cumbia
Cumbia [ˈkumbja] is a music genre popular throughout Latin America. The Cumbia originated in Colombia's Caribbean coastal region and Panama, from the musical and cultural fusion of Native Colombians and Panamanians, slaves brought from Africa, and the Spanish during colonial times in the old country of Pocabuy, which is located in Colombia's Momposina Depression and in the northeast of Panama, in the ancient palenques of the Congo nation.
Cumbia began as a courtship dance practiced among the African population Read Full BioCumbia [ˈkumbja] is a music genre popular throughout Latin America. The Cumbia originated in Colombia's Caribbean coastal region and Panama, from the musical and cultural fusion of Native Colombians and Panamanians, slaves brought from Africa, and the Spanish during colonial times in the old country of Pocabuy, which is located in Colombia's Momposina Depression and in the northeast of Panama, in the ancient palenques of the Congo nation.
Cumbia began as a courtship dance practiced among the African population, which was later mixed with Amerindian steps and European and African instruments and musical characteristics. Cumbia is very popular in the Andean region and the Southern Cone, and is for example more popular than the salsa in many parts of these regions.
It is mainly asserted that cumbia's basic beat evolved from Guinean cumbé music. However, this basic beat can be found in music of Yoruba (in the rhythm associated with the god Obatala), and in other musical traditions across West Africa. Cumbia started in the Caribbean coast of the south of Central America and in the north of South America, in what is now the northern coast of Colombia, mainly in or around the Momposina Depression during the period of Spanish colonization and on the northeast of Panama. Spain used its ports to import African slaves, who tried to preserve their musical traditions and also turned the drumming and dances into a courtship ritual. Cumbia was mainly performed with just drums and claves.
Slaves in Colombia were later influenced by the sounds of New World instruments from the Kogui and Kuna tribes, who lived between the Sierra Nevada de Santa Marta and the Montes de María in Colombia. Millo flutes, Gaita flutes, and the guacharaca (an instrument similar to the güiro) were instruments borrowed from these New World tribes. The interaction between Africans and Natives of the New World under the Spanish caste system created a mixture from which the gaitero (cumbia interpreter) appeared, with a defined identity by the 1800s. (These gaiteros are not the same as the Venezuelan Zulian gaiteros.) The European guitars were added later through Spanish influence. According to legend, the accordion was added after a German cargo ship carrying the instruments sank as the cargo of accordions washed ashore on the northwest coast of Colombia. However, it's more likely that German immigrants brought the instrument to Barranquilla in the 19th century, and it was later adopted by the local population. Cumbia is often played in modern African celebrations.
In Panama, the processes that shaped the culture and idiosyncrasies of the Colombian Caribbean through the three aspects (Hispanic, black and Indian) from the Spanish colonial period until today, also occurred in the isthmus. Research in the field talks about their appearance in the Colonial era. Slaves in Panama sang the cumbia in Spanish and African dialect, with the accompaniment of drums only. The Mejorana a type of guitar and the Rabel were added later through Spanish influence. The Indian influence will came in form of the Saloma, a modulation of the vocal cords, a rudimentary high sonority cry that forms musical melodies.
The Cumbia is mentioned in many historical references, travel diaries, and newspapers of Panama during the 19th century. The oldest news that exists in Panama of the Cumbia, dates from the early 19th century, from the family of Don Ramón Vallarino Obarrio, where slaves dance Cumbia in his living room. This story was passed from generation to generation since Doña Rita Vallarino Obarrio to Doña Matilde Obarrio, who published it in his "Sketch of Panama Colonial Life" in the early 30th century the XX.
The basic rhythm structure is 2/4. Due to its origins, both African and New World Native influences can be felt in Cumbia.
Cumbia began as a courtship dance practiced among the African population Read Full BioCumbia [ˈkumbja] is a music genre popular throughout Latin America. The Cumbia originated in Colombia's Caribbean coastal region and Panama, from the musical and cultural fusion of Native Colombians and Panamanians, slaves brought from Africa, and the Spanish during colonial times in the old country of Pocabuy, which is located in Colombia's Momposina Depression and in the northeast of Panama, in the ancient palenques of the Congo nation.
