Frank Turner started solo acoustic shows prior to Million Dead's break up. The first official performance was at the first Small Town America all dayer at 93 Feet East on September 18th 2004. The solo performances were, in a sense, a sideline to Million Dead. They did allow Turner to display some of his own songwriting capabilities (without a band) as well as some covers of songs and bands he enjoyed, in some cases the songs were much re-worked to fit an acoustic atmosphere. Solo performances were also used to help bolster or expose Million Dead to new individuals as well, with some acoustic in-store and radio performances of Million Dead songs.
At the end of February and start of March (2006) Frank went to Oxford to record the "Campfire Punkrock" EP with Dive Dive as the backing band for three of the songs. This EP was released on May 15 2006 on a limited run through Xtra Mile recordings. It sold out after only a few weeks on sale and had to be re-pressed to meet demand.
With Jonah Matranga doing some touring in June 2006 in support of his CD/DVD album "Jonah Matranga" there was some discussion of Frank doing supports with Jonah, this only ended up with one show featuring both at The Peel in Kingston. The discussion however lead to the creation of the Jonah Matranga and Frank Turner split 12" vinyl. Released in the USA on Welcome Home Records and in the UK via Xtra Mile Recordings. The release features Frank covering two songs by American songwriters and Jonah covering two songs by British songwriters. He was recently (September 18 2006) the last ever artist to perform on BBC Radio 1's Lamacq Live program, unveiling two new songs from "Sleep Is For The Week".
The good sales of "Campfire Punkrock" meant good news as this allowed Frank to record his debut album "Sleep Is For The Week" in August and September 2006. Recorded in Oxford with Dive Dive as extra band on a selection of the 13 tracks. The last track, "The Ballad Of Me And My Friends", is a live recording from a sold out show at the London Barfly and features the vocal contribution of the (approximately) 200 strong audience during a verse. Those in attendance and gave their names to Xtra Mile Recordings will have their names credited as contributers to this track.
In April 2008, his second album Love, Ire and Song was released to critical acclaim.
His third full-length album, Poetry Of The Deed, was released September 7th 2009, and includes the singles The Road, Try This At Home and Isabel. An accompanying DVD, Take To The Road, was released in March 2010.
Amidst extensive touring in support of Poetry of the Deed, Turner and his then-untitled backing band recorded Rock & Roll, an EP consisting of tracks written at the same time as Poetry of the Deed alongside new material. Following its release, Turner and the band spent twenty days in January 2011, recording their next studio album with producer Tristan Ivemy. The result was England Keep My Bones, the fourth studio album by Frank, released on June 6, 2011, on Xtra Mile in the United Kingdom, and on June 7, 2011, on Epitaph Records worldwide. Preceded by the single, "Peggy Sang the Blues", the album was produced and mixed by Tristan Ivemy, who had previously mixed Love, Ire and Song, Rock & Roll and Campfire Punkrock.
The album's title is taken from William Shakespeare's play, The Life and Death of King John, with Turner noting, "I knew that the album was, for the most part, about mortality, and about Englishness. Shakespeare seemed like a good place to go hunting for some pearls of wisdom, and with a little help from my friend Ben we came across this one, and it just seemed to fit the work really well."
Following the completion of the album, Turner subsequently announced his backing band had named themselves The Sleeping Souls, after a lyric in the track, "I Am Disappeared". The Sleeping Souls are Nigel Powell, Ben LLoyd, Tarant Anderson and Matt Nasir.
Turner recorded his fifth studio album in Burbank, California, in October 2012. The reason for recording first time abroad in California was, that producer Rich Costey wouldn't come to England with all his equipment so he convinced Turner to record it in Burbank. Frank Turner announced via Twitter on 28 October 2012 that recording was completed, and mixing and mastering would be done in time for a March 2013 release date. During the November and December UK tour a free CD titled Good Hangs from Xtra Mile Recordings was distributed for free at Frank Turner shows, this included a yet-to-be-released Turner song titled "Tattoos" plus the Möngöl Hörde song "Casual Threats From Weekend Hardmen". On Christmas Day 2012, the song "Four Simple Words" was released on Xtra Mile Recordings' website as a free download along with the b-side "Cowboy Chords". On 4 January 2013, a video was shot for what would be the first single. On the same day Frank announced on Twitter that the single was the song "Recovery". On 9 January, Frank uploaded a photo to his Instagram page showing the names of all 13 songs that would feature on his new album. This included songs played during the UK and US tours of 2012 such as "Anymore", "Plain Sailing Weather", "We Shall Not Overcome" and "Tell Tale Signs". Frank also posted on his fan forum that an extended edition of his new album would be released that includes an extra 5 or 6 songs. On 19 February 2013, it was announced that Turner had signed a licensing deal with Interscope Records in the US for Tape Deck Heart. Following the release of the album Frank Turner embarked on a short U.K tour.
