Practice )
Drake Lyrics


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Cash money shit, cash money shit

I can tell that money's got you working
We've been talking for so long
Now we're finally here in person
I taste pain and regret, in your sweat
You've been waiting for me, oh ho
I can tell that you been practicing
I can tell that you been practicing
All those other men were practice, they were practice
Yeah, for me, for me, for me, for me

Girl you look good won't you back that ass up
You a fine motherfucker won't you back that ass up
Call me Big Daddy won't you back that ass up
Girl who is you playing with, back that ass up
You working with some ass yeah, you bad yeah
Girl you working with some ass yeah, you bad yeah

Girl you working with some ass yeah, you bad yeah
Make a nigga spend his cash yeah, his last yeah
Hoes frown when you pass yeah, they mad yeah
Couple thousand on your bag yeah, fuck yeah
I'm a big timer nigga yeah, money flipper yeah
Get it understood yeah, it's all good yeah
Girl I know it's real 'cause I've been around it
You only want what's real you just never found it
Don't give them no more chances, ooh girl they had their turn
Everything for a reason, there's things you had to learn from them
But when I get you to myself
You know what's going down, what's going down

Girl you look good won't you back that ass up
You a fine motherfucker won't you back that ass up
Call me Big Daddy won't you back that ass up
Girl who is you playing with, back that ass up
You working with some ass yeah, you bad yeah
Girl you working with some ass yeah, you bad yeah

I know he messed up
But let a real nigga make it right
Let a real nigga make it right, you deserve that much
Let me put something in your life
Let me put something in your life, put something in your life
You telling me it's only been a couple other people that you've been with
I'ma trust you I'ma give you the benefit of the doubt, and I'ma love you
You can even call me daddy, I'll give you something to look up to
All my girls from the five o four, need to drop it right now,
Need to drop it right now, all my girls from the five o four, need to drop it right now
Need to drop it right now, all my girls from the five o four need to drop it right now
Need to drop it right now, all my girls from the five o four, need to drop it right now
Need to drop it right now

After you back it up then stop
After you back it up then stop
Baby girl, after you back it up then stop
After you back it up then stop

I can tell that money's got you working
Got your body so wet
Now we're finally here in person
I taste pain and regret, In your sweat
You've been waiting for me, oh ho
I can tell that you been practicing
I can tell that you been practicing




All those other men were practice, they were practice
Yeah, for me, for me, for me, for me

Overall Meaning

The lyrics of Drake's "Practice" are mainly focused on sexual desire and ego-boosting though there are some hints of emotional tension from both the parties involved. The first verse implies that the woman has been waiting and practicing for their moment together. Drake can also taste pain and regret in her sweat, which could indicate that she has been through a lot to get to where she is. He also suggests that the other men were just practice and that he is the real deal, implying that he is the one for her.


In the second verse, there is a bit more of an aggressive tone, with Drake calling the woman a "fine motherfucker" and giving her instructions to back her ass up. He calls himself "Big Daddy" and flexes his status and power. He also suggests that he can make it right for her and that she deserves something better. The chorus repeats the same lyrics, with a focus on the woman's body and how she is working with some ass, and Drake calling himself a big-timer.


The overall theme of the song seems to be focused on Drake's desire for this woman and his confidence that he is the one she has been waiting for. He also infuses elements of masculinity and power dynamics into the lyrics, asserting himself as the dominant figure in the relationship.


Line by Line Meaning

Cash money shit, cash money shit
The lyrics allude to the financial and materialistic nature of the song, highlighting the focus on wealth and success.


I can tell that money's got you working
The singer recognizes that the person he is addressing is driven by their desire for money and success, and is willing to work hard to achieve it.


We've been talking for so long
The singer and the person he is addressing have communicated for a significant amount of time, building up a sense of anticipation and expectation.


Now we're finally here in person
The artist and the person he is addressing have finally met in real life, and the anticipation is now being realized.


I taste pain and regret, in your sweat
The artist can sense that the person he is addressing has been through difficult times, which is reflected in their body language and physical response to the situation.


You've been waiting for me, oh ho
The singer acknowledges the dedication and eagerness of the person he is addressing, who has been anticipating their meeting for some time.


I can tell that you been practicing
The singer recognizes that the person he is addressing has put in effort and preparation prior to their meeting, indicating their commitment and desire to succeed.


All those other men were practice, they were practice
The artist implies that the people the person he is addressing has been with in the past were simply a stepping stone, and not truly significant in the grand scheme of things.


Girl you look good won't you back that ass up
The artist is encouraging the person he is addressing to showcase her physical attributes in a provocative manner.


