Colombian salsa band which in the '90s began to rival the success of Jairo … Read Full Bio ↴Colombian salsa band which in the '90s began to rival the success of Jairo Varela's Grupo Niche, who during the previous decade had transformed Colombian commercial music with a confident, sassy sound aped by countless others. A contributing factor to Guayacán's success was that they dared to be different: "Guayacán's sound is rootsier, more apparently fixed in the structure of the Cuban guaguancó and montuno, sparser, darker, with stripped-down arrangements," said UK salsa deejay Tomek. Named for a type of wood typically used in Colombia by the coastal blacks to build their houses on stilts, Guayacán embodies the musical concept of Alexis Lozano, the band's director, trombonist, guitarist, tres and güiro player, arranger and producer, who is obsessed about the need for a musical philosophy, and harshly judges those who lack one.
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
Lozano was born in the mid-50s in Quibdó, the capital of Chocó, the Pacific coastal area of Colombia, with a hardcore salsa following; the son of two teachers, he had already led small groups at the age of 10. "Chocó is a marginal black community which developed its culture and music separately from the rest of the country," explains Bogotá-based Puerto Rican keyboardist Israel Tanenbaum, co-prod. and co-arr. of seven Guayacán albums between '87 and '97. "During colonial days it was standard practice to dump blacks on the beaches to fend for themselves. Escapees found refuge in the coastal wastelands the white man ignored and seldom ventured into. The native music is Chirimia played by a similar instrumentation to bands that developed in New Orleans: trumpet, sax, baritone horn and clarinet with a rhythm section of snare drum, crash cymbals (between eight and twelve inches) and a tambora (comparable in construction and size to the tambora used in Dominican merengue), which serves as a bass drum. A genre akin to the Cuban danzón was developed, and later local musicians began to compose music close in style and flavour to the bolero. So when Cuban music was imported, it easily fell into the groove of this community."
Un Vestido Bonito
Guayacan Lyrics
We have lyrics for 'Un Vestido Bonito' by these artists:
Guayacan Orquesta El dia en que yo me muera. yo no quiero que…
Lebrón Brothers El día que yo me muera Yo no quiero que estés…
We have lyrics for these tracks by Guayacan:
Ay Amor Tomaré tu mano dulcemente Y hablaré de amor mientras bailamo…
Ay Amor cuando hablan las miradas** Tomare tu mano dulcemente te hablare de amor mientras bailam…
Cada Dia Que Pasa Cada día que pasa te veo mas bonita Le doy…
Cambiare Por Ti Yo que he sido un seductor implacable cazador con palabras l…
CUANDO HABLAN LAS MIRADAS tomare tu mano dulcemente te hablare de amor mientras bailam…
Invierno en Primavera Qué te pasa? Estás llorando No puede ser si hasta ayer Tú te…
mujer de carne y hueso Estos tiempos sin motivos Para escribir una canción Pocos re…
Oiga Mire Vea Si huele a caña tabaco y brea Uste' está en…
TE AMO TE EXTRAÑO Yo deseaba encontrar un día Motivos de llenar mi vida Sin…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@gfr588
Mi amigo Edgar, ponía este gran tema durante nuestro horario laboral en un almacén de material eléctrico en la ciudad de México, lamentablemente falleció de COVID.Un abrazo hasta el cielo mi querido hermano del alma... siempre te recordaré!!!!
@MariaGomez-gg7pp
Mañana es 2 de noviembre ponle su ofrenda y su luz para que pueda seguir su camino
@joje_ui_jojo_lis
Es bueno recordar a los amigos.
@angeltemich464
Soy mexicano veracruzano pero colombia pa salsa son ellos nadie mas y en los 80s y 90s uff ni hablar gracias colombia por las buenas Orquestas esto si eran salsas
@edinsoncaicedo5437
Jajajaaj así Es mexicano benga xmiracomo es to acá en cali
@geovannygonzalez5372
Un vestido bonito ojito en su nidito bien rinidito. Mi amorsito
@enepilla
Y para nosotros los boricuas y puertorriqueño son los maestros de la salsa
@fredaguirre9786
No hermano! Cali tiene buenos salseros! Las mejores salsotekas de Colombia estan Cali, "Barrio Obrero, Juanchito. Pero la Salsa de Puerto Rico es otro nivel, no he ido, pero si estuve un año en Cali, y aon muy buenos, ahora en Peru Callao aqui son medio salseros, pero no hay buenos músicos como los Caleños y Puerto Riqueños.
@keilahernandez6086
Arriba Veracruz
@kleberbarcerock5561
La musica podrá tener su origen pero definitivamente NO tiene Fronteras, desde Mexico pasando x el caribe hasta Argentina , salsa, son Montuno, Cha Cha Cha, vallenato , rancheras , cumbia , boleros, pasillos, merengue, tango, saludos Latinoamerica a su gente y su musica, de un Guayaquileño (ECUADOR) viviendo en New York