[this section requires expansion, to cover the period 2013 to 2018]
Discography:
2005 - Frank Turner's Demo
2007 - Campfire Punkrock
2007 - The Real Damage
2007 - Sleep Is For The Week
2008 - Love Ire & Song
2008 - The First Three Years
2009 - Poetry Of The Deed
2010 - Take to the Road: Live 2009
2010 - iTunes Festival: London 2010
2011 - 2011-11-17: Daytrotter Session, Big Orange Studios, Austin, TX, USA
2012 - The Second Three Years
2012 - Last Minutes and Lost Evenings
2013 - Tape Deck Heart
2014 - Polaroid Picture
2014 - The Third Three Years
2015 - Positive Songs for Negative People
2017 - Songbook
2018 - Be More Kind
2019 - No Man's Land
2020 - West Coast vs. Wessex
2020 - Buddies II: Still Buddies
Plain Sailing Weather
Frank Turner Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I can fuck up anything, anything
It was a wonderful life when we were together
And now I've fucked up every little goddamn thing
Amelie lied to me, this was supposed to be easy
I found the one damn person to help me fall asleep in the night
But sleeping gets tiring, and dark reminds me of dying
You will find me rushing through every room, switching on all the lights
The problem with falling in love in late-night bars
Is that there's always more nights, there's always more bars
The problem with showing your lover your scars
Is that everybody's lover is covered in scars
So, give me one fine day of plain sailing weather
And I can fuck up anything, anything
It was a wonderful life when we were together
And now I've fucked up
Everything's gone fractious, and I felt faithless
At that moment just before the dawn when everything falls apart
But baby I didn't mean it, for things to get desperate
I let slip my guard, I let go of the rudder
Now we're drifting in the current away from one another
So give me one fine day of plain sailing weather
And I can fuck up anything, anything
It was a wonderful life when we were together
And now I've fucked up everything
So give me one fine day of plain sailing weather
And I can fuck up anything, anything
It was a wonderful life when we were together
And now I've fucked up every little goddamn thing
Every little goddamn thing, every little goddamn thing
Every little goddamn thing
I've been skirting round the rim of doing something
Brave, and not just standing, but jumping in
Of making circles into squares, of laying down
The bare facts like a burden I can't bear
And I can almost find the words, but I can see the way you'd
Fold your hands, speak my name like a curse
Upon your pretty lips, the pressured white behind your fingertips
And when you see me for all that I am
I couldn't make mistakes to make a difference any more
I'd throw myself down on my knees, at your hands
And beg you for forgiveness for my fuck ups and my faults
And maybe you'd relent and return my hope for our forever
Lift up your precious hands, and then bring yours and mine together
So just give me one fine day of plain sailing weather
Just give me one fine day of plain sailing weather
"Plain Sailing Weather" by Frank Turner is a melancholic song about a man reflecting on his past relationship and how he messed it up. The song begins with the singer asking for one day of calm weather, on which he believes he can screw up anything. He is suggesting that his life has been a constant storm since the relationship ended, and if he had one peaceful day, he might finally be able to get over it.
In the second verse, the singer mentions a girl named Amelie, who he believed would help him sleep peacefully at night. However, the process of falling in love became tiring, and he started to associate darkness with death. As long as he's alive, he'll remain in a constant state of anxiety and restlessness. In the third verse, the singer blames the late-night bars for his situation. Falling in love in bars is problematic because there are always more nights and bars. This caused the singer to open up to his lover too soon and to reveal his scars, which he then found out that everyone has.
In the final verse, the singer admits that he has been hesitant to do something brave but knows he needs to lay down the "bare facts" of his guilt and mistakes. He is becoming desperate and wants to be with his lover once more. The song ends with the singer begging for a peaceful day, such that he can find his way back to his lover and apologize for his faults.
Line by Line Meaning
Just give me one fine day of plain sailing weather
The singer wants a day without problems or complications.
