Formed in 1961, the band was active for 60 years, almost non-stop. They had 56 years of studio output, starting in 1965, which made them the world's longest surviving rock band, formed a year before The Rolling Stones, until their tragic end on 5 February 2021, when guitarist founding member George Kooymans revealed that he had been diagnosed with the neuro-muscular disease, ALS.
The band's core line-up of four was unchanged from 1970 to 2021, although extra musicians had short stints in the band in the 1970s. Golden Earring was always touring, except in 2000 (their only sabbatical year) and the final year of their existence, due to the Covid-19 pandemic.
In 1961 George Kooymans (age 13) and his neighbour Rinus Gerritsen (age 15) formed The Tornado's in the Zuiderpark district of their home town of The Hague, The Netherlands. The band's first line-up mainly played The Shadows and The Ventures covers, as well as other instrumental tunes, and played its first gigs at school parties.
In 1963, as the band found out that there already was a British band called The Tornados, they decided to change their name into The Golden Ear-rings (after a Peggy Lee song). The band now performed around The Hague, soon had a devoted local following and landed a record deal with Polydor. Their début single, 1965's Please Go, immediately landed in the Dutch Top 10.
Under the Golden Earrings moniker the band eventually recorded four albums and had twelve hit singles in the Netherlands between 1965 and 1969, ten of which reached the Dutch Top 10. Several of their records were released internationally in Europe and even North America, although they failed to make an impact there.
One of the band's sixties singles became their first Dutch #1 hit: 1968's somewhat carnavalesque Dong-Dong-Diki-Digi-Dong, although that tune is now frowned upon by the band and generally regarded as inferior to other sixties Earrings gems, such as That Day (1966, the first Dutch pop single to have been recorded in the U.K., at London's Pye Studios), Sound Of The Screaming Day (1966) and the epic Just A Little Bit Of Peace In My Heart (1969).
The band's lead singer during the early Golden Earrings years was Frans Krassenburg. He was replaced by Barry Hay (ex-The Haigs) in 1967. The band's drummer for much of the 1960s was Jaap Eggermont. His successors were Sieb Warner (1969) and, in 1970, Cesar Zuiderwijk (ex-Livin' Blues), Golden Earring's definitive drummer.
The band's international career modestly started to take off in 1969, the year of their psychedelic Eight Miles High album, their first haphazard tour of the United States and also the year in which the band name was slightly changed into The Golden Earring and finally (dropping the article within a year), Golden Earring. On their early U.S. tours, their long, wild cover version of The Byrds' classic Eight Miles High impressed audiences and press alike. Golden Earring's 19-minute album version, as well as the stand-alone 1969 single, Another 45 Miles, were the first Golden Earring recordings to get some North American airplay.
The arrival of drummer, Cesar Zuiderwijk, in 1970, completed what would turn out to be the group's definitive line-up: Barry Hay (lead vocals/guitar/flute), George Kooymans (guitar/vocals), Cesar Zuiderwijk (drums) and Rinus Gerritsen (bass/harmonica/keyboards).
1970 saw a dramatic shift in Golden Earring's musical style. After the melodic, often Beatle-esque sixties beat of The Golden Earrings and a brief phase of psychedelia and hippie rock in 1968 and 1969, the single Back Home marked the birth of Golden Earring's trademark heavy, riff-based brand of hard rock with catchy hooks. Back Home hit #1 in the Dutch charts and 'broke' Golden Earring in most of Europe, notably countries such as Germany, Switzerland, Austria and France.
This marked the start of a decade of domestic and international glory. Between 1966 and 1976 seventeen consecutive Earring singles rocketed into the Dutch Top 10, while their international popularity increased, especially after their lengthy 1972 tour of Europe, supporting The Who. Buddy Joe (1972) achieved considerable chart success in the German-speaking countries of Europe, but 1973's Radar Love was their breakthrough smash hit worldwide: #13 in the U.S. Billboard Hot 100, #1 in the U.S. Cashbox chart, #5 in Britain, #8 in Australia, #10 in Canada, #5 in Germany, #6 in Belgium, #1 in Spain and also #1 in (last but not least) Rhodesia (now Zimbabwe), to name but a few.