Cumbia began as a courtship dance practiced among the African population, which was later mixed with Amerindian steps and European and African instruments and musical characteristics. Cumbia is very popular in the Andean region and the Southern Cone, and is for example more popular than the salsa in many parts of these regions.
It is mainly asserted that cumbia's basic beat evolved from Guinean cumbé music. However, this basic beat can be found in music of Yoruba (in the rhythm associated with the god Obatala), and in other musical traditions across West Africa. Cumbia started in the Caribbean coast of the south of Central America and in the north of South America, in what is now the northern coast of Colombia, mainly in or around the Momposina Depression during the period of Spanish colonization and on the northeast of Panama. Spain used its ports to import African slaves, who tried to preserve their musical traditions and also turned the drumming and dances into a courtship ritual. Cumbia was mainly performed with just drums and claves.
Slaves in Colombia were later influenced by the sounds of New World instruments from the Kogui and Kuna tribes, who lived between the Sierra Nevada de Santa Marta and the Montes de María in Colombia. Millo flutes, Gaita flutes, and the guacharaca (an instrument similar to the güiro) were instruments borrowed from these New World tribes. The interaction between Africans and Natives of the New World under the Spanish caste system created a mixture from which the gaitero (cumbia interpreter) appeared, with a defined identity by the 1800s. (These gaiteros are not the same as the Venezuelan Zulian gaiteros.) The European guitars were added later through Spanish influence. According to legend, the accordion was added after a German cargo ship carrying the instruments sank as the cargo of accordions washed ashore on the northwest coast of Colombia. However, it's more likely that German immigrants brought the instrument to Barranquilla in the 19th century, and it was later adopted by the local population. Cumbia is often played in modern African celebrations.
In Panama, the processes that shaped the culture and idiosyncrasies of the Colombian Caribbean through the three aspects (Hispanic, black and Indian) from the Spanish colonial period until today, also occurred in the isthmus. Research in the field talks about their appearance in the Colonial era. Slaves in Panama sang the cumbia in Spanish and African dialect, with the accompaniment of drums only. The Mejorana a type of guitar and the Rabel were added later through Spanish influence. The Indian influence will came in form of the Saloma, a modulation of the vocal cords, a rudimentary high sonority cry that forms musical melodies.
The Cumbia is mentioned in many historical references, travel diaries, and newspapers of Panama during the 19th century. The oldest news that exists in Panama of the Cumbia, dates from the early 19th century, from the family of Don Ramón Vallarino Obarrio, where slaves dance Cumbia in his living room. This story was passed from generation to generation since Doña Rita Vallarino Obarrio to Doña Matilde Obarrio, who published it in his "Sketch of Panama Colonial Life" in the early 30th century the XX.
The basic rhythm structure is 2/4. Due to its origins, both African and New World Native influences can be felt in Cumbia.
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Loca
Shakira Lyrics
Loca (Loca)
No te pongas bruto, (loca)
Que te la bebe
Dance or Die (Loca)
El está por mi y por ti borro
Y eso que tu tienes to'
Y yo ni un Kiki
El está por mi
Y por ti borro (borro)
Y eso que tu tienes to'
Y yo ni un Kiki
Ella se hace la bruta pa cotizar
Asi conmigo enfrente ella se hace la gata en celo contigo
Te cotorrea el oido pa tenerte en alta
Ella muere por ti, tu por mi es que matas.
Sigo tranquila como una paloma de equina
Mientras ella se pasa en su BM
Mira yo de aquí no me voy, se que esta esta por mi
Y ninguna va poder quitarmelo de un tirón
Yo soy loca con mi tigre
Loca, Loca, Loca
Soy loca con mi tigre
Loca, Loca, Loca
Soy loca con mi tigre
(Loca, Loca, Loca)
Soy Loca con mi tigre
(Loca, Loca, Loca)
El esta por mi
Y por ti borro (borro)
Eso que tu tienes to'
Y yo ni un Kiki
El esta por mi
Y por ti borro (borro)
Y eso que tu tienes to'
Y yo ni un Kiki
Mientras ella te complace con todos tus caprichos
Yo te llevo al malecón por un caminito
Me dicen que tu novia anda con un rifle
Porque te vio bailando mambo pa Ii que no lo permite?
