1.
The group's base was created in 1993 w… Read Full Bio ↴Refers to many artists:
1.
The group's base was created in 1993 when brothers Kōshi (elder: vocals) and Take (younger: guitar) began playing together. They formed Flow in 1998, and were eventually joined by Keigo (vocals), Gotō (bass) and Iwasaki (drums; joined in 2000). In 2001, the band released its first maxi single, "Flow #0". The group then released two mini-albums within the same year, both of which took nationwide indie charts by storm. "Okuru Kotoba", Flow's first cover single, was released in January 2003. It remained on the Oricon indie chart for seven consecutive weeks and also hit an impressive No. 6 on the overall singles chart. In the spring of that year, their first full-scale album Splash!!! debuted at No. 2. In July 2003, Flow released the single "Blaster" on a major label, Ki/oon Records. In April 2004, they released "Go!!!", which stayed on the Oricon Top 10 Chart for three weeks. In May 2004, Flow released their first major album Game.
A string of singles followed and in July 2005 the band released its third album, Golden Coast. Since the release of Golden Coast, Flow has released two singles with new A-sides, but one of these ("Around the World/Kandata") was a double A-side release. "Colors" is the band's fourth single. The songs "Go!!!" and "Re:member" both served as opening themes to the anime series Naruto. "Days" was the first opening for Bones' Eureka Seven anime, and "Realize" was the opening for the PlayStation 2 video games based on the same series. Flow performed live in America for the first time in Dallas, Texas on September 2, 2006 at Anime Fest which was held at the Hyatt Hotel and Convention center in downtown Dallas. Flow performed "Colors" in 2006, the first opening for Sunrise's original series, Code Geass: Lelouch of the Rebellion.
Their song "Answer" is the first opening theme for the live action Japanese drama Tantei Gakuen Q. They performed "Night Parade" with the hip-hop band Home Made Kazoku. In February 2008, they released a new single entitled "Arigatō", followed by Persona -trinity soul-'s new opening, "Word of the Voice" in June 2008. They performed Code Geass: Lelouch of the Rebellion R2's second opening theme "World End" released in 2008. In 2009, the band performed "Sign", the sixth opening for Naruto Shippuden. The band released a B-side compilation album on November 4, 2009. Their single "Calling" was featured as the ending for the anime Heroman. Flow returned to North America to perform at Anime Central, in Rosemont, Illinois on May 20, 2011, and FanimeCon in San Jose, California on May 28, 2010 and in May 2011. Their song "Hey!!" was the third opening theme for the anime Beelzebub and the song "Bravelue" was used as the second opening theme for the anime Eureka Seven AO. They will provide a cover of "Cha-La Head-Cha-La" as the main theme song for the film Dragon Ball Z: Battle of Gods; the song, coupled with an insert song from the film, will be released as a double A-side single on March 20, 2013.[1]
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2.
Flow may also refer to Hip-hop artist flow
Widner DeGruy, better known by his stage name Flow or his nickname Esho Hero, is a New Orleans based rapper signed to Young Money Entertainment. He first appeared on Lil Wayne’s 2012 mixtape “Dedication 4” and is currently working on his project titled “Withdrawalz”. Flow can also be found on “Rise Of An Empire” on the track “Fresher Than Ever”.
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3.
FLOW was also an Australian rock/metal band that existed in the early 2000's. They had two releases; "The Parallel Development" in 2002 was limited to 400 numbered copies, and the "Flow" EP from 2004 featured a cover of Norwegian Wood by John Lennon.
Singer Heath King was known around the Melbourne live scene for Flow and his solo work, but tragically died in 2009 as a result of a motorcycle accident. Other members Steve MacKay (guitars) and Shane Russell (drums) went on to form Twelve Foot Ninja, who Heath was originally going to perform for.
Les Arbres
Flow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Brûlant de terres sèches sous un astre d'airain
Etaient au bord de rompre pliant sous trop de charges
Cherchant le bout de l'ombre à en devenir barge
Tu peux bien t'appuyer j'en ai vu des plus dures
Tu peux frapper, pleurer et frotter ta figure
Si tu me laisses en vie je serai là longtemps
Tous les jours, toutes les nuits, à faire l'amour au vent
Les machines de guerre aux rerlents de carbone
ont fait rougir la terre et nourri nos hormones
Comme vous sont tombés les membres de famille
Et ceux qui sont restés ont la mémoire qui vrille
Tu peux bien t'appuyer j'en ai vu des plus dures
Tu peux frapper, pleurer et frotter ta figure
Si tu me laisses en vie je serai là longtemps
Tous les jours, toutes les nuits, à faire l'amour au vent
Et l'asphalte qui nous couvre les pieds
Nous fait c'est vrai des fois nous rencontrer
Mais si vite et si mal adapté
Qu'on se gêne violemment malaise cohabité
A devenir géant pour pouvoir respirer
Tu peux bien t'appuyer j'en ai vu des plus dures
Tu peux frapper, pleurer et frotter ta figure
Si tu me laisses en vie je serai là longtemps
Tous les jours, toutes les nuits, à faire l'amour au vent
J'aime quand tu es près de moi, et ma peau est plus douce sous tes doigts
Je suis fier de voir tes enfants, moi qui fus le complice de tes parents amants
Tu peux bien t'appuyer j'en aivu des plus dures
Tu peux frapper, pleurer et frotter ta figure
Si tu me laisses en vie je serai là longtemps
Tous les jours, toutes les nuits, à faire l'amour au vent
The lyrics of Flow's song "Les Arbres" are full of metaphors and striking imagery that convey a sense of struggle, resilience, and longing for connection with nature and others. The first verse speaks of the "petites calèches" (small carriages) of the king, which are bending under the weight of their cargo and seeking shade to become boats. This can be interpreted as a critique of the excesses of power and wealth, which are unsustainable and disconnected from the earth. The singer offers comfort to someone who is struggling, saying that they can rely on him/her and that even if they suffer, they will keep on living and loving the wind.