Radar Love remains an enduring 'car classic' and radio anthem of global fame to this day. Between 1969 and 1985 Golden Earring completed ten major tours of North America, building a considerable North American fanbase, as well as five headlining tours of Great Britain in 1973 and 1974 alone. Golden Earring toured as 'special guests' of The Who, Aerosmith, Led Zeppelin, .38 Special, Rush and many more, whereas bands like Aerosmith, KISS, ZZ Top and Lynyrd Skynyrd opened for Golden Earring. The album that spawned Radar Love, 1973's Moontan, was certified 'Gold' by North America's RIAA in 1974 and sold millions of copies worldwide.
The band failed to achieve similar chart success in the years after Radar Love: the progressive Switch (1975) and To The Hilt (1976) charted in Billboard's album charts, but yielded no major U.S. hits. The singles were clearly not what North American audiences wanted from the 'Radar Love guys'.
Golden Earring was forgotten by many outside of The Netherland and by 1980 even Dutch audiences started to lose interest: albums such as No Promises, No Debts (1979) and Prisoner Of The Night (1980) were commercial flops, leading to the band's decision (in 1981) to record a 'final LP and then call it quits.
The lead single from 1982's 'farewell album', Cut, a Kooymans-penned tune called Twilight Zone, surprisingly became an even bigger hit in the U.S. than Radar Love: #10 on the Billboard Hot 100 and #1 on Billboard's Mainstream Rock Tracks, thanks to heavy MTV rotation of the Dick Maas-directed video. The song (#1 in The Netherlands) revived Golden Earring's stateside career overnight. The Cut LP was certified 'gold' in Canada, with Twilight Zone hitting #3 in the Canadian charts.
In their native Netherlands the band did manage to extend their creative and commercial peak this time: the single When The Lady Smiles and the album N.E.W.S. ('NorthEastWestSouth'), both released in 1984, repeated the success of Twilight Zone and Cut. 'Lady' peaked at #3 in Canada, but fared disappointingly in the U.S. as MTV and even radio stations banned the track because of its controversial video, once again directed by Dick Maas, in which the rape of a nun was suggested.
After 1985 things rapidly went downhill for Golden Earring internationally (they would not tour the U.S. again), but - after a creative and financial crisis that lasted throughout the second half of the 1980s - the band wrote one of their most enduring Dutch hits in 1991 (the power-ballad, Going To The Run, which fared partially well in Russia) and discovered a new gold mine in their home country a year later: acoustic concerts in theatres, the concept of MTV Unplugged.
To everybody's surprise, the band's acoustic live album, The Naked Truth, slowly became their all-time biggest selling album in The Netherlands. Its sequels, Naked II (1997) and Naked III (2005) also went platinum at least once in The Netherlands.
Golden Earring's by far most succesful album internationally remains 1973's Moontan, which sold well over 3.5 million copies outside of The Netherlands and was certified 'gold' in the U.S., Canada and the United Kingdom (and platinum in the U.S. in later years).
Golden Earring released 25 studio albums, 9 live albums and countless succesful compilations. Almost all of these records were certified gold, often platinum, in The Netherlands. More than anything else, though, the band remained a live force of legendary status in their home country and beyond. They toured throughout each year until the very end, almost exclusively in the Netherlands, although there are still occasional live appearances in Belgium and Germany. 2009 saw Golden Earring's long overdue return to the United Kingdom: their sold out shows in Ipswich and London's Shepherd's Bush Empire were their first live appearances in England since 1978.
In 2011 the band recorded their first album of new material since 2003's Millbrook U.S.A.: Tits 'n Ass - studio album #25 for the Dutch legends - was released on 11 May 2012 on Universal Music and hit #1 in the Dutch album charts one week after its release to become Golden Earring's 8th #1 album in their home country. Certified 'gold' in The Netherlands, the album was generally believed to be Golden Earring's final studio outing, but December 2015 saw the release of a five-track mini album entitled The Hague, released more than fifty years after their début single and just before the band's sold out 'Five Zero' anniversary concert at Amsterdam's Ziggo Dome in front of a 17,000-strong crowd. 2019 saw the release of a stand-alone single, Say When: Golden Earring's final studio recording.