You a fine motherfucker won't you back that ass up
The artist continues to applaud the person he is addressing for her physical characteristics, using profanity to emphasize his point.


Call me Big Daddy won't you back that ass up
The singer assumes a dominant, authoritative position by referring to himself as 'Big Daddy', emphasizing his sexual appeal and influence over the person he is addressing.


Girl who is you playing with, back that ass up
The artist challenges the person he is addressing to act on their physical desires, suggesting that she has been holding back or hesitating in some way.


You working with some ass yeah, you bad yeah
The singer continues to compliment and highlight the person he is addressing's physical features, admiring her assets and beauty.


Make a nigga spend his cash yeah, his last yeah
The singer suggests that the person he is addressing has power and influence over men, and can make them spend significant amounts of money on her, even to the point of exhausting their financial resources.


Hoes frown when you pass yeah, they mad yeah
The singer implies that other women are envious of the attention and admiration the person he is addressing receives from others, a testament to her desirability and attractiveness.


Couple thousand on your bag yeah, fuck yeah
The artist suggests that the person he is addressing has high-end fashion and accessories, indicating her status and wealth.


I'm a big timer nigga yeah, money flipper yeah
The artist portrays himself as a successful and wealthy individual, who is accustomed to making money and flaunting his wealth.


Get it understood yeah, it's all good yeah
The singer asserts his authority, making it clear that everything is under control and there is no cause for concern.


Girl I know it's real 'cause I've been around it
The singer believes that he has ample experience and knowledge of the lifestyle and world he is describing, implying that his observations and assessments are accurate and trustworthy.


You only want what's real you just never found it
The artist suggests that the person he is addressing has been seeking something genuine and authentic, but has been searching in the wrong places until now.


Don't give them no more chances, ooh girl they had their turn
The artist advises the person he is addressing to let go of any previous relationships or negative experiences, recognizing that they were not meant to be and are no longer relevant.


Everything for a reason, there's things you had to learn from them
The artist suggests that everything happens for a reason, and that the person he is addressing can learn from her past experiences and use them to inform and improve her current situation.


But when I get you to myself
The singer suggests that he wants to have the person he is addressing all to himself, indicating his possessiveness and desire for control.


You know what's going down, what's going down
The artist implies that he and the person he is addressing will engage in sexual activity or something similarly intimate, emphasizing the nature of their relationship and the level of trust and desire between them.


I know he messed up
The singer acknowledges that the person he is addressing has had negative experiences in past relationships, where another man has let her down or disappointed her.


But let a real nigga make it right
The singer offers himself as a solution to the past hurt and pain the person he is addressing has experienced, suggesting that his brand of masculinity and approach are more appropriate and beneficial for her.


You deserve that much
The singer implies that the person he is addressing deserves to be treated well, acknowledging her worth and value as an individual.


Let me put something in your life
The artist suggests that he can provide the person he is addressing with something meaningful and positive, adding value and significance to her existence.


You telling me it's only been a couple other people that you've been with
The artist inquires into the person he is addressing's romantic past, questioning the extent of her experience with other individuals.


I'ma trust you I'ma give you the benefit of the doubt, and I'ma love you
The singer chooses to believe in the person he is addressing, offering her his trust and love, despite any previous negative experiences she may have had.


You can even call me daddy, I'll give you something to look up to
The singer references his masculinity and paternal nature, offering himself as someone the person he is addressing can rely on and look up to for guidance or support.


All my girls from the five o four, need to drop it right now
The artist addresses women from a specific region, urging them to embrace their sexuality and physically express themselves.


After you back it up then stop
The artist advises the person he is addressing to perform a specific dance move or action, aligning it with the previous suggestion to embrace her physicality and attractiveness.


Baby girl, after you back it up then stop
The artist addresses the person he is talking to in a condescending manner, using a diminutive and infantilizing term of address.


Got your body so wet
The singer implies that he has a physical and sexual effect on the person he is addressing, describing her physical response to their interaction.


All those other men were practice, they were practice
The artist reiterates his previous suggestion that other men the person he is addressing has been with were not significant, serving only as practice or preparation for their meeting and possible future relationship.


Yeah, for me, for me, for me, for me
The singer emphasizes his central role in the person he is addressing's life and future, asserting his dominance and influence over her actions and decisions.




Lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC, Ultra Tunes, Universal Music Publishing Group
Written by: AUBREY GRAHAM, DWAYNE CARTER, ADRIAN ECCLESTON, TERIUS GRAY, NOAH SHEBIB, ABEL TESFAYE, BYRON THOMAS

Lyrics Licensed & Provided by LyricFind
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