Deaf Havana was formed when the original members met at the King's Lynn campus of The College of West Anglia. The band's roots can, however, be traced back much further with Ryan Mellor, James Veck-Gilodi and Lee Wilson all attending Smithdon High School and playing together in various local scene bands. At college, these members were joined by Tom Ogden and Sebastian Spitz. This early lineup saw Veck-Gilodi singing and Mellor taking guitar and vocal duties. The name "Deaf Havana" came from former guitarist Sebastian Spitz, however the name itself has no literal meaning. The band wrote songs and a demo, White Lines But No Camera, was recorded in August 2006 at The Lodge, Northampton. The band toured this lineup until Chris Pennells replaced Spitz. Pennells was formerly a member of the band Something About Dave. Around the same time, Mellor handed over guitar parts to Veck-Gilodi, and took on the lead role.
In late 2006, the band began writing songs for their debut EP, entitled Evangeline. Two songs were roughly recorded, titled "The Smiles Were Forced" and "Where It Begins", which were uploaded onto the band's Myspace page. The EP was soon recorded, with "The Smiles Were Forced" being dropped from the EP's track listing. "Tell Me More Georgie Boy" is the only song from any previous release to make it onto Meet Me Halfway, at Least, and is now called "Another Day in This House".
Beginning in October 2007, the band began work on new songs, which eventually were released on It's Called the Easy Life. On 21 June 2008, the band announced signing a deal consisting of one EP and two albums with Wolf at Your Door Records owner Kevin 'Wolfie' Horak, as well as the recording date for said debut EP, now titled It's Called the Easy Life. The EP was eventually recorded by Jonny Renshaw from Devil Sold His Soul and was mixed by Matt O'Grady (You Me at Six, Architects) and released in October 2008. The EP received strong reviews from various musical publications, following which the band begin to receive some recognition.
On 25 May 2009, the band entered the studio to record their debut studio album, Meet Me Halfway, at Least, with producer Matt O'Grady. The album was released for pre-order from Wolf at Your Door Records on 7 September 2009, and was released on iTunes and shops on 5 October 2009. Two singles have been taken from this album. "Friends Like These" was released, with B-side "Hey Baby, This Is Our Song", on 17 August 2009, for digital download. A video was also released for this single. Their second single, "Nicotine and Alcohol Saved My Life" was released on 15 March 2010, also via digital download. The single contains a remix of "Friends Like These" by Essex band Kenai. Its music video was first shown on music channels and online from 22 February 2010.
In 2010, just prior to the mini tour with All Forgotten, the band announced that Mellor would not be embarking on these tours, due to personal circumstances, with Max d'Albiac from Brides replacing him. Mellor left the band on 10 May 2010, due to the same personal problems that caused him to pull out of 2010 tours. Deaf Havana decided to continue as a four piece and a replacement for Mellor was not sought.
The band began the follow-up to 2009's Meet Me Halfway, at Least in early 2010. They released a new demo track on Myspace and Facebook, entitled "My Life Is Average". On 13 August 2010, the band released a new demo track through their Facebook page entitled "Home Sweet Home".
On 20 May 2011, the band released the first song, called "The World or Nothing", from their untitled second album. The song was not released as a single, but the song is accompanied by a video made from footage taken at Hit The Deck Festival, directed by Jon Stone. The first single from the album was confirmed to be "I'm A Bore, Mostly" on 30 August 2011. It was played on BBC Radio 1 by Zane Lowe and the following week by Sara Cox. The title of the album, Fools and Worthless Liars was made public on 23 September 2011. Deaf Havana also released a music video for the single on 11 October 2011, which accumulated over 20,000 plays on the day of release. They then supported fellow British rockers You Me at Six on tour that month. Fools and Worthless Liars was released on 7 November 2011, coinciding with London Barfly and Norwich Arts Centre release gigs. The album peaked at number 1 on the UK Rock Album Chart.
The band re-recorded an alternative version of Fools and Worthless Liars which was released on 22 October 2012. The Fools and Worthless Liars Deluxe Edition album reached number 51 in the UK Albums Chart (reaching number 28 mid-week). Lead singer, James-Veck Gilodi, expressed his views about his personal influences in the Fools and Worthless Liars Deluxe Documentary saying that he "wanted to do something that was more musical interesting" and record something that was "truer" to the bands actual influences. After playing the St Pancras Station Festival, from which the band thought "went well" and was "thoroughly enjoyable", the band set about re-recording each song on Fools and Worthless Liars hoping to show off their musicianship that may not have come across on the album by using different instruments, sounds and genres.
