Donald Romain Davis (born February 4, 1957) is an American composer, conduc… Read Full Bio ↴Donald Romain Davis (born February 4, 1957) is an American composer, conductor, and orchestrator. Best known for his work on The Matrix franchise, he has worked on numerous television and film scores, collaborating with directors including The Wachowskis, Ronny Yu, and Joe Johnston in film genres ranging from horror, to action, to comedy. He is the recipient of two Primetime Emmy Awards and four BMI Film Music Awards.
Davis was born in Anaheim, California. After graduating from high school, Davis enrolled at UCLA. He continued his study of musical composition with tutor Henri Lazarof. Additionally, he learned orchestration from Albert Harris. During their orchestration lessons, Harris introduced Davis to the TV composer Joe Harnell, who supported Davis during his search for work—his first job was working for composer Mark Snow's TV show Hart to Hart. He has worked as an orchestrator and conductor for Michael Kamen, Alan Silvestri, James Horner, and Randy Newman.
Davis won Emmys in 1990 for Beauty and the Beast and 1995 for SeaQuest DSV. He wrote scores mostly for television series up until 1995, in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie. He continued to score television series until the two then young directors, the Wachowskis, hired him to score their neo-noir film Bound. It was reasonably successful at the box office. Bound was the film which led Davis into becoming the composer for the entire Matrix trilogy. Subsequently, Davis has composed scores for films such as Jurassic Park III (recommended to the filmmakers by John Williams, the composer of the scores for the first two films in the series), House on Haunted Hill, Behind Enemy Lines, and The Unsaid. In 2004, he produced the music score for the BBC science fiction documentary series Space Odyssey: Voyage to the Planets, released as Voyage to the Planets and Beyond in the United States.
Davis' magnum opus is Matrix franchise: The Matrix, The Matrix Reloaded, The Matrix Revolutions, and The Animatrix. It was set apart from other film scores of its time for its atonality and avant garde style of composition, with influences from polytonal minimalist works like John Adams' Short Ride in a Fast Machine and cluster-like as well as aleatoric techniques prominent in the works of composer Witold Lutosławski.
Don Davis' dark opera, Río de Sangre, received its premiere at the Florentine Opera Company on October 22, 2010. Previously, excerpts from the opera were performed in Los Angeles with the Los Angeles Master Chorale on November 6, 2005, and the New York City Opera on May 13, 2007.
Davis was born in Anaheim, California. After graduating from high school, Davis enrolled at UCLA. He continued his study of musical composition with tutor Henri Lazarof. Additionally, he learned orchestration from Albert Harris. During their orchestration lessons, Harris introduced Davis to the TV composer Joe Harnell, who supported Davis during his search for work—his first job was working for composer Mark Snow's TV show Hart to Hart. He has worked as an orchestrator and conductor for Michael Kamen, Alan Silvestri, James Horner, and Randy Newman.
Davis won Emmys in 1990 for Beauty and the Beast and 1995 for SeaQuest DSV. He wrote scores mostly for television series up until 1995, in which he wrote a few of the cues for the animated Disney motion picture A Goofy Movie. He continued to score television series until the two then young directors, the Wachowskis, hired him to score their neo-noir film Bound. It was reasonably successful at the box office. Bound was the film which led Davis into becoming the composer for the entire Matrix trilogy. Subsequently, Davis has composed scores for films such as Jurassic Park III (recommended to the filmmakers by John Williams, the composer of the scores for the first two films in the series), House on Haunted Hill, Behind Enemy Lines, and The Unsaid. In 2004, he produced the music score for the BBC science fiction documentary series Space Odyssey: Voyage to the Planets, released as Voyage to the Planets and Beyond in the United States.
Davis' magnum opus is Matrix franchise: The Matrix, The Matrix Reloaded, The Matrix Revolutions, and The Animatrix. It was set apart from other film scores of its time for its atonality and avant garde style of composition, with influences from polytonal minimalist works like John Adams' Short Ride in a Fast Machine and cluster-like as well as aleatoric techniques prominent in the works of composer Witold Lutosławski.
Don Davis' dark opera, Río de Sangre, received its premiere at the Florentine Opera Company on October 22, 2010. Previously, excerpts from the opera were performed in Los Angeles with the Los Angeles Master Chorale on November 6, 2005, and the New York City Opera on May 13, 2007.
Michael Finds Kyle
Don Davis Lyrics
We have lyrics for these tracks by Don Davis:
"Matrix Reloaded" Suite [INSTRUMENTAL]…
I Out among the stars I sail, way beyond the moon In…
In My Head Every other way Nothing Fades away Listen to the mission I'…
Main Title instrumental…
Maintitle [INSTRUMENTAL]…
Navras Asato ma sad gamaya tamaso ma jyotir gamaya mrtyor mamrtam g…
Neodämmerung asato ma sad gamaya tamaso ma jyotir gamaya mrtyor mamrtam g…
No More Nebuchadnezzar Out among the stars I sail, way beyond the moon In…
The Matrix Every other way Nothing Fades away Listen to the mission I'…
Trinity Dream instrumental…
You My love must be a kind of blind love I can't…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Alex Berg
"You truly cannot have enough WRs in this format" - Davis, before 12 straight non-WR picks 🤣
Graphic 13
I had to see how this draft went down 😆
MJK 2288
Haha
Francisco Quiroz
Just based off of watching this, I’m sure Kyle said the same about Jacobs last year for what he’s saying about Pierce this year. “2 down back on a bad team”
WhereAreMyEntertainers?!
Jacobs has always been stellar in the flats, in college also.
pen digging
this went exactly how i thought it did
nzherald
just knowing that the Hurts / Ridley turn is coming... like 2 picks before it, they haven't said Hurts' name once... way too funny 🤣
Rupesh
Liam: "I'm a big Dameon Pierce guy"
Kyle, immediately: "Why? For what reason?"
Shawno53
Davis using the Overton window to pound the table for Dameon Pierce is classic Davis.
WhereAreMyEntertainers?!
Zach Charbonet will never get more air time than he did in this draft. Ever. 😂