Gustave Charpentier (June 25, 1860 – February 18, 1956) was a French compos… Read Full Bio ↴Gustave Charpentier (June 25, 1860 – February 18, 1956) was a French composer, best known for his opera Louise.
He was born in Dieuze, the son of a baker, and after studying at the conservatoire in Lille entered the Paris Conservatoire in 1881. There he studied compositions under Jules Massenet and in 1887 won the Prix de Rome for his cantata Didon. During the time in Rome that the prize gave him, he wrote the orchestral Impressions d'Italie and began work on the libretto and music for what would become his best known work, the opera Louise.
Charpentier returned to Paris, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He eventually completed Louise, and it was accepted for production by the Opéra-Comique. A realistic portrait of Parisian working-class life, it is sometimes considered a French example of verismo opera.
The premiere of Louise on February 2, 1900 under the baton of André Messager made it the first new opera to be produced at the Opéra-Comique in the twentieth century. It was an immediate success, soon being performed all over the world and bringing Charpentier wide acclaim. It also launched the career of the Scottish soprano Mary Garden, who took over the title role during an early performance. A film version of the work was made in 1939 with Grace Moore in the title role, and Louise is still occasionally performed today, with the soprano aria "Depuis le jour" a popular recital piece.
In 1902, Charpentier founded the Conservatoire Populaire Mimi Pinson, intended to provide a free artistic education to Paris's working girls. However, he became unproductive as a composer. He worked on a sequel to Louise, Julien, ou la vie d'un poète, but it was a not as great a success as Louise on its 1913 premiere, and was quickly forgotten. Charpentier wrote virtually no more music for the rest of his life. He died in Paris.
He was born in Dieuze, the son of a baker, and after studying at the conservatoire in Lille entered the Paris Conservatoire in 1881. There he studied compositions under Jules Massenet and in 1887 won the Prix de Rome for his cantata Didon. During the time in Rome that the prize gave him, he wrote the orchestral Impressions d'Italie and began work on the libretto and music for what would become his best known work, the opera Louise.
Charpentier returned to Paris, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He eventually completed Louise, and it was accepted for production by the Opéra-Comique. A realistic portrait of Parisian working-class life, it is sometimes considered a French example of verismo opera.
The premiere of Louise on February 2, 1900 under the baton of André Messager made it the first new opera to be produced at the Opéra-Comique in the twentieth century. It was an immediate success, soon being performed all over the world and bringing Charpentier wide acclaim. It also launched the career of the Scottish soprano Mary Garden, who took over the title role during an early performance. A film version of the work was made in 1939 with Grace Moore in the title role, and Louise is still occasionally performed today, with the soprano aria "Depuis le jour" a popular recital piece.
In 1902, Charpentier founded the Conservatoire Populaire Mimi Pinson, intended to provide a free artistic education to Paris's working girls. However, he became unproductive as a composer. He worked on a sequel to Louise, Julien, ou la vie d'un poète, but it was a not as great a success as Louise on its 1913 premiere, and was quickly forgotten. Charpentier wrote virtually no more music for the rest of his life. He died in Paris.
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Louise: Depuis le jour
Gustave Charpentier Lyrics
No lyrics text found for this track.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
@luizfernandg
Je tremble delicieusement aussi... Très beau et très émouvant! Oui, toujours La Callas!
@sgonz9475
Hers song is pure melancholy, capable to make you feel a myriad of emotions, capable of bringing you the most painful memory to the most beautiful you ever had.
Thank you for everything Divina, rest in peace.
@eberlinpascal2837
Très bonne prononciation du Français , intelligence de l'interprétation ,grande sensibilité .Piani et forte donnés sans aucun problème et selon les nuances exigées par la partition .C'est très beau et très émouvant .La seule avec Virginia Zeani .
@chiara2749
Thank you very much for the music score! We can see that Callas interpreted prefectly each note that was written, including high notes in pianissimo. A masterful interpretation.
@adolfohumbertoruizmartinde7379
Maravilloso, nostálgicamente hermoso!!!
Todo magnificado por esa privilegiada voz!!! Gracias por permitirnos oírla a travez del tiempo.
@laprimmadonna2341
Varios comentarios señalan imperfecciones en el canto de Callas e incluso recomiendan otras cantantes. Para mi, Callas es extraordinaria interpretando esta aria de música impresionista...es sublime, maravillosa. Te agradezco que hayas compartido esta magnífica versión. Gracias.
@gruyerolivier1842
No matter so called vocal imperfections..... the passion and the heart melt into an offering to the gods. As usual. That is Maria Callas. More and beyond a mere opera singer
@suflet2trist
gruyer olivier ❤❤❤
@mistersmith1883
i love everything this great woman sings.
@marcmitchel25
Utmost musicianship as always. Sills also charmed me in this role.