Undoubtedly his most famous work is the soundtrack for Donkey Kong Country series of games, widely considered to be some of the best soundtracks to ever appear on SNES. Aside of the usual jolly "jungle" themes that fit to Donkey Kong's style in general, these games have a quite wide variety of different musical styles in different areas of the game. More recently, he's done the soundtrack for the Game Boy Advance port of Donkey Kong Country 3, and is working on a mystery Xbox 360 title.
Video game credits
(Please note: Although very few games prior to 1993 had credits, it is a known fact that David Wise was the only musician at Rare from 1985 to 1994, which effectively covers all of their NES and early SNES titles. Some very few games, such as Double Dare, did credit him.)
[edit]
1987 - Slalom (NES)
1988 - R.C. Pro-Am (NES)
1988 - Wheel of Fortune (NES)
1988 - Jeopardy! (NES)
1988 - Anticipation (NES)
1989 - Marble Madness (NES)
1989 - World Games (NES)
1989 - WWF Wrestlemania (NES)
1989 - Sesame Street 123 (NES)
1989 - John Elway's Quaterback (NES)
1989 - California Games (NES)
1989 - Taboo (NES)
1989 - Wizards & Warriors (NES)
1989 - Sesame Street ABC (NES)
1989 - Hollywood Squares (NES)
1989 - Who Framed Roger Rabbit (NES)
1989 - Jordan Vs. Bird: One On One (NES)
1989 - Cobra Triangle (NES)
1989 - Ironsword: Wizards & Warriors II (NES)
1989 - Wheel of Fortune Junior Edition (NES)
1989 - Jeopardy! Junior Edition (NES)
1989 - Silent Service(NES)
1990 - Double Dare (NES)
1990 - Wheel of Fortune Family Edition (NES)
1990 - Jeopardy! 25th Anniversary Edition (NES)
1990 - The Amazing Spider-Man (Game Boy)
1990 - Captain Skyhawk (NES)
1990 - Pin Bot (NES)
1990 - Snake Rattle ‘N’ Roll (NES)
1990 - Super Off Road (NES)
1990 - Wizards & Warriors X: Fortress of Fear (Game Boy)
1990 - NARC (NES)
1990 - A Nightmare On Elm Street (NES)
1990 - Super Glove Ball (NES)
1990 - Cabal (NES)
1990 - Time Lord (NES)
1990 - Arch Rivals (NES)
1990 - WWF Wrestlemania Challenge (NES)
1990 - Solar Jetman: Hunt for the Golden Warpship (NES)
1991 - Digger T. Rock (NES)
1991 - WWF Superstars (Game Boy)
1991 - Battletoads (NES, Game Boy)
1991 - Beetlejuice (NES)
1991 - Super R.C. Pro-Am (Game Boy)
1991 - High Speed (NES)
1991 - Sneaky Snakes (Game Boy)
1991 - Sesame Street ABC & 123 (NES)
1991 - Pirates! (NES)
1992 - Wizards & Warriors III (NES)
1992 - Beetlejuice (Game Boy)
1992 - Indy Heat (NES)
1992 - R.C. Pro-Am II (NES)
1992 - Championship Pro-Am (Mega Drive)
1993 - Battletoads (Mega Drive, Game Gear)
1993 - Battletoads Double Dragon (NES, SNES, Mega Drive, Game Boy)
1993 - Battletoads in Ragnarok's World (Game Boy)
1993 - Battletoads in Battlemaniacs (SNES)
1993 - X The Ball (Arcade)
1993 - Snake Rattle‘N’ Roll (Mega Drive)
1994 - Monster Max (Game Boy)
1994 - Super Battletoads (Arcade)
1994 - Donkey Kong Country, (SNES) (with Robin Beanland and Eveline Fischer)
1995 - Donkey Kong Land, (Game Boy) (with Graeme Norgate)
1995 - Donkey Kong Country 2: Diddy's Kong Quest (SNES)
1996 - Donkey Kong Country 3: Dixie Kong's Double Trouble!, (SNES) (with Eveline Fischer) (Additional Music)
1997 - Diddy Kong Racing (N64)
2000 - Donkey Kong Country (GBC)
2002 - Star Fox Adventures (GCN)
2004 - It's Mr. Pants (GBA) (Additional Sound FX)
2005 - Donkey Kong Country 3 (GBA)
2008 - Viva Piñata: Pocket Paradise (DS)
2008 - War World (Xbox 360)
2013 - Sorcery! (iOS, Android, Steam)
2014 - Donkey Kong Country: Tropical Freeze (Wii U) (at Retro Studios)
2014 - Tengami (iOS, Android, Wii U)
2015 - Star Drift (iOS)
2017 - Star Ghost (Switch)
2017 - Snake Pass (Switch, PS4, PC)
2017 - Yooka-Laylee (with Grant Kirkhope and Steve Burke)
Good Good Father
David Wise Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Kelly Garner/Laura Treat
CHORUS
I need a Good Ole Gospel Sing
Give me that old time religion
Dinner on the ground, pass the plate around
Sitting out under those trees
cnd we'll stand before the King
Lifting every voice
In a Good Ole Gospel Sing
VERSE 1
There was a time back in those good ole days
When my grandpa traveled around
He'd go to a gospel sing
They'd ask singers to come on down
cll sittin' in the class on the front four pews
With a friend who could harmonize
They'd lift those songs to heaven
They'd let those praises rise
CHORUS
VERSE 2
Now a good ole gospel sing
Was an all day long affair
Where everybody met to praise the Lord
With hands raised up in the air
The potluck was a holy feast
Outside on the tables by the church
The song rang out till the afternoon
Until every voice was heard
CHORUS
BRIDGE
Gimme that old time religion
Gimme that old time religion
Gimme that old time religion
In my soul
From the old Stamps-Baxter & Benson book
Right down to the Tennessee-Vaughan
Singing thru those shape note books
They'd shout & carry on
They'd carry on
MOD CHORUS
© 2023 Yellow Tree Works (BMI) /Garner House Music (BMI) (both admin. at EssentialMusicPublishing.com). cll rights reserved. Used by permission.
