dying will tell.
And when I die and when I'm gone,
there'll be one child born and a world to carry on, to carry on.
Give me my freedom for as long as I be.
All I ask of living is to have no chains on me.
All I ask of living is to have no chains on me,
and all I ask of dying is to go naturally, only want to go naturally.
Don't want to go by the devil, don't want to go by the demon,
don't want to go by Satan, don't want to die uneasy,
just let me go naturally.
And when I die and when I'm gone,
there'll be one child born, there'll be one child born.
When I die, there'll be one child born.
When I die, there'll be one child born.
When I die, there'll be one child born.
When I die, there'll be one child born.
In these lyrics, Chet Baker contemplates death and reflects on his beliefs and desires concerning the afterlife. He expresses that when he dies, there will be one child born and a world that continues to exist and carry on. This can be interpreted as a reflection on the cyclical nature of life and the idea that even when someone passes away, life goes on through new generations.
Baker then goes on to express that he is not afraid of dying and that he doesn't really care about it. He suggests that if dying brings him peace, then he welcomes its arrival. He emphasizes the coldness associated with death, both metaphorically and literally, by referencing the coldness of his coffin. This could represent the harsh and unfamiliar aspects of the unknown afterlife.
He expresses his troubles, which he compares to being as deep as a well. Despite his doubts about the existence of heaven and his hope that there is no hell, he acknowledges that he will never truly know until he experiences death. This highlights the uncertainty and existential pondering that many face when contemplating the afterlife.
In the final verse, Baker asks for freedom in his life, seeking a life without limitations or restrictions. He desires to not be bound by chains and wishes for a natural death, devoid of any evil or uncomfortable experiences. He does not want to be influenced by the devil, the demon, or Satan, but instead hopes for a peaceful and harmonious transition when the time comes. Once again, he mentions that when he dies, there will be one child born, emphasizing the continuation of life and the continuous cycle of existence.
Overall, these lyrics delve into a contemplation of mortality, the uncertainties of what lies beyond death, and a desire for a peaceful and natural departure. It also highlights the belief in the eternal cycle of life through the birth of new generations.
Line by Line Meaning
And when I die and when I'm dead, dead and gone,
When I pass away and no longer exist in this world,
there'll be one child born and a world to carry on, to carry on.
there will be new life brought into the world, ensuring the continuation of humanity.
I'm not scared of dying and I don't really care.
I have no fear of death, and I am indifferent to it.
If it's peace you find in dying, well, then let the time be near.
If finding peace is achieved through dying, then I am ready for it to happen soon.
If it's peace you find in dying, when dying time is here,
If peace is attainable through the act of dying, when that time arrives,
just bundle up my coffin cause it's cold way down there,
please make sure my coffin is warm, as I have heard that it can be cold in the afterlife.
I hear that's it's cold way down there, yeah, crazy cold way down there.
I have heard that the afterlife can be extremely cold and unsettling.
My troubles are many, they're as deep as a well.
I have faced numerous difficulties in life, and they run deep, resembling the depth of a well.
I can swear there ain't no heaven but I pray there ain't no hell.
I strongly believe that there is no paradise after death, but I hope that there is no hell either.
Swear there ain't no heaven and pray there ain't no hell,
I solemnly declare the absence of a heavenly realm and beseech for the absence of a place of punishment.
but I'll never know by living, only my dying will tell,
However, I will never truly know the truth of this matter while I am alive; only my death will provide the answer.
only my dying will tell, yeah, only my dying will tell.
The revelation of the existence or nonexistence of an afterlife will only be unveiled through the process of my dying.
Give me my freedom for as long as I be.
Grant me the freedom to live unrestrained for my entire existence.
All I ask of living is to have no chains on me.
My only desire in life is to be free from any form of bondage or restriction.
All I ask of living is to have no chains on me,
My sole aspiration while alive is to experience complete liberation, free from any form of restraint.
and all I ask of dying is to go naturally, only want to go naturally.
Regarding death, all I wish for is a natural passing, I simply desire to depart this world in a natural manner.
Don't want to go by the devil, don't want to go by the demon,
I do not want my soul to be claimed by the devil or any malevolent force.
don't want to go by Satan, don't want to die uneasy,
I do not want to suffer a discomforting death at the hands of Satan or any other evil entity.
just let me go naturally.
Just allow me to pass away in a natural and serene manner.
And when I die and when I'm gone,
When I depart this world and cease to exist,
there'll be one child born and a world to carry on, to carry on.
a new life will be brought into the world, ensuring the continuation and progress of humanity.
When I die, there'll be one child born.
Upon my death, a new generation will emerge through the birth of a child.
When I die, there'll be one child born.
After my demise, a single child will come into existence.
When I die, there'll be one child born.
With my passing, a new life will begin through the birth of a child.
When I die, there'll be one child born.
After I am no more, a singular child will enter this world.
Lyrics © BMG Rights Management
Written by: Laura Nyro
Lyrics Licensed & Provided by LyricFind