Front Line Assembly is composed of Bill Leeb (vocals, synthesizers) and Rhy… Read Full Bio ↴Front Line Assembly is composed of Bill Leeb (vocals, synthesizers) and Rhys Fulber (synthesizers and samplers), one of many groups formed by the prolific Vancouver, Canada-based duo. After working in the mid-'80s under the pseudonym Wilhelm Schroeder with Skinny Puppy, the Austrian-born Leeb formed the industrial/ebm-based Front Line Assembly in 1986 with Fulber -- who initially joined on as a studio assistant -- and synth player Michael Balch. After a handful of compilation appearances and cassette-only releases, Front Line Assembly issued its first three full-length efforts -- The Initial Command, State of Mind, and Corrosion -- on a monthly basis between December 1987 and February 1988. Later in 1988, Corrosion was reissued, along with a subsequent mini-album titled Disorder and a number of exclusive bonus tracks, as Convergence.

In 1989, the group returned with the album Gashed Senses & Crossfire, which contained the dance-flavored singles "Digital Tension Dementia" and "No Limit." A European tour in support of the record yielded a live album -- titled simply, Live -- that was released and deleted on the same day in a limited edition of 4,000 pressings. After Balch departed Front Line Assembly in 1990, Fulber stepped in as a full partner; the streamlined duo soon released the electro-styled album Caustic Grip, while 1992's Tactical Neural Implant found the group's music moving in a more hard-edged disco direction. By 1994, the sound evolved yet again, with the album Millennium displaying a newfound reliance on guitars; both the title track and "This Faith" scored as club hits. Fulber departed the lineup by 1997, while his replacement Chris Peterson debuted with 1998's Flavour of the Weak. A best-of/remix compilation, Monument, was released the same year, as well as Re-Wind, a re-mix collection of material from Flavour of the Weak. Implode appeared one year later. Sticking with a heavy dose of synth-pop trance and throbbing melodies,Leeb and Peterson issued Epitaph in fall 2001.

Once again re-united as FLA, Bill And Rhys released a killer single 'Maniacal' (2003) as a precursor to the new album 'Civilization' (2004) and the sighs of relief amongst FLA fans were audible across the globe. 'Maniacal' is good old-fashioned FLA bought up to date whilst B-side 'Anti' shows that messers Leeb and Fulber can still produce stark and dark Industrial.

For the first time, Bill Leeb, Rhys Fulber, and Chris Peterson have joined ranks. The trio, with new members Jeremy Inkel and Adrian White, began work on Artificial Soldier in early 2005, and it was time well spent. Just release in June 2006 the newly re-formed line-up managed to create a release that should live up to the expectations of Front Line Assembly fans. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb's trademark vocals are the norm here. Two guest vocalists also appear on Artificial Soldier. Eskil Simonsson from Covenant (on “The Storm”) and Jean-Luc De Meyer from Front 242 (on “Future Fail”).

Other projects include: Conjure One, Delerium, Pro-Tech, Synaesthesia, Will, Intermix, Noise Unit, Equinox, Cyberaktif and Mutual Mortuary.

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The Chair
Front Line Assembly Lyrics

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"The chair is armed, repeat, the chair is armed!"
"Come back in here,
Come back in here,
You'll never turn the TV on, boy.
I'll be there.
I'll be there waiting for you
I'll wait over here for you."
"Against killing an entire family..."

Overall Meaning

The song "The Chair" by Front Line Assembly talks about the idea of control and oppression. The opening line, "The chair is armed, repeat, the chair is armed!" sets a dark and ominous tone, as if there is something or someone in power that is ready to strike. The following lines, "Come back in here, come back in here, you'll never turn the TV on, boy" and "I'll be there waiting for you, I'll wait over here for you," emphasize the idea of control and surveillance. The singer is in control and waiting for the person they are addressing, indicating that they have power over them.

The final line, "Against killing an entire family," leaves a chilling imprint. It suggests that the singer is willing to exercise their power and control by killing a family. This line highlights the idea of oppression and the extreme measures people will take to achieve it.

Overall, "The Chair" by Front Line Assembly is a haunting portrayal of control and oppression. It shows how far people are willing to go to exert control over others and the devastating consequences that come with it.

Line by Line Meaning

The chair is armed, repeat, the chair is armed!
The device known as the chair has been armed and it should not be approached or tampered with. This message is being repeated to ensure everyone is aware of the danger.

Come back in here,
You are being instructed to return to a specific location, likely for safety or to receive further instructions.

You'll never turn the TV on, boy.
You will not be able to watch television, as it is not a priority in the current situation.

I'll be there.
Someone is reassuring you that they will be present and available to help and support you.

I'll be there waiting for you
The person speaking will remain in the specified location until you arrive, to ensure your safety or to provide further guidance.

I'll wait over here for you.
The singer will remain in a specific location, likely for safety or to provide further instructions, until you arrive.

Against killing an entire family...
This sentence suggests that there is a discussion or debate taking place regarding the morality of killing an entire family. It is unclear who is speaking or what the context is.

Lyrics © Universal Music Publishing Group
Written by: NOWELL RHYS FULBER, WILHELM ANTON LEEB

Lyrics Licensed & Provided by LyricFind

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