And I can fuck up anything, anything
The singer believes that if things are going well, they will inevitably mess something up.
It was a wonderful life when we were together
The singer is nostalgic for a previous relationship which they believed was great while it lasted.
And now I've fucked up every little goddamn thing
The artist is blaming themselves for ruining everything now that the relationship is over.
Amelie lied to me, this was supposed to be easy
The artist trusted someone who promised an easy solution to their problems, but it turned out to be false.
I found the one damn person to help me fall asleep in the night
The singer had found a person who helped them find peace at night.
But sleeping gets tiring, and dark reminds me of dying
The singer cannot just rely on sleep to escape from their problems because it only reminds them of their mortality.
And as long as this feeble heart is still beating
The artist is acknowledging their vulnerability as a human.
You will find me rushing through every room, switching on all the lights
The artist is trying to fend off the darkness and fear by keeping the lights on.
The problem with falling in love in late-night bars
The artist is highlighting a pitfall of romantic relationships which begin in late-night, alcohol-infused environments.
Is that there's always more nights, there's always more bars
The singer is pointing out how relationships can easily be prolonged because there are always more opportunities to meet at bars or clubs.
The problem with showing your lover your scars
The artist is acknowledging the risks of vulnerability in a romantic relationship.
Is that everybody's lover is covered in scars
The singer believes that everyone has their own emotional wounds and burdens.
Everything's gone fractious, and I felt faithless
The singer feels that everything has fallen apart and has lost faith in their situation.
At that moment just before the dawn when everything falls apart
The singer is describing a moment of desperate uncertainty before things get better or worse.
But baby I didn't mean it, for things to get desperate
The artist is apologizing for letting things get out of hand.
I let slip my guard, I let go of the rudder
The artist feels regret for being careless and not taking control of the situation.
Now we're drifting in the current away from one another
The singer sees that they have grown apart from their partner and are moving in different directions.
I've been skirting round the rim of doing something brave, and not just standing, but jumping in
The singer has been contemplating taking a bold, courageous action, rather than just passively waiting for things to work out.
Of making circles into squares, of laying down the bare facts like a burden I can't bear
The artist wants to confront the problem head on and speak the truth about their feelings, but it feels like a heavy weight on their shoulders.
And I can almost find the words, but I can see the way you'd fold your hands, speak my name like a curse
The artist is afraid of the potential negative consequences of being honest, such as being rejected or criticized.
Upon your pretty lips, the pressured white behind your fingertips
The artist sees the hesitation and stress on their partner's face when they think about facing the truth.
And when you see me for all that I am
The singer wants their partner to see them as they truly are, not just the image they have created.
I couldn't make mistakes to make a difference any more
The artist knows they cannot make any more mistakes and still expect their relationship to improve.
I'd throw myself down on my knees, at your hands
The singer is demonstrating their willingness to show humility and submission to their partner in order to make things right.
And beg you for forgiveness for my fuck ups and my faults
The singer is asking for forgiveness for past mistakes and flaws.
And maybe you'd relent and return my hope for our forever
The singer hopes that their partner will forgive them and commit to a long-term future together.
Lift up your precious hands, and then bring yours and mine together
The artist imagines a romantic reconciliation where both partners hold hands and reconcile.
Every little goddamn thing
The artist emphasizes how every aspect of their life has been negatively affected by their mistakes.
Lyrics © BMG Rights Management
Written by: FRANK TURNER, MATT NASIR
Lyrics Licensed & Provided by LyricFind
@johnbodmer7767
I'm a 48 yr old grown ass man and this fucking song gets me everytime. Frank Turner is brilliant.
@shottingham
every thing he does, and achieves it perfectly. if you ever get to see him live, it makes it even better. i hope you do. much love.
@coheedcambria87
His ability to write about such dark and depressing subject matter and make it so upbeat is amazing.
@ManuelaAyr
"I let slip my guard, I let go of the rudder...
now we're drifting in the current away from one another"...
@ghassani
I can find a song of his for every emotion I want to express.
@sicklillette
Yess
@shottingham
my guy is perfection.
@anfield6road
Haven't found anybody in years who can write, sing and live songs just like Frank Turner. He's a freaking genius!
@papelhojas
i am a chef. the hardest thing is simplicity. i imagine the musical equivalent is honesty. fucking nailed it mate.
@whackytobaccy5736
Now THAT is emotion, absolutely beautiful.