Chris Martin described the song as having a "chalky, pastel feeling" which he said reminds him of his childhood. "Imagine a pseudo guitar-like circus music with a pinch of Chicago... It's something new from us and you will be impressed." The song is the first anti-war protest song from the band, and borrows its rhythm from the Beatles; Violet Hill is a street near Abbey Road. Martin told Rolling Stone that lyrics about a fox becoming a god and a "carnival of idiots on show" were a commentary on Fox News.
Chris, Jonny, Guy & Will scored their ninth UK top ten hit in May 2008 with the Brian Eno produced "Violet Hill". Not long after, in mid-June, their album 'Viva La Vida' shot straight to No.1 on both sides of the Atlantic and downloads of the title track gave them their first chart-topping single here in Britain.
Violet Hill
Coldplay Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
From the rooftops I remember
There was snow
White snow
Clearly I remember
From the windows they were watching
While we froze down below
When the future's architectured
By a carnival of idiots on show
You'd better lie low
If you love me
Won't you let me know?
Was a long and dark December
When the banks became cathedrals
And the fox
Became God
Priests clutched onto Bibles
Hollowed out to fit their rifles
And a cross was held aloft
Bury me in armor
When I'm dead and hit the ground
My nerves are poles that unfroze
And if you love me
Won't you let me know?
I don't want to be a soldier
Who the captain of some sinking ship
Would stow
Far below
So if you love me
Why'd you let me go?
I took my love down to violet hill
There we sat in snow
All that time she was silent still
Said if you love me
Won't you let me know?
If you love me
Won't you let me know?
The song "Violet Hill" by Coldplay speaks to the political and social climate of the time it was written. The lyrics describe a December that is long and dark, where snow covers the rooftops and people watch from their windows while others freeze below. The imagery of the snow and the cold creates a feeling of isolation and despair.
The lyrics suggest that the future is being designed by "a carnival of idiots on show" and that it's best to "lie low" in the face of this. In this politically charged environment, it's important to keep one's head down and avoid attracting attention. The song then shifts to a religious metaphor, describing how the banks have become cathedrals and the fog has become God. This suggests that the institutions that people once trusted have become seemingly all-powerful and incomprehensible.
The final verse speaks to the fear of war and the desire to avoid being a part of it. The singer doesn't want to be a soldier on a sinking ship, but instead wants to be buried in armor. The final lines return to the original plea to be loved and to be told if that love is real. The song ends with a sense of uncertainty and a fear that the love they once shared is slipping away.
Line by Line Meaning
Was a long and dark December
The singer starts the song by describing a gloomy and depressing time, perhaps referring to a difficult period in their life.
From the rooftops I remember
The singer is reminiscing about a specific memory, looking back from a different vantage point.
There was snow
The season is established as winter, which likely contributes to the bleakness the singer feels.
White snow
This repetition of 'snow' underscores its whiteness, as well as its purity and beauty - which may contrast with the negativity of the first verse.
Clearly I remember
The artist emphasizes the clarity of their memories, suggesting that they are still vivid despite the passage of time.
From the windows they were watching
The singer is aware of other people observing them or their surroundings from a distance - this could contribute to a sense of vulnerability or paranoia.
While we froze down below
The singer is describing a scenario where they were physically uncomfortable, perhaps because they were outside or didn't have warm enough clothing.
When the future's architectured
The artist introduces a new topic - the future - and implies that it is being designed by people who are foolish or untrustworthy.
By a carnival of idiots on show
The architects of the future are likened to performers in a circus or carnival, suggesting they are putting on a spectacle without regard for the consequences.
You'd better lie low
The artist advises listeners to protect themselves by staying out of harm's way, whether that means physically hiding or avoiding risky situations and people in power.
If you love me
At this point the singer addresses someone directly, suggesting that the song could be a message to a specific person or group.
Won't you let me know?
The artist is asking for clarity or confirmation from the person they addressed above, implying that they are uncertain about the relationship between them.