Nobody was aware of it at the time, but the band's 16 November 2019 performance at the Rotterdam Ahoy would turn out to be their final concert. After a year of Covid-19 lockdowns, guitarist George Kooymans announced his ALS diagnosis on 5 February 2021, the disease rendering him unfit to perform. Within hours, the band admitted that carrying on without Kooymans was unthinkable. In the words of lead singer, Barry Hay: "This is the end of the line for the band. It's a death blow. We always said: we'll keep going until the first one of us goes down. I never expected it to be George."
The band's final performance was released as a live CD and DVD in April 2022, named after Barry Hay's final words at the end of countless Golden Earring shows: You Know We Love You!.
Studio albums (released as Golden Earring, unless noted otherwise)
Just Ear-rings (1965, as The Golden Earrings or The Golden Ear-rings)
Winter-Harvest (1967, as Golden Earrings, sometimes spelled as Winter Harvest)
Miracle Mirror (1968, as Golden Earrings)
On The Double (1969, as Golden Earrings)
Eight Miles High (1969, as The Golden Earring)
Golden Earring (1970, colloquially known as 'Wall Of Dolls')
Seven Tears (1971)
Together (1972)
Moontan (1973)
Switch (1975)
To The Hilt (1976)
Contraband (1976, U.S. title: Mad Love)
Grab It For A Second (1978)
No Promises... No Debts (1979, spelled as No Promises, No Debts on most online platforms)
Prisoner Of The Night (1980)
Cut (1982)
N.E.W.S. (1984)
The Hole (1986)
Keeper Of The Flame (1989)
Bloody Buccaneers (1991)
Face It (1994)
Love Sweat (1995, covers album)
Paradise In Distress (1999)
Millbrook U.S.A. (2003)
Tits 'n Ass (2012)
The Hague (EP, 2015)
Live albums
Live (1977)
2nd Live (1981)
Something Heavy Going Down (1984, includes one new studio track)
The Naked Truth (1992, acoustic)
Naked II (1997, acoustic)
Last Blast Of The Century (2000)
Naked III (2005, acoustic, incorrectly listed as Naked Truth III on some streaming platforms)
Live In Ahoy 2006 (2006, live DVD + CD set)
You Know We Love You! (2022, live DVD + CD set)
Additional information:
Wikipedia: http://en.wikipedia.org/wiki/Golden_Earring
Official website: https://www.golden-earring.nl
Lucky Number
Golden Earring Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lucky Number
Lucky numbers, comin' my way
Super vision, mile away
It's one for alone and two for me and you
And two and three have been singing
Is it true that heaven is next door
We all know what four stamps are for
With you in time swamping partners
Nothing to jive, just give me five
Let's drown in holy water
Lucky numbers, lottery
Super vision, wait for me
Six and stones, back my loans
And pay the debts I carry
Save that seven just for me
I find it failed me rarely
Roll an eight on wheels of faith
Along the course of a dead man's knee
Bill me nine, I won't say no
I like a Laffy Daffy
Refrain
Place the bet, spin roulette, last time for Bingo
Cash a cheque, stick out your neck, play joker Tango
Lend your ears, take a pair of wheels. Lucky number Lingo
And when you loose, you curse the fortune game
Blame the loss on dames and dames
Find yourself where you began
Worshiping your number one
Place the bet, spin roulette, last time for Bingo
Cash a cheque, stick out your neck, play joker Tango
Lend your ears, take a pair of wheels. Lucky number Lingo
Lucky numbers, last a day
Super vision, now obey
Number ten won't listen at all
Search for getting even
Hear the call, help me fall
Ruther on eleven
Just leave twelve to itself
Welcome Mister Mean
To this hotel, a special warm
Talkin' about thirteen
Place the bet, spin roulette, last time for Bingo
Cash a cheque, stick out your neck, play joker Tango
Lend your ears, take a pair of wheels. Lucky number Lingo
And when you loose, you curse the fortune game
Blame the loss on dames and dames
Find yourself where you began
Worshiping your number one
Place the bet, spin roulette, last time for Bingo
Cash a cheque, stick out your neck, play joker Tango
Lend your ears, take a pair of wheels. Lucky number Lingo
The lyrics of Golden Earring's song, Lucky Number, portrays the idea of superstition and the belief in lucky numbers. The first two lines suggest that lucky numbers are coming to the singer, and that they can see things from far away, which could be interpreted as having some kind of clairvoyance or psychic ability. The following lines outline the superstitions attached to different numbers, such as "two for me and you," and "nothing to jive, just give me five." The lyrics also mention a belief in the proximity of heaven, with it being just a few steps away, and the idea of drowning in holy water.
