One More for the Road
Fred Astaire Lyrics


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It's quarter to three, there's no one in the place
Except you and me
So set 'em' up Joe, I got a little story
You oughta know

We're drinking my friend, to the end
Of a brief episode
Make it one for my baby
And one more for the road

I got the routine, so drop another nickel
In the machine
I'm feeling so bad, I wish you'd make the music
Dreamy and sad

Could tell you a lot, but that's not
In a gentleman's code
Make it one for my baby
And one more for the road

You'd never know it, but buddy I'm a kind of poet
And I've got a lot of things to say
And when I'm gloomy, you simply gotta listen to me
Until it's all talked away

Well that's how it goes, and Joe I know your gettin'
Anxious to close
Thanks for the beer
I hope you didn't mind

My bending your ear
Don't let it be said
Little Freddie couldn't carry his load
Make it one for my baby





And one more for the road
That long long road

Overall Meaning

The song "One For My Baby" by Fred Astaire describes a conversation between two friends, one of whom is feeling sad and in need of a drink. The singer sets the scene, telling us it's late at night and there's no one else around. He asks the bartender to pour them a drink, and then starts to share his troubles. The singer mentions that he's feeling so low that he wants the music to be "dreamy and sad." Despite his sadness, the singer hints that he's got a lot on his mind that he wants to share.


The conversation turns lighthearted towards the end of the song, with the singer playfully thanking the bartender for listening and assuring him that he can hold his liquor. The song is ultimately a melancholy toast to the end of a fleeting moment, a brief episode, and the start of a long, dark, and uncertain road ahead.


There are various interpretations of the song, from a man lamenting lost love to a traveller's farewell to a life on the road. Regardless of the interpretation, the song's universal themes of sadness, loneliness, and the transience of life make it a timeless classic.


Line by Line Meaning

It's quarter to three, there's no one in the place
It's late at night and the place is empty, except for the singer and the bartender.


Except you and me
Those are the only people in the bar.


So set 'em' up Joe, I got a little story
The singer asks the bartender to pour drinks and tells him he has a story to share.


You oughta know
The artist is implying the bartender might be interested in hearing the story.


We’re drinking my friend, to the end
The artist is drinking with the bartender as he shares his story.


Of a brief episode
The story is about a brief moment in the singer's life.


Make it one for my baby
The singer asks for another drink to be made for him in honor of something or someone.


And one more for the road
The artist wants one last drink before he leaves.


I got the routine, so drop another nickel
The artist has a set routine and asks for another song to be played by putting more money in the jukebox.


In the machine
The machine refers to the jukebox where the artist's songs are being played.


I'm feeling so bad, I wish you'd make the music
The singer is feeling sad and wishes the music played by the jukebox would reflect his mood.


Dreamy and sad
The artist wants the music to be emotional and dream-like.


Could tell you a lot, but that's not
The singer has a lot to say but won't burden the bartender with more stories.


In a gentleman's code
The singer is being respectful of the bartender's time and doesn't want to overstay his welcome.


You'd never know it, but buddy I'm a kind of poet
The singer reveals he has a talent for poetry, which wouldn't be expected given the setting.


And I've got a lot of things to say
The artist has a lot of thoughts and emotions he wants to express.


And when I'm gloomy, you simply gotta listen to me
The artist wants the bartender to listen to him when he's feeling down.


Until it's all talked away
The singer wants to keep talking about his problems until he feels better.


Well that's how it goes, and Joe I know your gettin'
The singer acknowledges that the conversation has gone on long enough and the bartender is probably getting tired.


Anxious to close
The bartender is ready to close up the bar for the night.


Thanks for the beer
The artist thanks the bartender for serving him drinks.


I hope you didn't mind
The artist is hoping that he didn't impose too much by sharing his story.


My bending your ear
The singer acknowledges that he talked a lot and potentially bored the bartender.


Don't let it be said
The artist doesn't want to be remembered as someone who couldn't hold their alcohol.


Little Freddie couldn't carry his load
The singer refers to himself in the third person and doesn't want to be seen as someone who can't handle alcohol.


Make it one for my baby
The singer wants one last drink in honor of someone or something.


And one more for the road
The singer wants one last drink before leaving for the night.


That long long road
The artist is referring to the road ahead, as he leaves the bar and continues his journey through life.




Lyrics © DistroKid, BMG Rights Management
Written by: Harold Arlen, Johnny Mercer

Lyrics Licensed & Provided by LyricFind
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Most interesting comment from YouTube:

@tuxguys

Damn you, sir, for posting this... now I'll have to seek out the
entire movie.
Astaire is a seriously underrated singer, and a SERIOUSLY
underrated actor, and I will never, ever, hear this song again without
thinking of it as a "Fred Astaire" tune.
Every time one sees a drunk in the future, trying to maintain his dignity, one should remember this
dance number.
Astonishing.
(Robert Benchley, too? How cool is that!)
Harold Arlen was extraordinarily adept at writing "bluesy" tunes that were not, in fact, Blues; Johnny Mercer wrote lyrics that for sheer urbanity were occasionally equaled, but never surpassed;
This tune is, in my opinion, their collaborative masterpiece.
**superphilipp
Fred Astaire is an underrated Singer and Actor? The guy was bigger than Jesus!
@@superphilipp
Actually, he was, indeed... for awhile...
I teach p/t at the World's Most Famous Music School, in Boston, and I can attest to the fact that
all of my aspiring performers, if they know his name at all, think he
was just a tap dancer...
One of the things I try to impress on them is that, no matter how famous one is, and for how long, it never lasts, so
that alone is not a reason to seek out such a career...
Case in point:
Most of them don't know who Johnny Carson is, or rather, was, either...



All comments from YouTube:

@qwerpoiu555

Having listened to Sinatra's version numerous times and finally coming here, boy I'm so surprised this song was originally a big tap number, and I absolutely love it!

@nobuddyrich

Class, talent, style, creative perfectionist and a great human being. They shot this in ONE TAKE! We will never see his likes again.

@Goedhartbros

Bing Crosby: "There never was a greater perfectionist, there never was, and never will be, a better dancer, and I never knew anybody more kind, more considerate, or more completely a gentleman...I love Fred, John, and I admire and respect him. I guess it's because he's so many things I'd like to be and I'm not. "

@carltrotter7622

Where is that quote from dear fellow?

@stevedirks3

Bing Crosby in a letter to John O'Hara as quoted in Thomas, Bob. Astaire, the Man, The Dancer. Weidenfeld and Nicholson, London, 1985. ISBN 0297784021 p.242.

@Goedhartbros

@@stevedirks3 My comment: 10 years ago. The question: 7 months ago. The reply: 20 minutes ago. Gotta love the timespan

@tallisonrausch5719

Yes, apparently real type A professionalism standards.

@ange9663

The awesome Fred Astaire, written for him and the best version by far. Super fit to just jump up onto stools and bar like that. Just the greatest ♥️♥️

@bobbydazzler1780

They don’t make them like that no more. The ultimate show man, singer, actor but man he could dance.

@gordonlancaster3492

Best tap routine ever.

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