When the banks became cathedrals
The song shifts to a new metaphor, describing a time when financial institutions became as important and powerful as religious ones.
And the fog
The imagery in this verse becomes more dreamlike and surreal, with the introduction of fog as a mysterious and unknowable force.
Became God
By equating the fog with a deity, the singer suggests that people may have become overly fixated on something that can't be fully understood or controlled.
Priests clutched onto bibles
The religious overtone of the last verse continues, with the introduction of a type of religious leader and their holy book.
Hollowed out to fit their rifles
The priests' bibles are transformed into weapons, showing how power and violence can corrupt even the most sacred items or institutions.
And the cross was held aloft
The ultimate symbol of Christianity and salvation is shown to be used as a weapon or emblem of oppression, emphasizing the theme of corrupt power.
Bury me in armor
The singer prepares for a violent end or afterlife, asking to be buried in a protective covering.
When I'm dead and hit the ground
The artist accepts that they will eventually die and be buried, suggesting that they may have been in danger or fighting for their life up until now.
My nerves are poles that unfroze
The metaphor of freezing and thawing returns, implying that the artist's emotions or thoughts have been repressed or numb until now, but are finally being expressed.
And if you love me
The song returns to the refrain, again addressing someone the artist cares about.
Won't you let me know?
The singer repeats their plea for clarity or communication, suggesting that this is a major issue for them.
I don't want to be a soldier
The artist reveals something they don't want to do, perhaps in response to being pressured or forced to do so.
Who the captain of some sinking ship
Being a soldier is compared to being on a sinking ship, emphasizing the danger, chaos, and hopelessness of the situation.
Would stow
The singer expresses a desire to escape or avoid this fate, perhaps through hiding or fleeing.
Far below
The singer emphasizes that they want to be as far away as possible from this situation, both physically and emotionally.
So if you love me
The refrain is repeated once more, suggesting that the artist's desire for communication is still unfulfilled.
Why'd you let me go?
The artist questions why the person they addressed didn't try to hold onto them or help them escape their situation, suggesting feelings of betrayal or abandonment.
I took my love down to violet hill
The singer describes a specific memory or action, going back in time once more.
There we sat in snow
This line describes the physical location and weather of the memory - a snowy hilltop where the singer was with someone they loved.
All that time she was silent still
The artist reveals that the person they were with was not communicating, perhaps reflecting a larger pattern in the artist's relationships or struggles in getting people to open up.
So if you love me
The last time the refrain is repeated, perhaps with a sense of desperation or urgency.
Won't you let me know?
The song ends as it began - with the artist pleading for communication and connection, suggesting that it is the key to overcoming the struggles and difficulties they have described.
Lyrics © Universal Music Publishing Group, Tratore
Written by: Christopher Anthony John Martin, Guy Rupert Berryman, Jonathan Mark Buckland, William Champion
Lyrics Licensed & Provided by LyricFind
@-TasnimMahfuzNafis
Violet Hill lyrics
Was a long and dark December
From the rooftops I remember
There was snow
White snow
Clearly I remember
From the windows they were watching
While we froze down below
When the future's architectured
By a carnival of idiots on show
You'd better lie low
If you love me
Won't you let me know?
Was a long and dark December
When the banks became cathedrals
And the fog
Became God
Priests clutched onto bibles
Hollowed out to fit their rifles
And the cross was held aloft
Bury me in armor
When I'm dead and hit the ground
My nerves are poles that unfroze
And if you love me
Won't you let me know?
I don't want to be a soldier
Who the captain of some sinking ship
Would stow
Far below
So if you love me
Why'd you let me go?
I took my love down to violet hill
There we sat in snow
All that time she was silent still
So if you love me
Won't you let me know?
If you love me
Won't you let me know?
@alexisabuin8142
Was a long and dark December
From the rooftops I remember
There was snow
White snow
Clearly I remember
From the windows they were watching
While we froze down below
When the future's architectured
By a carnival of idiots on show
You'd better lie low
[Chorus]
If you love me
Won't you let me know?