The second verse brings a shift in perspective, as the focus turns to the consequences of war and technology on the environment and human relationships. The "machines de guerre" (war machines) are described as polluting and fueling our primal urges, while the memories of the fallen and the traumatized haunt those who survive. The singer reaffirms their support and hope for the future, saying that they will endure and cherish the simple pleasures of life, like feeling the wind on their skin.
The last verse is more personal and intimate, as the singer expresses their love and admiration for someone who is close to them, and the legacy of their parents who were lovers. This can be seen as a celebration of human connection and continuity, even in the face of adversity and mortality.
Overall, "Les Arbres" is a powerful and poetic reflection on the beauty and fragility of life, and the need for empathy and solidarity in a world that can be harsh and alienating.
Line by Line Meaning
Les petites calèches du bon roi souverain
The small carriages of the good sovereign king
Brûlant de terres sèches sous un astre d'airain
Burning dry lands under a brazen star
Etaient au bord de rompre pliant sous trop de charges
Were on the verge of breaking, bending under too much weight
Cherchant le bout de l'ombre à en devenir barge
Seeking the edge of the shadow to become a barge
Tu peux bien t'appuyer j'en ai vu des plus dures
You can lean on me, I have seen harder things
Tu peux frapper, pleurer et frotter ta figure
You can hit, cry and rub your face
Si tu me laisses en vie je serai là longtemps
If you leave me alive, I will be here for a long time
Tous les jours, toutes les nuits, à faire l'amour au vent
Every day, every night, making love to the wind
Les machines de guerre aux rerlents de carbone
War machines with carbon restraints
ont fait rougir la terre et nourri nos hormones
made the earth blush and nourished our hormones
Comme vous sont tombés les membres de famille
Like your family members fell
Et ceux qui sont restés ont la mémoire qui vrille
And those who stayed have memories that twist
Et l'asphalte qui nous couvre les pieds
And the asphalt that covers our feet
Nous fait c'est vrai des fois nous rencontrer
Makes us truly meet sometimes
Mais si vite et si mal adapté
But so quickly and poorly adapted
Qu'on se gêne violemment malaise cohabité
That we violently bother each other in uncomfortable cohabitation
A devenir géant pour pouvoir respirer
To become giant in order to breathe
J'aime quand tu es près de moi, et ma peau est plus douce sous tes doigts
I love when you're near me, and my skin is softer under your fingers
Je suis fier de voir tes enfants, moi qui fus le complice de tes parents amants
I am proud to see your children, me who was the accomplice of your parents' love
Tu peux bien t'appuyer j'en aivu des plus dures
You can lean on me, I have seen harder things
Tu peux frapper, pleurer et frotter ta figure
You can hit, cry and rub your face
Si tu me laisses en vie je serai là longtemps
If you leave me alive, I will be here for a long time
Tous les jours, toutes les nuits, à faire l'amour au vent
Every day, every night, making love to the wind
Lyrics © LES AILES DU CHAT, WAGRAM PUBLISHING
Written by: FLORENCE VAILLANT
Lyrics Licensed & Provided by LyricFind
@Delmonaco1969
The flowers and the trees,
The bronzes, the marbles,
The golds, the enamels,
The sea, the fountains (waterfalls),
The mountains and the plains
Console our pain.
Eternal nature,
You seem more beautiful
To a heart in sorrow,
And art reigns over us,
Its flame illuminates
the laughter and tears
@Delmonaco1969
Les fleurs et les arbres,
Les bronzes, les marbres,
Les ors, les émaux,
La mer, les fontaines,
Les monts et les plaines
Consolent nos maux.
Nature éternelle
Tu sembles plus belle
Au sein des douleurs,
Et l'art nous domine,
Sa flame illumine
Le rire et les pleurs.
@lucefolpini4020
C'est magnifique et je voudrais bien chanter ce chant
@willmandelbaum6087
fire
@craxtonmemorialtrust123
Beautifully sung!
@TheNetatube
Best version online! Very good :-) thx
@discotanzo
J’adore
@massouclaire6073
Superbe !
@jockmoron
Very pretty, very French. Merci.
@Delmonaco1969
The flowers and the trees,
The bronzes, the marbles,
The golds, the enamels,
The sea, the fountains (waterfalls),
The mountains and the plains
Console our pain.
Eternal nature,
You seem more beautiful
To a heart in sorrow,
And art reigns over us,
Its flame illuminates
the laughter and tears
@brigittadyahutami1900
C'est trés magnifique 😍
@Delmonaco1969
Les fleurs et les arbres,
Les bronzes, les marbres,
Les ors, les émaux,
La mer, les fontaines,
Les monts et les plaines
Consolent nos maux.
Nature éternelle
Tu sembles plus belle
Au sein des douleurs,
Et l'art nous domine,
Sa flame illumine
Le rire et les pleurs.