Guayacan Mix: Amor Traicionero / Te Amo, Te Extraño / Invierno en Primavera / Como Una Hoguera / Vas a Llorar / Oiga Mire Vea / Arriba Mi Folklor / Por Bocon / Teresita / Muchachita / Mi Billete / Vestido Bonito / Cocorobe / Torero
Colombian salsa band which in the '90s began to rival the success of Jairo … Read Full Bio ↴Colombian salsa band which in the '90s began to rival the success of Jairo Varela's Grupo Niche, who during the previous decade had transformed Colombian commercial music with a confident, sassy sound aped by countless others. A contributing factor to Guayacán's success was that they dared to be different: "Guayacán's sound is rootsier, more apparently fixed in the structure of the Cuban guaguancó and montuno, sparser, darker, with stripped-down arrangements," said UK salsa deejay Tomek. Named for a type of wood typically used in Colombia by the coastal blacks to build their houses on stilts, Guayacán embodies the musical concept of Alexis Lozano, the band's director, trombonist, guitarist, tres and güiro player, arranger and producer, who is obsessed about the need for a musical philosophy, and harshly judges those who lack one.
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
Guayacan Mix: Amor Traicionero / Te Amo Te Extraño / Invierno en Primavera / Como Una Hoguera / Vas a Llorar / Oiga Mire Vea / Arriba Mi Folklor / Por Bocon / Teresita / Muchachita / Mi Billete / Vestido Bonito / Cocorobe / Torero
Guayacan Lyrics
We have lyrics for these tracks by Guayacan:
Ay Amor Tomaré tu mano dulcemente Y hablaré de amor mientras bailamo…
Ay Amor cuando hablan las miradas** Tomare tu mano dulcemente te hablare de amor mientras bailam…
Cada Dia Que Pasa Cada día que pasa te veo mas bonita Le doy…
Cambiare Por Ti Yo que he sido un seductor implacable cazador con palabras l…
CUANDO HABLAN LAS MIRADAS tomare tu mano dulcemente te hablare de amor mientras bailam…
El Baile del Perrito Hay un baile muy moderno Que le gusta a todo el…
Invierno en Primavera Qué te pasa? Estás llorando No puede ser si hasta ayer Tú te…
mujer de carne y hueso Estos tiempos sin motivos Para escribir una canción Pocos re…
Oiga Mire Vea Si huele a caña tabaco y brea Uste' está en…
TE AMO TE EXTRAÑO Yo deseaba encontrar un día Motivos de llenar mi vida Sin…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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pablo ivan cano rayas
yo soy de mexico pero creci escuchando a guayacan,niche,alberto barros,hector lavoe,y muchos mas y al verdad esto si es musica arriba la salsa y la cumbia colombiana
Edgar Lopez Alviro
Muy buena orquesta , yo la escuche por primera vez ase como 17 años en cordoba veracruz mexico y me encanto felicidadez ...
Aldrin Steven Muniz
Si... no hay duda, es una de las orquestas que han llevado el nombre de Colombia por todo el mundo y todos esos temas y sobretodo esas voces son tremendamente espectaculares... Viva la salsa colombiana!!
Lo K
son de los mejor soy de guayaquil y mis respetos para la salsa colombiana no se compara es la mejor
Wilson Silva
estas son las voces mas clasicas y las que quedan en la memoria por que ahora cambian mucho los vocalistas y se pierde la identidad de las canciones por que las interpretan varias personas
Robby M.
Una vez mas se demuestra la versatilidad de los musicos Colombianos,son exelentes bravo por GUAYACAN.
Sxntixgo Espinosx
De Ibarra Ecuador saludos a Colombia gracias por parir a esta orquesta tan guapachosa quisiera algun dia bailar en mi pais con esta orquesta ñecosa y veraaaaaaaaaaca
monik
Q orgullo mi manizales y q himno el de nuestras ferias es para azotar baldosa 👏👏👏👏👏👏 y q viva mi manizales del alma la ciudad de las puertas abiertas te amooo manizales de mi alma ❤😻❤❤❤❤❤ y q viva Guayacan se lució
Oleeeeeeee
Cristo Muñoz
HERMANOS COLOMBIANOS DEBEN DE SENTIRSE ORGULLOSOS DEL TALENTO MUSICAL QUE TIENEN FELICIDADES UN SALUDO DESDE GUADALAJARA JAL. MEXICO Y ME REFIERO AL MOVIENTO DE LA SALSA Y CUMBIA COLOMBIANA LOS MEJORES DEL MUNDO
Miguel Angel Ortega
SOY DOMINICANO, AMANTE DE TODA LA MUSICA DEL MUNDO, ME ENCANTA EL VELLENATO , LA SALSA, MI MUSICA EL MERENGUE Y LA BACHATA....QUW VIVA LA MUSICA.... EL SENTIEMTO DE LOS PUEBLOS SE EXPRESA ALTRAVEZ DE LA MUSICA...