The song "Good Ole Gospel Sing" by Kelly Garner and Laura Treat celebrates the traditional practices of worship and community that were common in the past. The chorus sets the tone, expressing a longing for a "Good Ole Gospel Sing" and the nostalgia associated with the "old time religion." It speaks of the anticipation of being reunited with Jesus and standing before the King, an image of heavenly worship. The mention of "lifting every voice" emphasizes the unity and collective spirit that is present in a gospel sing.
In the first verse, the lyrics describe a time when the singer's grandfather would travel around attending gospel sings. The imagery of sitting in class, occupying the front four pews, with a friend who could harmonize, paints a picture of a close-knit community gathered to worship. The act of lifting those songs to heaven implies a deep reverence and devotion to God.
The second verse depicts a "good ole gospel sing" as a day-long event where everyone came together to praise the Lord. The atmosphere of worship is portrayed through the image of raised hands and the holy feast of a potluck taking place outside the church. The song would continue until every voice was heard, highlighting the inclusivity and shared experience of these gatherings.
The bridge adds to the sense of nostalgia by referencing specific traditional gospel songbooks, such as the Stamps-Baxter and Benson books, and the Tennessee-Vaughan tradition. These books were often used in gospel music, and their mention signifies the continuity and reverence for the heritage of gospel music. The repeated phrase "Gimme that old time religion" reinforces the desire for the simplicity, authenticity, and spiritual power associated with the past.
Overall, "Good Ole Gospel Sing" pays homage to the traditional gospel music and worship practices of the past. It celebrates the sense of community, devotion, and reverence that were present during these gatherings. The song evokes a longing for the spiritual experiences of the old days, while also recognizing the timeless nature of gospel music and its ability to transcend generations.
Line by Line Meaning
I need a Good Ole Gospel Sing
I long for the experience of a traditional gospel singing gathering
Give me that old time religion
I desire the spiritual fervor and devotion found in the past
Dinner on the ground, pass the plate around
Sharing a meal together and contributing to the community
Sitting out under those trees
Enjoying the serene outdoor setting
One day we'll be with Jesus
Anticipating the future reunion with Jesus in heaven
cnd we'll stand before the King
We will have the honor of being in the presence of God
Lifting every voice
Singing with full dedication and enthusiasm
In a Good Ole Gospel Sing
Participating in a joyous gathering of believers
There was a time back in those good ole days
Referring to a nostalgic period in the past
When my grandpa traveled around
Recounting the experiences of the persona's grandfather
He'd go to a gospel sing
Attending a gathering centered around gospel music
They'd ask singers to come on down
Inviting singers to join and perform
cll sittin' in the class on the front four pews
Sitting together with friends in prominent seats during the event
With a friend who could harmonize
Accompanied by a friend who had skill in singing harmonies
They'd lift those songs to heaven
Singing with the intention of reaching and touching heaven
They'd let those praises rise
Allowing the praises to soar and be heard
Now a good ole gospel sing
Describing the nature of a traditional gospel singing gathering
Was an all day long affair
Lasting throughout the entire day
Where everybody met to praise the Lord
A meeting place for everyone to worship and honor God
With hands raised up in the air
Expressing adoration and surrender to God with uplifted hands
The potluck was a holy feast
The shared meal was considered sacred and special
Outside on the tables by the church
Tables were set up outdoors near the church building
The song rang out till the afternoon
The singing continued until the afternoon hours
Until every voice was heard
Ensuring that each individual had the opportunity to contribute and be heard
Gimme that old time religion
Expressing the desire for a deep-rooted and authentic spiritual experience
In my soul
Desiring to have a personal connection and experience with God
From the old Stamps-Baxter & Benson book
Referring to renowned gospel music publishing companies
Right down to the Tennessee-Vaughan
Including the influential Tennessee-Vaughan music legacy
Singing thru those shape note books
Using traditional notation technique to sing hymns
They'd shout & carry on
Expressing enthusiasm and passion through vocal exclamation
They'd carry on
Continuing the joyful and exuberant celebration
Lyrics © Sony/ATV Music Publishing LLC
Written by: KELLY GARNER, LAURA TREAT
Lyrics Licensed & Provided by LyricFind