Yo no tengo la culpa de que tu te enamore
Mientras el te compra flores yo compro condo (whoo)
Yo soy loca con mi tigre
Cuanto mas rayas mejor
Y mira, eso es lo que dicen
Yo soy loca con mi tigre
Loca, Loca, Loca
Soy loca con mi tigre
Loca, Loca, Loca
Soy loca con mi tigre
(Loca, Loca, Loca)
Soy Loca con mi tigre
Dios mio! (ah)
Se colan lo ra-ta-ta
No te ponga bruto
Que te la bebe, loca (Loca)
Loca
El está por mi
Y por ti borro (borro)
Y eso que tu tienes to'
Y yo ni un Kiki
Yo soy loca con mi tigre
Loca, Loca, Loca
Soy loca con mi tigre
Loca, Loca, Loca
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Armando Christian Perez, Dylan Mills, Edward E. Bello, Carlos Daniel Crespo-Planas, Shakira Isabel Mebarak
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Dedsec
Intro]
Loca (loca)
Loca
Dance or die
Loca (loca)
[Verse 1: Shakira]
She's playing' dumb all the time
Just to keep it fun
To get you on like (ahh!)
Be careful, amigo
She’s talking and walking just to wake you up
She’d die for your love
But your love’s only mine, boy
Yo sigo tranquila, like I’m on a beach in Anguilla
Sipping’ my Corona like it’s nothing’ going' on
I ain’t leavin’ you alone
What is meant for me
No other girl is gonna take it
So give him up
[Chorus]
And I’m crazy, but you like it (loca, loca, loca)
You like that it ain’t easy (loca, loca, loca)
I’m crazy but you like it (loca, loca, loca)
Crazy but you like it
[Verse 2: Dizzee Rascal]
That girl is a nutter
I heat up when I touch her
Chica caliente
Got me rapping to merengue
I feel so el presidente
I’m runnin’ shit and I’m lovin’ it
She’s got a mean lil’ bopper
You should see what she does with it
She keeps it down low (down low, down low)
I can never get enough (oh no, oh no)
She gives me the runaround
But I stay chasin’
But I mean, yo, I’m in love
With a crazy girl
But it’s all good
And it’s fine by me
Just as long as I hear her say, "Ay, papi"
[Chorus]
And I’m crazy, but you like it (loca, loca, loca)
You like that it ain’t easy (loca, loca, loca)
I’m crazy but you like it (loca, loca, loca)
Crazy but you like it
[Interlude]
You’re the one for me
And for her no more
Though you think she got it all I got my kiki
You’re the one for me
And for her no more
Though you think she got it all I got my kiki
[Verse 5]
I guess she doesn't know the things
That I’d do to please you
I take you to the malecón por el caminito
They saw your girlfriend looking for me with a rifle
'Cause we’re dancin' Mambo
Oh, what she don't allow it?
[Verse 6: Shakira & Dizzee Rascal]
I really can't help it
If I make the lady loca
I don’t want no trouble
I just wanna hit the... ooh!
And I’m crazy, but you like it
‘Cause the kinda girl like me
They're running out of in the market
And I’m crazy, but you like it (loca, loca, loca)
You like that it ain’t easy (loca, loca, loca)
I’m crazy but you like it (loca, loca, loca)
Crazy but you like it
That girl is (loca)
That girl is (loca)
That girl is (loca)
Loca
That girl is (loca)
That girl is (loca)
[Interlude]
You’re the one for me
And for her no more
Now you think she’s got it all, I got my kiki
[Chorus]
And I’m crazy, but you like it (loca, loca, loca)
You like that it ain’t easy (loca, loca, loca)
I’m crazy but you like it (loca, loca, loca)
(Loca, loca, loca)
BigBoss
10 years later, if you're watching this you're a legend.
Aritrika Bhattacherjee
Yes
El Jefe
Oh you’re one of those people 🤮
Akshay Sehgal
Thank you ☺️
[] • s l e e p y h e a d • []
i am B)
Abir ESSMAALI
I am
Karan Jatt
My eyes = reading comments
My ears = listening song
My hand = scrolling down
My mouth = singing song
" I Am Very Busy Person "😪😂
Scrolling is what I do 0.o
@SGamer HD wtf bruh😓
Kevin Jonathan Perez
Haja too much busy
Maia Mary
Dancing too hhh