Due to legal difficulties between Clinton and Revilot, The Parliaments' label, the name was abandoned in favor of Funkadelic, which consisted of the same group of people (that is, both the former Parliaments and their back-up band, now both combined in the name "Funkadelic"). The group signed to Westbound in 1968.
The group's self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson and Ross, though the actual recording also included several uncredited sessionmen then employed by Motown, as well as Ray Monette (of Rare Earth) and Bernie Worrell.
Bernie Worrell was officially credited starting with Funkadelic's second album, 1970's Free Your Mind... and Your Ass Will Follow, thus beginning a long collaboration between Worrell and Clinton (who had been friends for quite a while). Worrell would go on to produce many Parliament and Funkadelic albums, as well as play keyboard on albums by other members of P Funk.
After the release of Maggot Brain in 1971, Bootsy Collins and Catfish Collins joined the group. The brothers would go on to become major contributors to the P Funk sound. In 1972, this new line-up released America Eats Its Young, but many members left the group after that, due to internal squabbles, plus Hazel spending a year in jail for drug possession and assault and Tawl Ross experiencing a bad LSD trip and/or speed overdose, while Billy Bass quit due to financial concerns. Michael Hampton, a seventeen-year-old guitar prodigy, replaced Hazel.
1975 brought Funkadelic to Warner Brothers, and saw the release of Hardcore Jollies in 1976. The same year, Westbound released a compilation of archived tracks titled Tales of Kidd Funkadelic, which did significantly better than Hardcore Jollies and included "Undisco Kidd", a R&B Top 30 single. In 1977, Westbound capitalized on the success of Tales of Kidd Funkadelic by releasing The Best of the Early Years. Funkadelic recorded and released its magnum opus, One Nation Under a Groove in 1978. The title track spent six weeks at #1 on the R&B charts, while Parliament was enjoying success with "Flash Light" and "Aqua Boogie."
As the 1980s wore on, legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup among Parliament's record label, Parliament and Funkadelic disintegrated. George Clinton recorded several solo albums (sometimes under the name George Clinton & the P-Funk Allstars).
Filmmaker Yvonne Smith of Berkeley, California-based Firelight Media produced Funkadelic: One Nation Under a Groove, a full-length documentary about the groundbreaking group, which aired on PBS in 2005.
ALSO......
Though it often took a back chair to its sister group Parliament, Funkadelic furthered the notions of black rock begun by Jimi Hendrix and Sly Stone, blending elements of '60s psychedelia and blues plus the deep groove of soul and funk. The band pursued album statements of social/political commentary while Parliament stayed in the funk singles format, but Funkadelic nevertheless paralleled the more commercial artist's success, especially in the late '70s when the interplay between bands moved the Funkadelic sound closer to a unified P-Funk style.
In the grand soul tradition of a backing band playing support before the star takes the stage, Funkadelic began life supporting George Clinton's doo wop group, the Parliaments. After having performed for almost ten years, the Parliaments had added a rhythm section in 1964 -- for tours and background work -- consisting of guitarist Frankie Boyce, his brother Richard on bass, and drummer Langston Booth; two years later, the trio enlisted in the Army. By mid-1967, Clinton had recruited a new backing band, including his old friend Billy "Bass" Nelson (born January 28, 1951, Plainfield, NJ) and guitarist Eddie Hazel (born April 10, 1950, Brooklyn, NY). After several temporary replacements on drums and keyboards, the addition of rhythm guitarist Lucius "Tawl" Ross (born October 5, 1948, Wagram, NC) and drummer Ramon "Tiki" Fulwood (born May 23, 1944, Philadelphia, PA) completed the lineup.
The Parliaments recorded several hits during 1967, but trouble with the Revilot label backed Clinton into a corner. He hit upon the idea of deserting the Parliaments' name and instead recording their backing group, with the added vocal "contributions" of the former Parliaments -- same band, different name. Billy Nelson suggested the title Funkadelic, to reflect the members' increased inspiration from LSD and psychedelic culture. Clinton formed the Funkadelic label in mid-1968 but then signed the group to Detroit's Westbound label several months later.
Released in 1970, Funkadelic's self-titled debut album listed only producer Clinton and the five members of Funkadelic -- Hazel, Nelson, Fulwood, and Ross plus organist Mickey Atkins -- but also included all the former Parliaments plus several Motown sessionmen and Rare Earth's Ray Monette. Keyboard player Bernie Worrell also appeared on the album uncredited, even though his picture was included on the inner sleeve with the rest of the band.