Was a long and dark December
When the banks became cathedrals
And the fox
Became God
Priests clutched onto bibles
Hollowed out to fit their rifles
And the cross was held aloft
Bury me in armour
When I'm dead and hit the ground
My nerves are poles that unfold
[Chorus]
I don't want to be a soldier
With the captain of some sinking ship
Would stow, far below
So if you love me
Why'd you let me go?
I took my love down to violet hill
There we sat in snow
All the time she was silent and still
[Chorus: x2]
Read more: Coldplay - Violet Hill Lyrics | MetroLyrics
@thaiskaren8274
It was a long and dark December
From the rooftops I remember
There was snow, white snow
Clearly I remember
From the windows they were watching
While we froze down below
When the future's architectured
By a carnival of idiots on show
You'd better lie low
If you love me, won't you let me know?
Was a long and dark December
When the banks became deceases
And the fox became God
Priests clutched onto bibles
Hollowed out to fit their rifles
And a cross held aloft
Bury me in armour
When I'm dead and hit the ground
My nerves are poles that unfroze
And if you love me, won't you let me know?
I don't want to be a soldier
Who the captain of some sinking ship
Would stow, far below.
So if you love me, why'd you let me go?
I took my love down to violet hill
There we sat in snow
All that time she was silent still
Said if you love me, won't you let me know?
If you love me, won't you let me know
@jacquelinecervantes4703
Violet hill
Was a long and dark December
From the rooftops I remember
There was snow
White snow
Clearly I remember
From the windows they were watching
While we froze down below
When the future's architecture
By a carnival of idiots on show
You'd better lie low
If you love me
Won't you let me know?
Was a long and dark December
When the banks became cathedrals
And the fog
Became God
Priests clutched onto bibles
Hollowed out to fit their rifles
And the cross was held aloft
Bury me in armor
When I'm dead and hit the ground
My nerves are poles that unfroze
If you love me
Won't you let me know?
I don't want to be a soldier
Who the captain of some sinking ship
Would stow
Far below
So if you love me
Why'd you let me go?
I took my love down to violet hill
There we sat in snow
All the time she was silent and still
So if you love me
Won't you let me know?
If you love me
Won't you let me know?
@thomasduya16
About The Music Video:
👇👇
A music video was filmed in support of the song, which was released 18 May. It was directed by visual artist Asa Mader, and parts were shot at Mount Etna and in the courtyard of Palazzo Biscari, Catania, Sicily.
This original version of the video begins with the band climbing a hill and reaching a quiet town, where they start playing their instruments. The four musicians are shown performing the song, dancing and walking around on Mount Etna's hills. Scenes are sometimes sped up or in slow motion and alternated with black and white close-ups of band members' faces. Chris Martin is seen singing holding a magnifying glass in front of his mouth, hitting the screen with a hammer and walking on the snow. At the end of the video, Martin falls to the snow and the band walks away from the town. This video was shown on a small on-stage television screen as part of the live shows, during the band's 2008 Viva la Vida tour.
Source: Wikipedia
👇👇
https://en.m.wikipedia.org/wiki/Violet_Hill
@beyondartv
One of the greatest songs ever written. Will probably always be my favorite Coldplay song!
@seanslawson98
Would you agree that this is their heaviest?
@lathangregory4633
I expected to see you here…
@iliketrains3495
Damn even in 2021 I'm still finding your comments on 90% of music videos I watch. You love to see it 😂
@marsha4253
Same, this is also the only song from them i like lol
@The_Son_MP
Forever
@mitchnwosu7067
My father played this song in the car when I was a little boy. He recently passed away and this song brings me peace when I hear it. Literally a warmth envelopes my entire being and I feel his love… I can’t explain it but I know he is smiling down on me from heaven. Viva La Vida is such a spiritual album ❤
@cheeze588
I’m sorry for your loss
@darrenpalmer2574
So sorry for your loss.
At least u have that memory
@zampettedainsetto
What a beautiful memory, thank you for sharing this ❤