In October 2012, Deaf Havana began composing new material to be featured on their third album. On 25 January 2013, the band announced that the writing process was complete and that they would enter the studio a week later. It was rumoured, during the highly successful An Evening With Deaf Havana - Unplugged that the new, yet currently unnamed, album would be released "around September". However, no precise date was set or confirmed at this point. It was later revealed in 2012 that the new album would be entitled Old Souls and was to be produced by Lee Batiuk. It was announced to be released on 16 September 2013. Moreover, the band created a feature-length documentary, entitled English Hearts, which was released as a CD/DVD combination on the deluxe version of Old Souls. The feature documented the history of the band, in their own words, and was directed by Jon Stone, a director who had previously filmed the band performing " The World or Nothing" at Hit the Deck Festival.
The band received several high-profile radio plays in the lead up to the album release whilst the band also aired several previews through social media such as Facebook and Twitter. The song "Boston Square" was premiered by Radio One DJ Zane Lowe as his Hottest Record in the World on 14 May 2013. This release which was accompanied with an interview with James Veck-Gilodi. The band coincidentally announced their first partnership with YouTube music video service Vevo, and released the corresponding video for "Boston Square". The band followed up the positive feedback by releasing the track "Speeding Cars" on 18 July 2013, and track which also received positive feedback. On 1 August 2013, the band released another track, entitled "Kings Road Ghosts", despite the band acknowledging "they might get into trouble" for releasing the track early. On 8 August 2013, the band were again invited Zane Lowe's Radio 1 show to premiere their new single "Mildred (Lost a Friend)" as the Hottest Record in the World. Matt Veck-Gilodi supplied the interview on the behalf of the band and was interviewed by Radio 1 DJ Huw Stephens, who was deputising for Zane Lowe.
Ahead of their UK tour in November 2015, Deaf Havana released the track "Cassiopeia" from their fourth album, which was originally set to be released in 2016.
In July 2016, the band released the single "Sing" and announced that their album would be released in early 2017 on So Recordings. During their set at Reading and Leeds 2016, the band announced that the album is titled All These Countless Nights and announced its release date as 27 January 2017. Shortly after their Reading and Leeds appearance, the band announced their first UK tour in over 2 years.
On 9 October, the second single from the album, "Trigger", premiered on BBC Radio 1 as Daniel P Carter's Rockest Record. The song had originally premiered in 2014 on the band's European tour, at which time the band had planned to record new material but were dropped from their record label, BMG.
Following their Top 5 album artist=Deaf Havana]All These Countless Nights, Rituals was written as a challenge taken up by James Veck-Gilodi (Vocals) & Phil Gornell (Producer) to subvert the band's writing process, and present songs representative of the band in present.
Rituals is the result of throwing out the 'Deaf Havana rulebook': first; James picked the song titles, second; he wrote the tracks that fit the theme of those titles, third; everything was written on the computer, then the band came in to play all the parts. Working like this felt backwards to James, who previously only written songs on his acoustic guitar, with continuous input from the rest of the band. They set themselves a deadline of April to finish writing, and if any of it was any good, they would make it available by August. No more waiting half a decade for people to finally hear new music.
A recurring theme on the album is one of struggle and redemption. The music is in turn with introspective and joyous, with help form the London Contemporary Voice Choir, who feature on five tracks. The band performed with the choir at their intimate show at London's Union Chapel for the War Child charity as part of the Brit Awards gigs.
The theme of redemption ties into the art the band have wrapped into the album cover, a series by the visual artist Wolf James entitled 'My Love Is Lethal (A personal series dedicated to Letting Go)'.
On 25 November 2021, the band released a statement that while they intended to break up in early 2020, instead James and Matthew will continue on as a duo, with Lee Wilson and Tom Ogden leaving the band.
The Present is a Foreign Land was announced on 21 January 2022 for a 15 July 2022 release; with the album's first single, "Going Clear", releasing the same day.
Night Drives
Deaf Havana Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just like I always do
With your glass green eyes and your deep blue soul.
In the morning you say, it won't mean anything
And it doesn't break my heart, it just wears it out
And I want to tell you everything but I'm too proud.
I guess the truth is I'm as lost as I was before
When you said that you wouldn't forget anymore.
I wrote this song for you to see that nothing else
Really meant as much to me.
Now you've been drinking again and I've barely slept.
Wasting days in a wasted haze with all the promises unkept.
I took a trip back to my old hometown
Where it's harder to remember your name.
I searched the streets and the bottles and bars for an escape,
But nothing has changed and it's still the same.
I guess the truth is I'm as lost as I was before
And I swear, I swear that I really believed it all.