Worrell (born April 19, 1944, Long Beach, NJ) was finally credited on the second Funkadelic album (1970's Free Your Mind...and Your A** Will Follow). He and Clinton had known each other since the early '60s, and Worrell soon became the most crucial cog in the P-Funk machine, working on arrangements and production for most later Parliament/Funkadelic releases. His strict upbringing and classical training (at the New England Conservatory and Juilliard), as well as the boom in synthesizer technology during the early '70s, gave him the tools to create the horn arrangements and jazz fusion-inspired synth runs that later trademarked the P-Funk sound. Just after the release of their third album, Maggot Brain, P-Funk added yet another big contributor, Bootsy Collins. The throbbing bass line of Collins (born October 26, 1951, Cincinnati, OH) had previously been featured in James Brown's backing band, the J.B.'s (along with his brother, guitarist Catfish Collins). Bootsy and Catfish were playing in a Detroit band in 1972 when George Clinton saw and hired them.
The Clinton/Worrell/Collins lineup premiered on 1972's America Eats Its Young, but soon after its release several original members left the camp. Eddie Hazel spent a year in jail after a combination drug possession/assault conviction, Tawl Ross left the band for medical reasons relating to an overdose of LSD and speed, and Bill Nelson quit after more financial quarrels with Clinton. Funkadelic hired teenaged guitar sensation Michael Hampton as a replacement, but both Hazel and Nelson would return for several later P-Funk releases.
Funkadelic moved to Warner Bros. in 1975 and delivered its major-label debut, Hardcore Jollies, one year later to lackluster sales and reviews. The same year, Westbound raided its vaults and countered with Tales of Kidd Funkadelic. Ironically, the album did better than Hardcore Jollies and included an R&B Top 30 single, "Undisco Kidd." In 1977, Westbound released The Best of the Early Years while Funkadelic recorded what became its masterpiece (and arguably the best P-Funk release ever), 1978's One Nation Under a Groove.
During the most successful year in Parliament/Funkadelic history, Parliament hit the charts first with "Flash Light," P-Funk's first R&B number one. "Aqua Boogie" would hit number one as well late in the year, but Funkadelic's title track to One Nation Under a Groove spent six weeks at the top spot on the R&B charts during the summer. The album, which reflected a growing consistency in styles between Parliament and Funkadelic, became the first Funkadelic LP to reach platinum (the same year that Parliament's Funkentelechy Vs. the Placebo Syndrome did the same). In 1979, Funkadelic's "(Not Just) Knee Deep" hit number one as well, and its album (Uncle Jam Wants You) reached gold status.
At just the point that Funkadelic appeared to be at the top of its powers, the band began to unravel. As is sometimes the case, commercial success began to dissolve several old friendships. In 1977, original Parliaments members Fuzzy Haskins, Calvin Simon, and Grady Thomas had left the P-Funk organization to record on their own. In early 1981, they hit the R&B charts with a single called "Connections and Disconnections," recorded as Funkadelic. To confuse matters more, the original Funkadelic appeared on the charts at the same time, with the title track to The Electric Spanking of War Babies.
During 1980, Clinton began to be weighed down by legal difficulties arising from Polygram's acquisition of Parliament's label, Casablanca. Jettisoning both the Parliament and Funkadelic names (but not the musicians), Clinton began his solo career with 1982's Computer Games. He and many former Parliament/Funkadelic members continued to tour and record throughout the '80s as the P-Funk All Stars, but the decade's disdain of everything to do with the '70s resulted in critical and commercial neglect for the world's biggest funk band, especially one which in part had spawned the sound of disco. During the early '90s, the rise of funk-inspired rap (courtesy of Digital Underground, Dr. Dre, and Warren G.) and funk rock (Primus and Red Hot Chili Peppers) re-established the status of Clinton & co., one of the most important forces in the recent history of black music. ~ John Bush, Rovi
Friday Night August 14th
Funkadelic Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ah-ah-ah-ah-ah Ah! Hey!
Friday night, August the 14th
Old lady luck smiled down on me
My income tax return came through
I put old 47 in the ?
I know that I probably should not
Matter of fact I probably could not
But then, Friday night, gonna be a memory
You know that the whole wide world will remember me, yeah
You find a little pussycat to come and see
Then I close my eyes and I'm free??
I know that I probably should not
Matter of fact I probably could not
Buy all the good time meant for me
Yeah!
Yeah
Friday night, August the 14th [Repeat x4]
Well, I know that I probably should not
Matter of fact, I probably could not
Buy all the good time meant for me
Yeah!
