Tokyo
Derek Lyrics

Minha mente vai daqui até Tokyo
The singer's mind is fixated on Tokyo, and they cannot stop thinking about it

Running, Running, Tokyo
The singer longs to run towards Tokyo, symbolizing their desire to reach their goal or dream destination

Crazy, lazy, motherfucking crazy
The singer describes themselves as wild and unpredictable, with a devil-may-care attitude

Roxo mata sede, ouro no meu dente
The artist brags about their wealth and success, with mentions of purple lean and gold in their teeth

Nego OG, prata OG, ouro OG
The artist references themselves and their associates as 'original gangsters,' with different levels of status denoted by silver and gold

Motherfucking lean
The singer proudly consumes lean, a popular drink with codeine and other ingredients, often associated with hip hop culture

Ela é fashion e usa droga
The singer comments on a woman's fashionable style but also notes she uses drugs, highlighting a societal issue of glamorizing drug use

Baby só se droga
The artist casually refers to someone as 'baby' and notes their drug use, perhaps with a hint of disapproval

Tudo na sacola, tudo na sacola
The artist has many material possessions, which they carry in bags, reinforcing their image as wealthy and privileged

I don't give a fuck, I don't give a fuck
The artist proclaims their disregard for societal norms and expectations, showing a rebellious spirit

Sua mina é fã, nós sabe que ela é fã
The singer suggests that someone's girlfriend or significant other is a fan of theirs, perhaps indicating a certain level of fame or notoriety

Eu não gosto mas eu compro
The artist doesn't necessarily like something but still buys it, implying that they have the financial means to do so

Por que isso é muito caro
The singer acknowledges that something is expensive, but this doesn't deter them from buying it, perhaps indicating a lack of consideration for the value of money

Caro, presente la do papo
The singer acknowledges that the gift they purchased is expensive, possibly as a way of showing off their wealth or generosity

Racks on me
The singer has a lot of cash on their person, suggesting that they are wealthy or have access to a lot of money

Tudo OG, baby, é tudo OG
The artist references their associates again, noting that everything is 'original gangster,' implying that they are associated with a certain lifestyle

Pode vir, baby, pode vir
The artist invites someone to join them or suggests they are ready for whatever comes their way

'To online, baby, eu 'to online
The singer is available and reachable, highlighting our increasingly connected world and the importance of staying connected

Quer ménage? Pode me chamar
The singer invites someone to join them in a threesome, highlighting the casual attitude towards sex in some circles

Só chamar se quiser ménage
The artist reiterates the previous sentiment, showing a nonchalant attitude towards sexual activity

Marreta no beat, 'tô matando, isso é de lei
The artist claims that they are dominating the music scene, suggesting that their success is assured

Toma esse lean com esse doce, eu já misturei
The artist encourages someone to consume lean mixed with candy, which can be harmful and potentially lethal

Dentro da Benz, olha minha corrente
The singer shows off their expensive jewelry while sitting inside a Mercedes Benz, underscoring their wealth and success

Quanto eu paguei? Baby, eu não sei
The artist admits they don't know the exact cost of their jewelry, perhaps indicating that money is no object to them

Maza sabe, todo mundo sabe
The singer references the Recayd Mob, a Brazilian hip hop collective, suggesting that everyone is aware of their influence and popularity

Sou Recayd, disso ela já sabe
The singer reiterates their affiliation with the Recayd Mob, suggesting that they are part of a larger group of talented individuals

Faço skrrt com essa puta no meu colo
The singer brags about having a woman, often referred to as a 'hoe,' in their lap while driving, highlighting misogynistic attitudes and behavior

Muito louco, muita bala eu não 'to sóbrio
The artist admits that they are not sober, possibly referencing drug use or alcohol consumption

'To tossindo igual um velho é o tabaco
The artist's coughing is likened to that of an elderly person, possibly a result of smoking tobacco regularly

Se ficar me olhando muito eu passo o saco
The singer issues a warning to someone, suggesting that they will physically harm them if they continue staring or looking at them

Hell no, yeah
The singer's response is contradictory, highlighting a potential inner conflict or indecisiveness

Viciada em metanfetamina
The artist describes someone as being addicted to methamphetamine, highlighting the devastating effects of drug addiction on people's lives

Fodo com a sua bitch, xanny
The artist boasts about sleeping with someone else's partner and using Xanax, another popular drug

Coca no rabão dessa vadia
The artist references the use of cocaine, perhaps with a derogatory reference to a woman's backside

Quer gemer pra mim não explane (plane)
The singer requests that someone moan for them but not to cause a scene or attract attention

Bitch eu sou lachef
The artist claims to be 'the boss,' highlighting their sense of power and control over others

Quer uma sextape
The singer asks someone if they want to make a sex tape, again referencing the casual attitude towards sex and sexual activity

Foca na minha chain
The singer asks someone to focus on their chain, or expensive necklace, declaring their wealth and status

Flash na minha bitch
The singer takes a picture of their female companion, perhaps suggesting a possessive attitude or objectifying behavior

Cansei dessa BMW
The artist is tired of their BMW, flip-flopping between valuing material possessions and a potential dissatisfaction with them

Minha tropa 'tá o crime, yeah
The artist boasts about being part of a group involved in criminal activity, arguably glamorizing illegal behavior and disrespectful of the impact on others

Bitch Say My Name
The singer demands recognition and respect, with the use of the word 'bitch' reinforcing a negative, objectifying attitude towards women

E eu nem sei
The singer confesses to not knowing something, suggesting limitations or lack of knowledge in certain areas

O que eu ganhei
The artist questions what they have gained from their experiences or lifestyle

Na minha conta bancária
The artist references their bank account, reinforcing their image as wealthy and successful

Na minha conta ban
The artist truncates the phrase 'banco' (bank) to 'ban,' perhaps to demonstrate their nonchalant attitude towards money or a casual use of language

Joga o bucetão
The singer invites someone to throw their genitalia at them, highlighting objectifying language often used towards women in certain contexts

E eu com a peita da armani
The artist is wearing an Armani shirt or top, emphasizing their sense of style and fashion

'Cê sarrando em mim
The singer suggests they are being touched or pressed up against, with sexual undertones

'Cê é safada meu amor
The singer uses the word 'safada,' which can mean 'slutty' or 'naughty,' as a term of endearment

Quer Ména
The singer asks if someone wants marijuana, arguably promoting drug use

Sabe, nós te dá
The artist offers to give someone marijuana, with the use of the word 'nós' (we) potentially indicating a group activity

Ela senta tão nervoso
The artist suggests that a woman's actions are making them feel nervous or sexually stimulated

Eu não vou aguentar
The singer implies that they may be overwhelmed or unable to resist temptation