When you said that you wouldn't forget anymore.
I wrote this song for you to see that nothing else
Really meant as much to me.
Thinking back on those late night drives
And all those lonely August lies,
You'll still be the one to take me home
Cause God knows your eyes are the only ones I've ever known.
I guess the truth is I'm as lost as I was before
And I swear, I swear that I really believed it all.
When you said that you wouldn't forget anymore.
I wrote this song for you to see that nothing else
Really meant as much to me.
The song "Night Drives" by Deaf Havana speaks to the experiences of heartbreak and lost love. The lyrics convey intense feelings of sadness and longing as the singer reflects on the past and struggles to let go of his feelings for someone who has moved on. The opening lines, "Twelve long weeks and I've thought myself into this hole, Just like I always do" set the tone for the rest of the song. The singer is stuck in a cycle of overthinking and regret, unable to move on from the relationship. The line, "With your glass green eyes and your deep blue soul" speaks to the emotional depth and complexity of the person the singer is singing about.
The chorus, "I guess the truth is I'm as lost as I was before, And I swear, I swear that I really believed it all, When you said that you wouldn't forget anymore, I wrote this song for you to see that nothing else, Really meant as much to me" shows how the singer feels betrayed by his former partner, who promised not to forget their time together. The singer's attempt to convey his feelings through music is a final plea to make his former partner understand how much she meant to him.
In the second verse, the singer describes how he has attempted to escape his feelings by returning to his hometown, but finds that it only makes his heartache more intense. The bridge, "Thinking back on those late night drives, And all those lonely August lies, You'll still be the one to take me home, Cause God knows your eyes are the only ones I've ever known" is a nostalgic reflection on the times the singer spent with his former partner, and how he will always feel a connection to her.
Overall, "Night Drives" is a heartfelt ballad about the pain of heartbreak and the struggle to move on from a past relationship.
Line by Line Meaning
Twelve long weeks and I've thought myself into this hole,
It's been a while and I've been overthinking things again, putting myself in a difficult situation.
Just like I always do
This is not the first time, but rather a pattern of behavior for me.
With your glass green eyes and your deep blue soul.
I was captivated by your unique and mesmerizing appearance and personality.
In the morning you say, it won't mean anything
You try to downplay things, suggesting that our actions and feelings have no lasting significance.
And it doesn't break my heart, it just wears it out
Your nonchalant attitude and lack of emotion toward our relationship is taxing on me and causing me emotional exhaustion.
And I want to tell you everything but I'm too proud.
I have a desire to express my deepest thoughts and feelings to you, but my pride is holding me back.
I guess the truth is I'm as lost as I was before
To be honest, I am still feeling just as confused and directionless as I did in the past.
And I swear, I swear that I really believed it all.
Despite my doubts, I genuinely trusted and had faith in what you were saying.
When you said that you wouldn't forget anymore.
You made a promise to remember something important to me, but I'm not sure you kept that promise.
I wrote this song for you to see that nothing else
This song is my attempt to show you that there is nothing else that compares to my feelings for you.
Really meant as much to me.
What we have is incredibly special to me and I don't want to lose it.
Now you've been drinking again and I've barely slept.
You've been drinking alcohol and I've been struggling to get enough sleep because of our problems.
Wasting days in a wasted haze with all the promises unkept.
Our time together has been unproductive and disappointing, with unfulfilled promises.
I took a trip back to my old hometown
I returned to where I grew up, possibly to find some comfort or clarity.
Where it's harder to remember your name.
Being away from you and our current situation makes it more difficult to recall details about you and our relationship.
I searched the streets and the bottles and bars for an escape,
I tried to distract myself or find release from my problems by exploring the urban nightlife scene and engaging in drinking.
But nothing has changed and it's still the same.
Despite my attempts to escape, the situation remains the same and my problems still weigh heavily on me.
Thinking back on those late night drives
Reflecting on the past, I remember those late-night car rides we took together.
And all those lonely August lies,
Recalling the lies and deceptions we engaged in, possibly during the month of August.
You'll still be the one to take me home
Despite our struggles, I still see you as the person I can rely on to comfort me and bring me back to a familiar and safe environment.
Cause God knows your eyes are the only ones I've ever known.
Your eyes have left a lasting impression on me and I can't imagine ever feeling the same way about anyone else.
Writer(s): Christopher Daniel Pennells, Matthew Veck-Gilodi, James Veck-Gilodi, Lee William Wilson, Max Britton, Thomas Ogden Copyright: BMG Rights Management (Uk) Ltd.
Contributed by Isabelle J. Suggest a correction in the comments below.