The chorus emphasizes the theme of gambling with numbers, encouraging the listener to play various games such as Bingo, roulette, and the joker tango. It talks about how the game of gambling can be frustrating and blameful, with players often cursing their luck or blaming others. Overall, the song's lyrical content depicts the idea that numbers can have significant importance in our lives and that they hold superstition and often dictate important decisions.
Line by Line Meaning
Lucky numbers, comin' my way
Fortunate numbers are appearing in my life
Super vision, mile away
Perception that extends past physical sight
It's one for alone and two for me and you
The number one signifies singularity while two represents partnership
And two and three have been singing
These two numbers are harmonizing
Is it true that heaven is next door
Could the afterlife be nearby?
Just about three steps climbing
It might only take three small efforts to reach it
We all know what four stamps are for
There are certain times when four is significant, such as needing four stamps to mail a letter
With you in time swamping partners
When spending time together, it can feel like the seconds and minutes are slipping away
Nothing to jive, just give me five
No need to dance or put on airs, simply give a high five
Let's drown in holy water
A desire to experience cleansing or rebirth in a sacred or pure element
Lucky numbers, lottery
Numbers that can potentially lead to winning a game of chance
Super vision, wait for me
Please wait for me to catch up or possess the same level of foresight
Six and stones, back my loans
The number six is paired with a saying that suggests keeping one's valuables safe, even if it means turning to rough objects like stones for protection
And pay the debts I carry
Use the winnings to cover financial obligations
Save that seven just for me
Set aside the number seven because it has brought good luck in the past
I find it failed me rarely
The number seven has seldom let the artist down in terms of fortune
Roll an eight on wheels of faith
The number eight is associated with luck and the idea of putting one's trust in fate
Along the course of a dead man's knee
In an unlikely or perilous situation
Bill me nine, I won't say no
Ask for payment of nine, and it will be received without resistance
I like a Laffy Daffy
A preference for something silly or light-hearted
Place the bet, spin roulette, last time for Bingo
Engage in games of chance for a final opportunity
Cash a cheque, stick out your neck, play joker Tango
Participate in a risky, high-reward scenario
Lend your ears, take a pair of wheels. Lucky number Lingo
Listen closely and use your intuition to determine which numbers are significant
And when you lose, you curse the fortune game
When luck does not go one's way, frustration and anger can arise
Blame the loss on dames and dames
Fault women for the bad luck or outcome
Find yourself where you began
Despite trying to move forward, wind up back at square one
Worshiping your number one
Focusing on oneself and what is deemed most important
Number ten won't listen at all
This number is not responsive to requests or concerns
Search for getting even
Desire to take action to rectify a perceived wrong
Hear the call, help me fall
Feeling compelled to answer a request for assistance, even if it may result in personal failure
Ruther on eleven
Continue with persistence and conviction, even when the odds seem insurmountable
Just leave twelve to itself
Don't force or try to manipulate a situation involving the number twelve
Welcome Mister Mean
Be receptive to changes or difficulties that may come in the form of a malevolent force
To this hotel, a special warm
Entering a welcoming, comforting environment
Talkin' about thirteen
Turning attention to the number thirteen and its potential significance
Lyrics © Sony/ATV Music Publishing LLC
Written by: HAY, KOOYMANS
Lyrics Licensed & Provided by LyricFind
Steven Marque
THIS iS SUCH A BANGER OF A LIVE OPENER!