Ah-ah-ah-ah Ah! Hey! [Repeat x8]
Hey pussycat come and see
Yeah, yeah, yeah, yeah
The song "Friday Night August 14th" by Funkadelic is a funky and energetic track that pays homage to living life to the fullest. The lyrics describe the excitement of receiving a sudden influx of cash from a tax return, which is then used to have a good time. The singer knows that buying all the pleasures in the world is impossible, yet he decides to indulge himself anyways. He spends the evening enjoying himself and the company of a woman he finds, all the while being unapologetic for treating himself to some fun.
The lyrics are a celebration of the idea of letting loose and not worrying about the consequences. It's about taking the chance to live in the moment and have a good time. The song encourages people to be carefree, to break free from the monotony of everyday life and to release inner inhibitions. The chorus of the song is very repetitive, emphasizing the idea that life is short, and we should enjoy it to the fullest while we can. The use of a heavy bassline and upbeat guitar riffs adds to the infectious nature of the song, making it an instant party starter.
Line by Line Meaning
Friday night, August the 14th
The singer sets the scene for a memorable night that took place on Friday, August 14th.
Old lady luck smiled down on me
The singer was fortunate enough to experience good luck on this particular night.
My income tax return came through
The singer received his income tax return, adding to his good fortune on this night.
I put old 47 in the ?
It is unclear what the artist put 'old 47' in.
I know that I probably should not
The artist acknowledges that his actions may not have been the most responsible or beneficial for him.
Matter of fact I probably could not
The singer suggests that he would not have been able to enjoy such a good time without the risks he took.
Buy all the good time meant for me
The singer suggests that he spent money on activities that brought him happiness and satisfaction.
But then, Friday night, gonna be a memory
The artist acknowledges that the experiences he is having on this particular Friday night will become memories that he will keep with him.
You know that the whole wide world will remember me, yeah
The artist believes that his actions on this night will make a lasting impact on the world.
You find a little pussycat to come and see
The artist suggests that he found a companion or love interest to spend time with on this memorable night.
Then I close my eyes and I'm free??
The singer feels a sense of freedom and release when he shuts his eyes and lets go of all his worries and responsibilities.
Ah-ah-ah-ah Ah! Hey!
This is an exclamation of excitement or joy from the artist.
Well, I know that I probably should not
The singer reaffirms his previous statement that his actions may have been irresponsible, but he had a good time.
Matter of fact, I probably could not
The singer suggests that he would not have been able to experience such a memorable night without taking risks and living in the moment.
Ah-ah-ah-ah Ah! Hey!
Another exclamation of excitement or joy from the singer.
Hey pussycat come and see
The artist is calling out to his companion or love interest from earlier in the song.
Lyrics Β© Kobalt Music Publishing Ltd.
Written by: Edward Hazel, George Jr. Clinton, William Nelson
Lyrics Licensed & Provided by LyricFind
Pharaoh Johnson
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Friday night, August the 14th
Old lady luck smiled down on me
My income tax return came through
I put old 47
I know that I probably should not
Matter of fact I probably could not
Buy all the good times meant for me
But then, Friday night, gonna be a memory
You know that the whole wide world will remember me, yeah
You find a little pussycat to come and see
Then I close my eyes and I'm free?
Yeah!
I know that I probably should not
Matter of fact I probably could not
Buy all the good times meant for me
Yeah!
Yeah
Friday night, August the 14th
Friday night, August the 14th
Friday night, August the 14th
Friday night, August the 14th
Well I know that I probably should not
Matter of fact I probably could not
Buy all the good times meant for me
Yeah!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Ah-ah-ah-ah-ah ah hey!
Hey pussycat, come and see me
Yeah, yeah, yeah, yeah
Muhammad
I'm the biggest Funkadelic fan in Virginia!!!!! They are very innovative and creative!!! I am proud of their artisttry!!!
G2G Amsterdam
i like how on this album the songs begin understandable and after couple of minutes it goes somewhere way beyond normal
MadHatterRecordings
The bass blows my mind every time.
findlesplurb
Hell yeah. The bass is doing most of the guitar work, with the guitar keeping rhythm. Then that guitar solo takes over. And everything else is just perfect. For me the vocals are the cherry on the cake though, especially those crazy harmonies. 'Ahh!-Ahh!-Ahh!-Ahhhh!' Also the bridge part in this song is just a peak of funky ferocity. Everything comes together so beautifully. Absolutely brilliant song.
Ston
I think this is their RAWEST album. I mean gritty, sandpaper, glass on sidewalk kick-assery !
Blackearth Sindustries Records
Getting into funkadelic...your definition sir is top notch
Joe Public
Had this on repeat for 2 hours
fromYourSide
I think the guys in the studios did a great job too! Bringing the great sound to a more psychedelic way.
Bobby Easton
One of the BEST songs on one of the BEST albums!!!!
Dakitah Tubman
Such an absolutely funky jam