David Robert Jones (8 January 1947 – 10 January 2016), known professionally… Read Full Bio ↴David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music.

Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had three number-one hits: the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps), and "Under Pressure" (a 1981 collaboration with Queen). He achieved massive commercial success in the 1980s starting with Let's Dance (1983). Between 1988 and 1992, he fronted the hard rock band Tin Machine before resuming his solo career in 1993. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with The Next Day. He remained musically active until his death from liver cancer at his home in New York City. He died two days after both his 69th birthday and the release of his final album, Blackstar (2016).

During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the best-selling musicians of all time. In the UK, he was awarded ten platinum, eleven gold and eight silver album certifications, and released 11 number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone ranked him among the greatest artists in history. As of 2022, Bowie was the best-selling vinyl artist of the 21st century.

Full Wikipedia article: https://en.wikipedia.org/wiki/David_Bowie

Studio albums
David Bowie (1967)
David Bowie/Space Oddity (1969)
The Man Who Sold the World (1970)
Hunky Dory (1971)
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Aladdin Sane (1973)
Pin Ups (1973)
Diamond Dogs (1974)
Young Americans (1975)
Station to Station (1976)
Low (1977)
"Heroes" (1977)
Lodger (1979)
Scary Monsters (and Super Creeps) (1980)
Let's Dance (1983)
Tonight (1984)
Never Let Me Down (1987)
Black Tie White Noise (1993)
The Buddha of Suburbia (1993)
Outside (1995)
Earthling (1997)
Hours (1999)
Heathen (2002)
Reality (2003)
The Next Day (2013)
Blackstar (2016)

Dirty Song
David Bowie Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

If a womans hips are ample
Then I want her in the hay
Skirt and stocking all a rample
Cheerfully
For that's my way
If the woman bites in pleasure
Then I wipe it clean with hay
My mouth, her lap together

Not really
For that's my way
If a woman goes on loving
When I feel to tired to play

I'd smile and go off waving, I'm leaving
For that's my way

Overall Meaning

The lyrics to David Bowie's "Dirty Song" are suggestive, erotic, and crude. The lyrics speak volumes about the sexual desires and fantasies of the singer. The song talks about the singer's insatiable appetite for women with ample hips, whom he likes to have his way with in the hay. It's an unequivocally powerful song that throws caution to the wind and speaks candidly about sex, disregarding any personal or societal implications that may be attached.

The lyrics speak about the singer's unconventional ways of engaging with women, highlighting a level of dominance that is unapologetic and unreserved. The singer seems to relish in the idea of having his way with women, even if it means wiping away the traces of their pleasure with hay. The singer eroticises the hay and the farm setting, casting a dangerous and borderline taboo glow on the entire theme of the song.

In conclusion, "Dirty Song" is a risqué and explicitly sexual track that is sure to raise a few eyebrows, but at the same time, it is an honest expression of the singer's desires and fantasies. The song might not be everyone's cup of tea, but it's a bold and daring piece of music that explores themes that many mainstream artists might shy away from.

Line by Line Meaning

If a womans hips are ample
If a woman's hips are wide and full

Then I want her in the hay
Then I want to have sex with her

Skirt and stocking all a rample
Her clothing strewn about carelessly

Cheerfully
In a cheerful manner

For that's my way
Because that's the way I am

If the woman bites in pleasure
If the woman bites in pleasure during sex

Then I wipe it clean with hay
Then I wipe the bite mark with hay

My mouth, her lap together
My mouth and her genitals together

Not really
Not quite true

For that's my way
Because that's the way I am

If a woman goes on loving
If a woman continues to love me